Nauk o kontrapunktu:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Croatian |
| Veröffentlicht: |
Zagreb
HDGT
2006
|
| Schriftenreihe: | Biblioteka Hrvatskog Društva Glazbenih Teoretičara
4 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Bibliografija: str. 136 |
| Beschreibung: | 137 S. Ill., Noten 24 cm |
| ISBN: | 9539809517 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804149447459864576 |
|---|---|
| adam_text | Sadržaj
Predgovor,
v
Polifonija i kontrapunkt,
v
Johann Joseph
Fux
i njegov sustav kontrapunktnih vrsta,
v
Sadržaj nauka
о
kontrapunktu,
xiii
Giovanni
Pierluigi da Palestrina:
Kyrie eleison
iz
Mise pape Marcela,
χ,
xi
Ciljevi nauka
о
kontrapunktu,
xv
О
priručniku,
xviii
L
Kontrapunkt Palestrinina stila,
1
1.
Glazbene odrednice vokalne polifonije,
1
1.1.
Stari načini u srednjovjekovnoj monodiji,
1
1.2.
Stari načini u vokalnoj polifoniji,
5
1.3.
Od jednoglasja do pofifonije,
7
1.3.1.
Gregorijanski koral i rano višeglasje,
7
1.3.2.
Organum, gymel, faiixbourdon,
discant,
8
1.3.3.
Rana polifonija, srednjovjekovni
motet,
10
1.3.4.
Polifonija u renesansi,
11
1.4.
Posebnosti vokalne polifonije,
12
Orlando di Lasso:
Benedictas,
13
1.5.
Melodika i
ritmika vokalne polifonije,
17
1.6.
Tehnike skladanja vokalne polifonije,
21
1.6.1.
Tehnika
cantusa
firmusa,
21
1.6.2.
Tehnika imitacije,
21
2.
Vokalno dvoglasje u tehnici
cantusa
firmusa
, 23
2.1.
Dvoglasni kontrapunkt prve vrste
(1 : 1), 27
Kontrapunkt prema računalnom programu,
28
2.2.
Dvoglasni kontrapunkt druge vrste
(2:1,3: 1), 31
2.2.1.
Posebnosti u
2 : 1,32
2.2.2.
Posebnosti u
3 : 1, 33
2.3.
Dvoglasni kontrapunkt treće vrste
(4 : 1), 34
2.3.1.
Posebnosti u
4 : 1,34
2.3.2.
Kambijata,
35
2.4.
Dvoglasni kontrapunkt četvrte vrste,
37
2.5.
Dvoglasni kontrapunkt pete vrste i melodijski ukrasi,
38
2.6.
Slobodno dvoglasje,
38
3.
Dvoglasje u tehnici imitacije,
41
ЗЛ.
Izrada dvoglasnog imitacijskog stavka,
43
3.2.
Kanonska imitacija, kanon,
47
Jakob
Gallus:
Eripe me. Domine,
48
Orlando di Lasso: Ocuhis non
v
id it,
50
3.2.1.
Vrste kanona,
51
Giovanni
Pierluigi
da Palestrina:
Déposait
potentes,
52
134
4.
Vokalno troglasje u tehnici
cantusa
firmusa
, 53
4.1.
Troglasni kontrapunkt prve vrste
(1 : 1 : 1), 55
4.2.
Troglasni kontrapunkt druge vrste
(2:1:1,3:1:1), 56
4.3.
Troglasni kontrapunkt treće vrste
(4:1:1), 57
4.4.
Troglasni kontrapunkt četvrte vrste,
58
4.5.
Kombinacije vrsta u troglasju,
59
4.6.
Troglasni kontrapunkt pete vrste,
61
4.7.
Slobodno troglasje,
62
5.
Troglasje u tehnici imitacije,
63
5.1.
Stroga i slobodna imitacija,
63
5.2.
Kanonska imitacija, kanon,
65
Michael Praetorius:
Viva
la
musica!,
65
Johann
Sebastian
Bach:
Poloneza
iz Suite u h-molu
BWV
1067,
str.
66
II.
Tonalitetni kontrapunkt,
67
6.
Glazbene odrednice tonalitetnog kontrapunkta,
67
7.
Instrumentalni kontrapunkt u baroku,
67
7.1.
Melodika
barokne glazbe,
69
Johann
Sebastian Bach:
Menuet u d-molu,
70
7.2.
Slobodno dvoglasje i višeglasje baroknog tipa,
71
Johann
Sebastian Bach:
Es ist genug, 72
Johann Sebastian Bach: Air iz Suite
и
D-duru BWV 1068,
str.
74, 75
7.2.1.
Mnogostruki kontrapunkt,
76
Johann Sebastian Bach: Trio
u g-molu,
77
7.3.
Tehnika imitacije u instrumentalnom kontrapunktu,
77
7.3.1.
Invencija,
79
7.3.1.1.
J. S.
Bach:
Dvoglasna invencija u C-ditru
BWV 772,
str.
79 (82, 83)
7.3.1.2.
J. S.
Bach:
Dvoglasna invencija u B-duru
BWV 785,
str.
81 (84, 85)
7.3.1.3.
J.S.
Bach:
Troglasna invencija uf-molu
BWV 795, 87
7.3.2.
Fuga,
89
7.3.2.1.
Posebnosti prve provedbe fuge,
91
7.3.2.2.
Produljenje prve provedbe fuge (kontraekspozicija i tzv. produljena
ekspozicija),
95
7.3.2.3.
Provedba parova tema,
95
7.3.2.4.
Streta,
98
7.3.2.5.
Umijeće fuge
BWV
1080, 101
Bachov monogram
i glazba u zrcalu,
106
7.3.2.6.
Školska fuga,
109
7.3.3
Kanonska imitacija, kanon,
109
7.3.3.1.
Goldberg-varijacije i Umijeće kanona,
111
J. S.
Bach:
Kanon u
noni,
27.
stavak iz Goldberg-varijacija
BWV
988,
str.
112
Johann
Sebastian Bach: Racji kanon
iz Glazbene žrtve
BWV7 1079,
str.
113
7.3.3.2.
Glazbena žrtva.
1 13
Johann Sebastian Bach:
Spiralni kanon iz Glazbene žrtve BVVV
1079,
str.
114
135
8.
Kontrapunkt u
glazbenoj klasici,
117
9.
Kontrapunkt u
glazbenoj romantici,
119
10.
Kontrapunkt u
zabavnoj glazbi
i jazzu,
123
III. Atonalitetni kontrapunkt,
125
11.
Glazbene odrednice atonalitetnog kontrapunkta,
125
12.
Dvanaesttonska tehnika skladanja (dodekafonija),
127
Dvanaesttonska matrica (magični kvadrat),
126
Zaključak,
132
Popis skladbi spomenutih u priručniku.,
133
Bibliografija,
136
Bibliografija
AJANOVIĆ,
Ivona:
Floridus, Contrapunctus, Zagreb: MELZ, I. sv. str.
588
AJANOVIĆ,
Ivona:
Fughetta,
Zagreb: MELZ,
I.
sv. str.
632
AJANOVIĆ,
Ivona:
Fuga, Zagreb: MELZ, I. sv. str.
630
AJANOVIĆ,
Ivona: Gymel,
Zagreb: MELZ,
II.
sv. str.
52
AJANOVIĆ,
Ivona: Polifonija,
Zagreb: MELZ, III. sv. str.
102
ANDREIS,
Josip: Palestrina, Zagreb: MELZ, III. sv. str.
27
ANTIĆ, Branka: Cantus firmus, Zagreb: MELZ, I. sv. str.
288
BERRY, Wallace, Form in Music, British Columbia: University Press,
1986.
BJELINSKI, Bruno:
Predavanja,
Zagreb:
Osobne bilješke autora,
1974.
do
1976.
BONIFACIO, Baroffio:
Musicus
et
cantor, Zagreb: HDCG
і
ICG,
2001.
COATES,
Henry: Palestrina, New York: Pellegrini and Cudaby Inc.,
1949.
FORNER, Johannes
-
WILBRANDT,
Jürgen: Schöpferischer Kontrapunkt,
Leipzig:
VEB
Deutschen Verlag für Musik, 1979.
FUX, Johann Joseph:
Study of Counterpoint
,
Norton,
W.W.
&
Company,
1965.
JEPPESEN,
Knud:
Counterpoint
¡
The Polifonie
Vocal Style of the Sixteenth
Century,
New York: Dover publications Inc.,
1992.
LUČIĆ, Franjo:
Fugato,
Zagreb: MELZ, I. sv.
str.
632
LUČIĆ, Franjo:
Stretta,
Zagreb: MELZ, III. sv. str.
476
LUČIĆ, Franjo i AJANOVIĆ,
Ivona:
Kanon, Zagreb: MELZ,
II.
sv. str.
299
LUČIĆ, Franjo: Kontrapunkt, Zagreb: Školska knjiga,
1951.
LUČIĆ, Franjo i AJANOVIĆ,
Ivona:
Kontrapunkt, Zagreb: MELZ,
II.
sv. str.
361
LUČIĆ, Franjo:
Polífona
kompozicija, Zagreb: Školska knjiga,
1954.
LUČIĆ, Franjo, Dvostruki kontrapunkt, Zagreb: MELZ, sv. L, str.
497
MAGDALENIĆ, Miroslav: Osnove tonskog sloga
I.
dio, Zagreb: Školska knjiga,
1968.
MARTINJAK,
Miroslav: Gregorijansko pjevanje, Zagreb: HDCG i ICG,
1997.
PISTON,
Walter,
Counterpoint, New York:
W. W.
Norton
&
Company, Inc.
RUMERY, Kenneth, Introduction to Musical Design, Dubuque,
IA: WCB,
1992.
STEGLICH,
Rudolf:
Johann Sebastian
Bach, Leipzig:
Akademische Verlagsgesell¬
schaft
Athenaion
Μ. Β. Η.
Postdam,
1935.
136
|
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| id | DE-604.BV040398947 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:23:10Z |
| institution | BVB |
| isbn | 9539809517 |
| language | Croatian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025252175 |
| oclc_num | 812255843 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 137 S. Ill., Noten 24 cm |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | HDGT |
| record_format | marc |
| series | Biblioteka Hrvatskog Društva Glazbenih Teoretičara |
| series2 | Biblioteka Hrvatskog Društva Glazbenih Teoretičara |
| spelling | Petrović, Tihomir Verfasser aut Nauk o kontrapunktu Tihomir Petrović Zagreb HDGT 2006 137 S. Ill., Noten 24 cm txt rdacontent n rdamedia nc rdacarrier Biblioteka Hrvatskog Društva Glazbenih Teoretičara 4 Bibliografija: str. 136 Musiktheorie (DE-588)4040876-0 gnd rswk-swf Vokalmusik (DE-588)4063783-9 gnd rswk-swf Mehrstimmigkeit Musik (DE-588)4169330-9 gnd rswk-swf Kontrapunkt (DE-588)4032307-9 gnd rswk-swf Kontrapunkt (DE-588)4032307-9 s Mehrstimmigkeit Musik (DE-588)4169330-9 s Vokalmusik (DE-588)4063783-9 s Musiktheorie (DE-588)4040876-0 s DE-604 Biblioteka Hrvatskog Društva Glazbenih Teoretičara 4 (DE-604)BV040398201 4 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025252175&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Petrović, Tihomir Nauk o kontrapunktu Biblioteka Hrvatskog Društva Glazbenih Teoretičara Musiktheorie (DE-588)4040876-0 gnd Vokalmusik (DE-588)4063783-9 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd Kontrapunkt (DE-588)4032307-9 gnd |
| subject_GND | (DE-588)4040876-0 (DE-588)4063783-9 (DE-588)4169330-9 (DE-588)4032307-9 |
| title | Nauk o kontrapunktu |
| title_auth | Nauk o kontrapunktu |
| title_exact_search | Nauk o kontrapunktu |
| title_full | Nauk o kontrapunktu Tihomir Petrović |
| title_fullStr | Nauk o kontrapunktu Tihomir Petrović |
| title_full_unstemmed | Nauk o kontrapunktu Tihomir Petrović |
| title_short | Nauk o kontrapunktu |
| title_sort | nauk o kontrapunktu |
| topic | Musiktheorie (DE-588)4040876-0 gnd Vokalmusik (DE-588)4063783-9 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd Kontrapunkt (DE-588)4032307-9 gnd |
| topic_facet | Musiktheorie Vokalmusik Mehrstimmigkeit Musik Kontrapunkt |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025252175&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV040398201 |
| work_keys_str_mv | AT petrovictihomir naukokontrapunktu |