Commissioning contemporary art: a handbook for curators, collectors and artists
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Thames & Hudson
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturangaben |
| Beschreibung: | 320 S. 22 cm |
| ISBN: | 9780500238981 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
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| 005 | 20121107 | ||
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| 100 | 1 | |a Buck, Louisa |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Commissioning contemporary art |b a handbook for curators, collectors and artists |c Louisa Buck ; Daniel McClean. Consultant ed. Vivien Lovell |
| 250 | |a 1. publ. | ||
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Datensatz im Suchindex
| _version_ | 1804149587681738752 |
|---|---|
| adam_text | COMMISSIONING
CONTEMPORARY
ART
A
HANDBOOK
FOR
CURATORS
COLLECTORS
AND
ARTISTS
LOUISA BUCK
DANIEL MCCLEAN
CONSULTANT
EDITOR
VIVIEN LOVELL
Thames
&
Hudson
TABLE
OF
CONTENTS
Introduction
An
Ancient and Intricate Practice
The Aim of this Book
................ ................................................014
A Brief History of Commissioning
.........................................016
Chapter
1
Why Undertake a Commission?
The Patron s Perspective
.........................................................................029
Forging a relationship with an artist
.....................................................030
Creating culture
........................................................................................031
Adding lustre and a spirit of adventure
................................................032
Enhancing the environment
..................................................................034
Integrating art into architecture
............................................................036
The power of regeneration
.......................................................................039
Fulfilling planning obligations
..............................................................043
Artistic
utopias
..........................................................................................044
Theartofplacemaking
............................................................................048
Commemoration and celebration
..........................................................052
The Artist s Perspective
...........................................................056
Make your dreams come true
.................................................................056
Commissioning suits the practice
.........................................................059
Reaching different audiences
.................................................................063
Working in challenging environments
.................................................065
Triggers for change in practice
...............................................................069
New partnerships
......................................................................................071
Increased recognition
..............................................................................072
Guiding Principles: The Commissioner
...............................................076
Know your intentions
...............................................................................076
Seek best advice
.........................................................................................078
Work with the artist
..................................................................................079
Be prepared for some changes
................................................................080
Commit to all stages
.................................................................................080
Guiding Principles: The Artist
...............................................................083
Know what you want
.................................................................................083
Establish boundaries
................................................................................084
Chapter
2
Who Commissions Today and What
A Rich Spectrum of Possibilities
............................................................090
The Public Institution
..............................................................................093
On-site commissions
................................................................................094
Off-site commissions
................................................................................097
Moving image
............................................................................................099
Artists in residence
...................................................................................099
To acquire or not to acquire?
...................................................................103
The Public Realm
......................................................................................105
National and local government buildings and spaces
.......................107
Public organizations and authorities
....................................................118
Commercial and corporate developers
.................................................130
The Private Foundation
...........................................................................
134
A space of their own
..................................................................................136
Off-site commissions and strategic partnerships
...............................137
The Private Collector
................................................................................145
Commissioning for the home
.................................................................146
The private as public
.................................................................................149
The Event
....................................................................................................151
Regenerating a place
................................................................................153
Interrogating a site
....................................................................................154
National
commissions
..............................................................................157
Curated
commissions
...............................................................................159
Social
spaces
and local links
...................................................................160
Commissioning for the non-art event: the Olympics
.........................161
Sugaring the commercial pill: art fair commissions
...........................163
Commissioning Agencies
.......................................................................166
Ahomeforanidea
.....................................................................................167
Chapter
3
Making It Happen
Overview of the Commissioning Process
.............................................179
The role of the commissioner
..................................................................183
Approaching and Selecting the Artist
...................................................189
Direct invitation
.........................................................................................190
Selection committee
..................................................................................192
Selection by competition
..........................................................................192
Invited competition
...................................................................................193
Dealing with dealers
.................................................................................195
Developing the Proposal
..........................................................................197
Shaping an idea
..........................................................................................197
Early dialogue
............................................................................................199
Proposal fees
...............................................................................................200
Agreeing a budget
......................................................................................202
Presenting the proposal
............................................................................205
Securing the Finance
................................................................................211
Public funds
................................................................................................213
Networks of institutions
...........................................................................213
Business and corporate sponsorship
.....................................................214
Trusts and charitable foundations
.........................................................215
Patrons schemes
........................................................................................215
Pre-sale finance
..........................................................................................215
Reaching an Agreement
...........................................................................217
To contract or not to contract?
.................................................................218
Clarity of agreement
..................................................................................221
Guiding principles of contracting
..........................................................222
The content of the contract
......................................................................225
Production and Installation
.....................242
Design development and production management
...........................243
Dialogue with the artist
............................................................................246
Dealing with the
cliënt
.............................................................................247
Dealing with third parties
.......................................................................247
Installation
.................................................................................................252
Publicizing and Documenting
...............................................................254
Publicity
......................................................................................................254
Documentation
..........................................................................................255
Ongoing public communication
............................................................255
Chapter
4
The Commission Thereafter
What Happens Next?
...............................................................................258
Maintaining the Work
..............................................................................260
Ongoing maintenance
.............................................................................261
Limits to control
........................................................................................267
Insurance post-installation
.....................................................................268
Exhibiting the Work
.................................................................................271
The initial exhibition
................................................................................271
Restaging and touring
..............................................................................273
Preparatory material, derivative works and artist s editions
............274
Legacy and Evaluation
276
Community benefits
.................................................................................276
Evaluating a commission
........................................................................279
Intellectual Property and Artists Rights
.............................................281
Copyright
....................................................................................................283
Moral rights
................................................................................................288
Decommissioning
.....................................................................................296
Resale and Recoupment
..........................................................................297
A Practice With No Limits
............................................................................................303
Sources of Quotes
......................................................................................308
Index
............................................................................................................312
|
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| spelling | Buck, Louisa Verfasser aut Commissioning contemporary art a handbook for curators, collectors and artists Louisa Buck ; Daniel McClean. Consultant ed. Vivien Lovell 1. publ. London Thames & Hudson 2012 320 S. 22 cm txt rdacontent n rdamedia nc rdacarrier Literaturangaben Künstler (DE-588)4033423-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Auftragsarbeit (DE-588)4739709-3 gnd rswk-swf Kunstsammler (DE-588)4166042-0 gnd rswk-swf Kurator Museumskunde (DE-588)4688848-2 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Kunst (DE-588)4114333-4 s Auftragsarbeit (DE-588)4739709-3 s Kurator Museumskunde (DE-588)4688848-2 s Kunstsammler (DE-588)4166042-0 s Künstler (DE-588)4033423-5 s DE-604 McClean, Daniel Verfasser aut Lovell, Vivien Sonstige oth KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025357341&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Buck, Louisa McClean, Daniel Commissioning contemporary art a handbook for curators, collectors and artists Künstler (DE-588)4033423-5 gnd Kunst (DE-588)4114333-4 gnd Auftragsarbeit (DE-588)4739709-3 gnd Kunstsammler (DE-588)4166042-0 gnd Kurator Museumskunde (DE-588)4688848-2 gnd |
| subject_GND | (DE-588)4033423-5 (DE-588)4114333-4 (DE-588)4739709-3 (DE-588)4166042-0 (DE-588)4688848-2 (DE-588)4151278-9 |
| title | Commissioning contemporary art a handbook for curators, collectors and artists |
| title_auth | Commissioning contemporary art a handbook for curators, collectors and artists |
| title_exact_search | Commissioning contemporary art a handbook for curators, collectors and artists |
| title_full | Commissioning contemporary art a handbook for curators, collectors and artists Louisa Buck ; Daniel McClean. Consultant ed. Vivien Lovell |
| title_fullStr | Commissioning contemporary art a handbook for curators, collectors and artists Louisa Buck ; Daniel McClean. Consultant ed. Vivien Lovell |
| title_full_unstemmed | Commissioning contemporary art a handbook for curators, collectors and artists Louisa Buck ; Daniel McClean. Consultant ed. Vivien Lovell |
| title_short | Commissioning contemporary art |
| title_sort | commissioning contemporary art a handbook for curators collectors and artists |
| title_sub | a handbook for curators, collectors and artists |
| topic | Künstler (DE-588)4033423-5 gnd Kunst (DE-588)4114333-4 gnd Auftragsarbeit (DE-588)4739709-3 gnd Kunstsammler (DE-588)4166042-0 gnd Kurator Museumskunde (DE-588)4688848-2 gnd |
| topic_facet | Künstler Kunst Auftragsarbeit Kunstsammler Kurator Museumskunde Einführung |
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