Musical theory in the Renaissance:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2013
|
| Schriftenreihe: | A library of essays on Renaissance music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes index |
| Beschreibung: | XXX, 604 Seiten Notenbeispiele |
| ISBN: | 9781409422976 |
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Datensatz im Suchindex
| _version_ | 1804149478687506432 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Series Preface
ix
Introduction
xiii
PARTI TERMS AND TOPICS
1
Margaret Bent
(1983),
Resfacta and
Cantare
Super
Librimi
,
Journal
of the American Musicological Society,
36,
pp.
371-91. 3
2
Bonnie J. Blackburn
(1987),
On Compositional Process in the Fifteenth
Century
,
Journal of the American Musicological Society,
40,
pp.
210-84. 25
3
Ruth I.
DeFord (2005),
On Diminution and Proportion in
Fifteenth-Century Music Theory , Journal of the American Musicological
Society,
58,
pp.
1-67. 101
4
Harold Powers
(1992),
Is Mode Real?
Pietro Aron,
the Octenary System,
and Polyphony ,
Basler Jahrbuch für historische
Musikpraxis,
16,
pp.
9-52. 169
5
Cristle Collins Judd
(2002),
Renaissance Modal Theory: Theoretical,
Compositional, and Editorial Perspectives , in Thomas Christensen
(ed.),
Cambridge History of Western Music Theory, Cambridge: Cambridge
University Press, pp.
364-406. 213
PART II INFLUENCES AND AUTHORITIES
6
Ronald Woodley
(1987),
Renaissance Music Theory as Literature: On
Reading the
Proportionale Musices
of Iohannes Tinctoris , Renaissance
Studies,
1,
pp.
209-20. 259
7
Claude V. Palisca
(1994),
Aristoxenus Redeemed in the Renaissance ,
in Studies in the History of Italian Music Theory, Oxford: Clarendon Press,
pp.
189-99. 271
8
Gary Tomlmson
(1993),
Modes and Planetary Song: The Musical Alliance
of Ethics and Cosmology , in Music in Renaissance Magic: Towards a
Historiography of Others, Chicago: University of Chicago Press, pp.
67-100. 283
9
Sarah Fuller
(1996),
Defending the Dodecachordon: Ideological Currents
in Glarean s Modal Theory , Journal of the American Musicological Society,
49,
pp.
191-224. 321
10 Inga
Mai
Groóte
(2008), Heinrich Glarean
Reading and Editing Boethius ,
Acta
Musicologica,
80,
pp.
215-30. 355
vi Musical
Theory in the Renaissance
PART III LIFE AND WORKS OF INDIVIDUAL THEORISTS
11
Paolo da Col
(1999),
The Tradition and Science: The Istitutioni
harmonické
of Gioseffo Zarlino , Introduction to the Facsimile
Edition of Gioseffo Zarlino,
Le
istitutioni
harmonice
(Venezia,
1561) ,
Bibliotheca
Musica Bononiensis
II,
39,
Bologna:
Arnaldo Forni,
pp.
35-55. 373
12
Maria R.
Maniates
(1996),
Introduction , in Nicola
Vicentino,
Maria R.
Maniates
(trans.) and Claude V. Palisca
(ed.),
Ancient
Music Adapted to Modern Practice, New Haven: Yale University
Press, pp. xi-lxiii.
395
PART IV NATIONAL TRADITIONS AND DISSEMINATION
13
Dinko
Fabris
(1997),
Lute
Tablature
Instructions in Italy: A Survey
of the
Regole
from
1507
to
1759 ,
in Victor
A. Coelho
(ed.),
Performance on Lute, Guitar, and
Vihuela:
Historical Practice and
Modern Interpretation, Cambridge: Cambridge University Press,
pp.
16-46. 451
14
Klaus Wolfgang
Niemöller (2003),
Deutsche
Musiktheorie im 16.
Jahrhundert: Geistes- und institutionsgeschichtliche Grundlagen ,
in Deutsche Musiktheorie des 15. bis 17. Jahrhunderts. 1. Von
Paumann bis Calvisius, Darmstadt: Wissenschaftliche Buchgesellschaft,
pp.
69-98. 483
15
Jessie
Ann Owens (2010),
You Can Tell a Book by Its Cover:
Reflections on Format in English Music Theory , in Russell
Murray Jr, Susan
Forscher
Weiss and Cynthia J. Cyras
(eds),
Music Education in the Middle Ages and the Renaissance,
Bloomington:
Indiana University Press, pp.
347-85. 513
16
Philippe Vendrix
(1997),
La diffusion
de textes théoriques français à
la renaissance ,
in Axel Beer,
Kristina Pfarr
and Wolfgang
Ruf
(eds),
Festschrift
Christoph-Hellmut Mahlingzum 65. Geburtstag, Tutzing:
Hans Schneider, pp.
1453-62. 553
17
Tom R. Ward
(1990),
Music and Music Theory in the Universities
of Central Europe during the Fifteenth Century , in
Angelo Pompilio,
Donatella
Restani,
Lorenzo
Bianconi
and F. Alberto
Gallo (eds),
Trasmissione e recezione delle forme di culture musicale: Atti del
XIV
congress
della Società Internazionale di Musicologia, Bologna,
1987,
Turin:
Edizioni di Torino,
pp.
49-57. 563
18
David R.M.
Irving
(2009),
The Dissemination and Use of European
Music Books in Early Modern Asia , Early Music History,
28,
pp.
39-59. 573
Name Index
595
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| spelling | Musical theory in the Renaissance edited by Cristle Collins Judd London ; New York Routledge 2013 XXX, 604 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier A library of essays on Renaissance music Includes index Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1400-1700 gnd rswk-swf Music theory / History / 16th century Music theory / History / 17th century Geschichte Renaissance (DE-588)4049450-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Renaissance (DE-588)4049450-0 s Musiktheorie (DE-588)4040876-0 s DE-604 Geschichte 1400-1700 z Judd, Cristle Collins Sonstige oth Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025272763&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Musical theory in the Renaissance Music theory / History / 16th century Music theory / History / 17th century Geschichte Renaissance (DE-588)4049450-0 gnd Musiktheorie (DE-588)4040876-0 gnd |
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| title | Musical theory in the Renaissance |
| title_auth | Musical theory in the Renaissance |
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| title_short | Musical theory in the Renaissance |
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