Gendered artistic positions and social voices: politics, cinema, and the visual arts in state-socialist and post-socialist Hungary
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Stuttgart
Steiner
2013
|
| Schriftenreihe: | Forschungen zur Geschichte und Kultur des östlichen Mitteleuropa
42 |
| Schlagworte: | |
| Online-Zugang: | rezensiert in: Hungarian Historical Review, 2014, 2, S. 439-443 rezensiert in: Zeitschrift für Ostmitteleuropa-Forschung (ZfO), 63 (2014), 4, S. 618-620 rezensiert in: sehepunkte 15 (2015), Nr. 3 Inhaltsverzeichnis |
| Beschreibung: | 284 S. Ill., graph. Darst. |
| ISBN: | 9783515102094 |
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Datensatz im Suchindex
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|---|---|
| adam_text | IMAGE 1
GENDERED ARTISTIC POSITIONS
AND SOCIAL VOICES
POLITICS, CINEMA, AND THE VISUAL ARTS IN STATE-SOCIALIST AND
POST-SOCIALIST HUNGARY
BEATA HOCK
FRANZ STEINER VERLAG STUTTGART 2013
IMAGE 2
CONTENTS
ACKNOWLEDGMENTS 9
INTRODUCTION 11
PART I: CONSTRUCTING AND BRINGING GENDERED IDENTITIES INTO
REPRESENTATION. . . . 1 5
CHAPTER 1 WOMAN : A POLITICALLY IRRELEVANT CATEGORY? UNSTRUCTURED
FEMALE IDENTITIES IN CONTEMPORARY HUNGARIAN SOCIETY 19
CHAPTER 2 CULTURAL PERSPECTIVES ON SOCIAL PROCESSES. DEFINING KEY TERMS
AND APPROACHES 22
2.1 SOCIETY AS TEXT 23
2.2 THE POLITICAL IMPORT OF REPRESENTATION 24
2.3 THE POLITICIZATION OF ART THEORY, AESTHETIC TERMS, AND ART PRACTICE
25 2.4 FEMINIST INTERDISCIPLINARITY 26
CHAPTER 3 HOW TO LOCALIZE FEMINIST THINKING 29
3.1 LOOKING FOR FEMINISM : EAST/WEST DICHOTOMIES AND THE DANGER OF
SELF-COLONIZATION 29
3.2 CONTESTED FEMINIST IDENTIFICATION, INTENTIONALITY AND OTHER DILEMMAS
33
3.3 REDEFINING THE POLITICAL: TWO GUIDING ASPECTS 40
PART II: EMANCIPATION: AN EXPENDABLE POLITICAL GOAL 47
CHAPTER 4 RE-ASSESSING THE STATE-SOCIALIST PAST AND TAKING A PERSPECTIVE
ON THE PRESENT 54
4.1 AN EMERGING FEMINIST SCHOLARSHIP ON CENTRAL AND EASTERN EUROPE....
54 4.2 HOW TO LOCALIZE FEMINIST SOCIAL SCIENCE: SOME DIFFICULTIES 56
CHAPTER 5 THE METAMORPHOSES OF THE STATE S POLITICAL MESSAGE FOR WOMEN
63
IMAGE 3
6
CONTENTS
5.1 WOMEN S POLITICAL AND CIVIL RIGHTS PARTICIPATION: SHARING
POLITICAL CAPITAL 64
5.2 PATTERNS IN WOMEN S EDUCATION AND EMPLOYMENT: SHARING ECONOMIC AND
SOCIAL CAPITAL 67
5.3 DECLARED POLITICAL PROMISES - UNDECLARED INTENTIONS: READING BETWEEN
THE LINES OF THE MESSAGE 73
CHAPTER 6 ONLY THEMSELVES TO BLAME : SOCIETY S CODICIL TO THE POLITICAL
MESSAGE 80
6.1 POLITICAL RHETORIC VERSUS THE REALITY OF LIFE-PRACTICES: SHARING
SOCIAL AND CULTURAL CAPITAL 80
6.2 DOUBLE BUERDEN VERSUS CHOICEOISIE : RECONCILING WORK AND FAMILY
LIFE 89
CHAPTER 7 RECEIVING THE MESSAGE: CHANGING PERCEPTIONS AND CONSTRUCTIONS
OF GENDERED SOCIAL ROLES AND IDENTITIES 93
CONCLUSIONS AND IDENTIFYING SOME FEMINIST ISSUES OF THE HERE AND NOW
99
PART III: WOMEN AND/IN HUNGARIAN CINEMA (INDUSTRY), 1945-2005 105
CHAPTER 8 THEORIES AND METHODOLOGY 109
8.1 TRENDS IN EXISTING FEMINIST FILM THEORY AND TESTING THEIR
APPLICABILITY 111
8.2 A CRITIQUE OF COLD WAR THINKING ON CULTURAL PRODUCTION 116
8.3 QUANTITATIVE AND QUALITATIVE METHODS: A NUMERICAL SURVEY AND CORPUS
ANALYSIS 120
CHAPTER 9 WOMEN S INCLUSION IN THE INDUSTRY 125
CHAPTER 10 WOMEN DIRECTORS REPRESENTING WOMEN 129
CHAPTER 11 WOMAN REPRESENTED IN HUNGARIAN CINEMA: NARRATIVES AND FILM
TEXTS 139
11.1 ADVANCING NEW ROLE MODELS: THE PRODUCTION MOVIES OFTHE 1950S 139
11.2 THE 1960S: HISTORICAL PARABLES AND MODELS FOR THE PRESENT 145
IMAGE 4
CONTENTS 7
11.3 THE 1970S AND 80S: THE POETRY OF THE EVERY-DAY 148
11.4 THE 1990S AND AFTER: STRUCTURAL RECONFIGURATION AND THE DISSIPATION
OF MEANING 153
CONLUSIONS TO PART III 162
PART IV: ARTWORKS AND SUBJECT POSITIONS: WOMEN VISUAL ARTISTS FROM 1945
TILI THE 2000S 165
CHAPTER 12 THEORIES AND METHODOLOGY 169
12.1 ISSUES AND STRATEGIES IN FEMINIST VISUAL ARTS AND THE EMERGING
HUNGARIAN DISCOURSE 169
12.2 QUANTITATIVE SURVEY AND QUALITATIVE INTERVIEWS 173
CHAPTER 13 WITH EMANCIPATION IN THE BACKGROUND: WOMEN IN HUNGARIAN
VISUAL ARTS, 1945-95 176
13.1 A BRIEF SOCIAL HISTORY OF THE VISUAL ARTS IN HUNGARY AFTER 1945 177
13.2 AN EMANCIPATION OF ONE S OWN (DORA MAURER, ORSOLYA DROZDIK JUDIT
KELE, KATALIN LADIK) . 185
CHAPTER 14 SELF-REPRESENTERS: ARTISTS, OEUVRES AND FEMINIST
INTERPRETATIVE APPROACHES 199
14.1 INSCRIBING GENDER DIFFERENCE ON THE CANVAS (AGNES SZEPFALVI, ESZTER
RADAEK) 200
14.2 A SELF-CONFESSED FEMINIST ARTIST (ORSHI DROZDIK). 207
14.3 TOWARDS FEMININE TEXTS (EMESE BENCZUER) 211
14.4 VENTURING OUT INTO THE PUBLIC (KRISZTA NAGY) 216
14.5 BOYS DON T CRY? MASCULINITY NEGOTIATED (ZSOLT KESERUE) 224
CONLUSIONS TO PART IV ! 228
CONCLUSION 233
APPENDICES ANDTABLES : 239
BIBLIOGRAPHY 254
LIST OF ILLUSTRATIONS 273
PLATES 275
IMAGE 5
LIST OF ILLUSTRATIONS
BLACK & WHITE IMAGES
1. OEROEKBEFOGADDS (ADOPTION), DIR. MAERTA MESZAROS, 1975 MAGYAR NEMZETI
FILMARCHFVUM 132
2. EGY PIKOLOE VILAEGOS (A GLASS OF BEER), DIR. FELIX MAERIAESSY, 1955
MAGYAR NEMZETI FILMARCHFVUM 143
3. ASSZONY A TELEPEN (WOMAN AT THE HELM), DIR. IMRE FEHER, 1962 MAGYAR
NEMZETI FILMARCHFVUM 147
4. FENYES SZELEK (THE CONFRONTATION), DIR. MIKLOES JANCSOE, 1968 MAGYAR
NEMZETI FILMARCHFVUM 149
5. PSYCHE (NARCISSUS AND PSYCHE), DIR. GABOR BODY, 1980 MAGYAR NEMZETI
FILMARCHFVUM 150
6. CSOEKKAL ES KOEROEMMEL (KISSES AND SCRATCHES), DIR. GYOERGY SZOMJAS, 1994
MAGYAR NEMZETI FILMARCHFVUM 156
7. JUDIT KELE: I AM A WORK OF ART. PERFORMANCE (HUNGARIAN MUSEUM OF FINE
ARTS, BUDAPEST), 1979. PHOTO: JUDIT KELE, JUDIT KELE 195
8. PERFORMANCE BY KATALIN LADIK (JOEZSEF ATTILA CULTURAL CENTER,
BUDAPEST), 1970 KATALIN LADIK 197
9. EMESE BENCZUER: HA SZDZ EVIG ELEK IS-NAPROEL NAPRA GONDOLOK A JOEVOERE
(SHOULD I LIVE TO BE A HUNDRED-DAY BY DAY I THINK ABOUT THE FUTURE).
INSTALLATION (MANUFACTURED CLOTH LABEL), 1998 EMESE BENCZUER 215
10. KRISZTA NAGY: KORTDRS FESTOEMUEVESZ VAGYOK (I AM A CONTEMPORARY
PAINTER). BILLBOARD, C-PRINT, 1998 KRISZTA NAGY 219
11. ZSOLT KESERUE: OLDASKENYSZER (TARGET PANIC). VIDEO-INSTALLATION,
2009 ZSOLT KESERUE 225
12. JUDIT KELE: I AM A WORK OF ART, INSTALLATION VIEW. INSTITUTE OF
CONTEMPORARY ART-DUNAUEJVAEROS, HUNGARY. PHOTO: MIKLOES KLOTZ 231
COLORED ILLUSTRATIONS
I. AJAENDEK EZ A NAP (/4 PRICELESS DAY), DIR. PETER GOTHAER, 1979 MAGYAR
NEMZETI FILMARCHFVUM 277
II. DERYNE, HOL VAN? ( MRS. DERY, WHERE ARE YOU?), DIR. GYULA MAAR, 1975
MAGYAR NEMZETI FILMARCHFVUM 277
III. TE RONGYOS ELET (OH, BLOODY LIFE), DIR. PETER BACSOE, 1983 MAGYAR
NEMZETI FILMARCHFVUM 278
IV. EDES EMMA, DRAGA BOEBE (SWEET EMMA, DEAR BOEBE), DIR. ISTVAEN SZABOE,
1991 MAGYAR NEMZETI FILMARCHFVUM: 279
V. A DOKUMENTATOR (THE DOCUMENTATOR), DIR. ISTVAN DAERDAY & GYOERGYI
SZALAI, 1988 MAGYAR NEMZETI FILMARCHFVUM 280
VI. AGNES SZEPFALVI: MOZI (MOVIE). OIL ON CANVAS, 2002 AGNES SZEPFALVI
280
IMAGE 6
274
LIST OF ILLUSTRATIONS
VII. AGNES SZEPFALVI: MERTEK (MEASURE). OIL ON CANVAS, 2004 AEGNES
SZEPFALVI 281
VIII. ESZTER RADAEK: AND WHERE DID I THROW THE REST OFMY CLOTHES? OIL ON
CANVAS, 2006 ESZTER RADAEK 281
IX. ESZTER RADAEK: ESZTI KOERKEP (ESZTI S PANORAMA [CAN T SEE ANY ANCIENT
HUNGARIANS]). OIL ON FIBREBOARD, 2003 ESZTER RADAEK 282
X. ESZTER RADAEK: NEZEGETEM JOBBROEL, NEZEGETEM BALROEL, KOEZBEN KIHUELT A
TEAEM (I LOOK AT IT FROM THE RIGHT, I LOOK AT IT FROM THE LEFT, AND IN
THE MEANTIME MY TEA S GONE COLD). OIL ON CANVAS, 2004 ESZTER RADAEK 282
XI. EMESE BENCZUER: AKKOR JOE, HA ESZRE SEM VESZED, HOGY DOLGOZOL (BEST IS
WHEN YOU DO NOT EVEN REALIZE YOU ARE WORKING / INSTALLATION (PENCIL,
WRITING) 1999 EMESE BENCZUER 283
XII. EMESE BENCZUER: HA SZDZ EVIG ELEK IS-NAPROEL NAPRA GONDOLOK A JOEVOERE
(SHOULD I LIVE TO BE A HUNDRED-DAY BY DAY I THINK ABOUT THE FUTURE).
INSTALLATION (MANUFACTURED CLOTH LABEL), 1998 EMESE BENCZUER 283
XIII. KRISZTA NAGY: A NOEEGYETLEN ESELYE ... (THE WOMAN S ONLY
CHANCE...). OIL ON CANVAS, 2004 KRISZTA NAGY 284
|
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| author | Hock, Beáta |
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| bvnumber | BV040531067 |
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| ctrlnum | (OCoLC)864623748 (DE-599)BVBBV040531067 |
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| era | Geschichte 1945-2009 gnd |
| era_facet | Geschichte 1945-2009 |
| format | Thesis Book |
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| series | Forschungen zur Geschichte und Kultur des östlichen Mitteleuropa |
| series2 | Forschungen zur Geschichte und Kultur des östlichen Mitteleuropa |
| spelling | Hock, Beáta Verfasser (DE-588)1065696906 aut Gendered artistic positions and social voices politics, cinema, and the visual arts in state-socialist and post-socialist Hungary Beata Hock Stuttgart Steiner 2013 284 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Forschungen zur Geschichte und Kultur des östlichen Mitteleuropa 42 Zugl.: Budapest, Central European Univ., Diss., 2009 Geschichte 1945-2009 gnd rswk-swf Frauenkunst (DE-588)4370467-0 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Ungarn (DE-588)4078541-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Ungarn (DE-588)4078541-5 g Frauenkunst (DE-588)4370467-0 s Frau (DE-588)4018202-2 s Geschlechterrolle (DE-588)4071776-8 s Geschichte 1945-2009 z DE-604 Forschungen zur Geschichte und Kultur des östlichen Mitteleuropa 42 (DE-604)BV044246434 42 https://www.recensio.net/r/68f9896ffc0f485da96af66ab0d86c01 rezensiert in: Hungarian Historical Review, 2014, 2, S. 439-443 Rezension https://www.recensio.net/r/6fc90e9046044304b6c8bbeb96b9100c rezensiert in: Zeitschrift für Ostmitteleuropa-Forschung (ZfO), 63 (2014), 4, S. 618-620 Rezension http://www.sehepunkte.de/2015/03/26841.html rezensiert in: sehepunkte 15 (2015), Nr. 3 Rezension HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025377144&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hock, Beáta Gendered artistic positions and social voices politics, cinema, and the visual arts in state-socialist and post-socialist Hungary Forschungen zur Geschichte und Kultur des östlichen Mitteleuropa Frauenkunst (DE-588)4370467-0 gnd Geschlechterrolle (DE-588)4071776-8 gnd Frau (DE-588)4018202-2 gnd |
| subject_GND | (DE-588)4370467-0 (DE-588)4071776-8 (DE-588)4018202-2 (DE-588)4078541-5 (DE-588)4113937-9 |
| title | Gendered artistic positions and social voices politics, cinema, and the visual arts in state-socialist and post-socialist Hungary |
| title_auth | Gendered artistic positions and social voices politics, cinema, and the visual arts in state-socialist and post-socialist Hungary |
| title_exact_search | Gendered artistic positions and social voices politics, cinema, and the visual arts in state-socialist and post-socialist Hungary |
| title_full | Gendered artistic positions and social voices politics, cinema, and the visual arts in state-socialist and post-socialist Hungary Beata Hock |
| title_fullStr | Gendered artistic positions and social voices politics, cinema, and the visual arts in state-socialist and post-socialist Hungary Beata Hock |
| title_full_unstemmed | Gendered artistic positions and social voices politics, cinema, and the visual arts in state-socialist and post-socialist Hungary Beata Hock |
| title_short | Gendered artistic positions and social voices |
| title_sort | gendered artistic positions and social voices politics cinema and the visual arts in state socialist and post socialist hungary |
| title_sub | politics, cinema, and the visual arts in state-socialist and post-socialist Hungary |
| topic | Frauenkunst (DE-588)4370467-0 gnd Geschlechterrolle (DE-588)4071776-8 gnd Frau (DE-588)4018202-2 gnd |
| topic_facet | Frauenkunst Geschlechterrolle Frau Ungarn Hochschulschrift |
| url | https://www.recensio.net/r/68f9896ffc0f485da96af66ab0d86c01 https://www.recensio.net/r/6fc90e9046044304b6c8bbeb96b9100c http://www.sehepunkte.de/2015/03/26841.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025377144&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044246434 |
| work_keys_str_mv | AT hockbeata genderedartisticpositionsandsocialvoicespoliticscinemaandthevisualartsinstatesocialistandpostsocialisthungary |