A new history of German cinema:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Rochester, N.Y.
Camden House
2012
|
| Schriftenreihe: | Screen cultures: German film and the visual
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVI, 673 S. Ill. |
| ISBN: | 9781571134905 1571134905 |
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| 300 | |a XVI, 673 S. |b Ill. | ||
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| 490 | 0 | |a Screen cultures: German film and the visual | |
| 500 | |a Includes bibliographical references and index | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
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Datensatz im Suchindex
| _version_ | 1804149437117759488 |
|---|---|
| adam_text | Titel: A new history of German cinema
Autor: Kapczynski, Jennifer M
Jahr: 2012
Contents
Acknowledgments xvii
An Introduction to A New History of Germern Cinema: 1932 1
fennifer M. Kapczynski Michael D. Richardson
Selected Bibliography • Introduction 11
Part I: 1895-1918 13
Selected Bibliography • 1895-1918 20
1 November 1895: Premiere of Wintergarten Program Highlights
Transitional Nature of Early Film Technology 23
Janelle Blankenship
22 September 1907: Sigmund Freud Is Attracted to the
Movies but Feels Lonely in the Crowd 31
Tan Waelchli
Spring 1911: At Munich s Frankfurter Hof a Comedy
Team Is Born 37
Christian Rogowski
27 May 1911: Asta Nielsen Secures Unprecedented
Artistic Control 44
Heide Schlüpmann
18 December 1913: Atlantis Triggers Controversy about
Sinking of Culture 51
Deniz Göktürk
21 January 1914: Premiere of Die Firma heiratet Inaugurates
Fashion Farce 57
Mila Ganeva
viii ? Contents
Part II: 1918-1932 63
Selected Bibliography • 1918-1932 70
6 March 1920: Chinese Students Raise Charges of Racism
against Die Herrin der Welt 73
Tobias Najjl
23 May 1920: Das Cabinet des Dr. Caligari Brings Aesthetic
Modernism to the Fairground 80
Paul Dobryden
15 October 1920: Ernst Lubitsch Fuels Debate over Tears
in the Cinema 86
Michael Wedel
4 March 1921: With Das Floss der Toten, the Dead Come
Back to Town 93
Philipp Stiasny
1 April 1921: Walther Ruttmann s Lichtspiel: Opus 1 Shapes
Culture of Abstract Filmmaking 98
Gregory Zinman
27 May 1921: Scherben Seeks Cinematic Equivalent of
Theatrical Intimacy 105
Patrick Vonderau
14 September 1922: Schüfftan Process Reconciles Artistic
Craftsmanship with Demands of Entertainment Industry 111
Katharina Loew
13 October 1922: Alexander Kolowrat-Krakowsky Sets Course
of Austrian (Inter )National Film 117
Robert von Dassanowsky
29 November 1923: Karl Grune s Die Straße Inaugurates
Street Film, Foreshadows Film Noir 124
Anton Kaes
31 January 1924: Premiere of Orlacs Hände Marks Beginning
of the End of Expressionism 129
Paul Coates
Contents ? ix
14 February 1924: Die Nibelungen Premieres,
Foregrounds Germanness 136
Adeline Mueller
10 May 1924: Der Berg des Schicksals Inaugurates the Genre
of the Mountain Film 142
Kamaal Haque
23 December 1924: Der letzte Mann Explores Limits of
Modern Community 148
Robert Schechtman
16 March 1925: Wege zu Kraft und Schönheit Educates
Audiences in the Art of Nudity 153
Britta Herdegen
3 May 1925: French and German Avant-Garde Converge
at Der absolute Film 160
Joel Westerdale
10 January 1927: Brigitte Helm Embodies Ambivalence
of the New Woman 167
Valerie Weinstein
17 June 1927: Amateur Film League Aids Invention of
Film Culture 173
Martina Roepke
16 December 1927: Debüt of Familientag im Hause Prellstein
Provokes Debate about Jewish Identity in Populär Cinema 178
Daniel H. Magilow
31 January 1929: Limits on Racial Border-Crossing
Exposed in Piccadilly 185
Cynthia Walk
29 May 1929: Oscar for Emil Jannings Highlights Exchange
between German and American Film Industries 191
Gerd Gemünden
3 June 1929: Lloyd Bacon s The Singing Pool Triggers
Debate about Sound Film 197
Lutz Koepnick
x ? Contents
4 Februarv 1930: Menschen am Sonntag Provides New Model
of Cinematic Realism 202
Noah Isenberg
13 June 1930: Weekend Broadcast Tests Centrality of
Image in Cinema 208
Brian Hanrahan
17 October 1930: Bertolt Brecht s Threepenny Opera Lawsuit
Identifies Contradiction between Individual Creativity
and Collective Production in Cinema 213
Marc Silberman
11 December 1930: Ban of All Quiet on the Western Front
Highlights Tensions over Sound Technology 219
Dayton Henderson
11 May 1931: With Premiere of M, a Gala Hit Becomes a
Cultural Controversy 227
Sara F. Hall
Part III: 1933-1945 233
Selected Bibliography • 1933-1945 240
28 March 1933: Goebbels s Kaiserhof Speech Reveals Tension
between National and International Aims of Nazi Cinema 243
Laura Heins
29 February 1935: Der alte und der junge König Instrumentalizes
Myth of Prussian Nationalism 249
Martina G. Luke
28 March 1935: Premiere of Triumph des WillensPresents
Fascism as Unifier of Communal Will 255
Michael Cowan Kai Sicks
19 June 1935: Celebration of Lilian Harvey s Return Belies
Ideological Incongruence in Nazi Entertainment Films 262
Antje Ascheid
Contents ? xi
30 August 1936: Luis Trenker Tries but Fails to Sidestep
Nazi Filmpolitik 268
Carola Daffner
30 December 1940: Von Borsody s Wunschkonzert Mobilizes
Melodrama for Total War 275
Jaimey Fisher
18 February 1941: The Devil and Daniel Webster Puts American
Politics on Trial 282
Simon Richter
28 May 1942: Bertolt Brecht and Fritz Lang Write a
Hollywood Screenplay 288
Jonathan Skolnik
3 September 1942: With Venice Premiere of Die goldene Stadt,
Veit Harlan Enters Debate on Color Cinema 294
Russell A. Alt
18 January 1943: Bateson Analysis of Hitlerjunge Quex Stressses
Value of Film as Key to National Culture 300
Gary L. Baker
Part IV: 1945-1961 305
Selected Bibliography • 1945-1961 311
18 May 1945: Welt im Film Newsreels, Rubble Films Model
Cool Conduct 314
Wilfried Wilms
22 March 1946: Screenings of Die Todesmühlen Spark Controversy
over German Readiness to Confront Nazi Crimes 321
Ulrike Wecket
16 August 1949: Ilse Kubaschewski Founds Gloria-Filmverleih,
Sets the Course of Populär West German Film 328
Hester Baer
16 February 1952: Peter Lorre Leaves Germany Again 335
Gerd Gemünden
xii ? Contents
13 January 1954: Preminger s Dual-Language The Moon Is
Bitte (1953) and Die Jungfrau auf dem Dach (1954)
Seek Glocal Success 341
Christine Haase
9 March 1954: Ernst Thälmann - Sohn seiner Klasse Marks
High Point of Socialist Realism 347
Hunter Bivens
22 December 1955: SissiTrilogy Bridges Hapsburg to Hollywood
through Hybrid Blend of Film Genres 353
David Bathrick
2 February 1956: In Letter to Enno Patalas, Siegfried Kracauer
Advocates a Socio-Aesthetic Approach to Film 359
Johannes von Moltke
21 June and 30 August 1957: Jonas and Berlin -Ecke Schönhauser
Link Urban Reconstruction to National Cinema in Both
West and East 365
Bastian Heinsohn
19 September 1958: Douglas Sirk s A Time to Love and
a Time to Die Tests Limits of Postwar Feeling 372
Jennifer M. Kapczynski
4 September 1959: Der Frosch mit der Maske Moves Populär
Cinema from Idyllic Pastures to Crime-Infested City Streets 378
Tassilo Schneider
Part V: 1962-1976 385
Selected Bibliography • 1962-1976 392
28 February 1962: Oberhausen Manifesto Creates Founding Myth
for New German Cinema 394
Eric Rentschier
1 February 1968: Herstellung eines Molotow-CocktailsVromox.es
Film as a Tool for Political Violence 400
Tilman Baumgärtel
Contents ? xiii
1 February 1968: Konrad Wolfs Ich war neunzehn Evokes an
East German Nation in Transition 405
Larson Powell
7 April 1968: Straub, Huillet, and Fassbinder Share the
Stage at Munich s Action-Theater 411
Barton Byg
23 June 1968: Alexander Kluge Egged in Berlin, Months
Later Awarded Gold Lion in Venice 417
Richard Langston
Fall 1968: Expulsion of Thomas Brasch from GDRFilm
School Signals Fate of East German 68ers 423
Katie Trumpener
30 June 1970: A Faltering Berlinale Founders on o.k. Controversy 430
Kris Vander Lugt
29 February 1972: With Die Angst des Tormanns beim Elfmeter
New German Cinema Learns to Read 436
Brad Prager
24 June 1974: Launching of Frauen und Film Creates Lasting
Forum for Feminist Film Writing and Practice 443
Annette Brauerhoch
Part VI: 1977-1989 449
Selected Bibliography • 1977-1989 455
20 June 1977: DEFA s Biggest Star, Manfred Krug,
Leaves the GDR 458
John Griffith Urang
27 October 1977: Deutschland im Herbst Equivocates on RAF
and Marks End Stage of Radical Filmmaking 464
Jennifer Marston William
22 January 1979: West German Broadcast of Holocaust Draws
Critical Fire and Record Audiences 470
Erin McGlothlin
xiv ? Contents
20 August 1981: R. W. Fassbinder s Lola Revisits Kracauer
to Critique Adenauer Period 476
Brigitte Peucker
6 August 1984: Heimat Celebrated as European Requiem
for the Little People 483
Rachel Palfreyman
8 June 1986: Farocki s Wie man sieht Urges New Ways of Seeing 490
Michael Cowan
2 February 1988: Last Generation of DEFA Directors
Calls in Vain for Reform 497
Reinhild Steingröver
Part VII: 1990-2011 503
Selected Bibliography • 1990-2011 509
23 July 1991: ZDF Broadcast of Ostkreuz Initiates Darker
Reckoning with the Wende 512
Mattias Frey
16 May 1992: Marlene Dietrich s Berlin Burial Links
Postunification Germany with Weimar Republic s
Internationalism 518
Barbara Kosta
25 August 1992: Ostalgie Provides Pushback against Western
Views on the East German Collapse 524
Roger F. Cook
10 August 1994: One Month after Founding of X-Filme,
Filmboard Berlin-Brandenburg Paves Way for New
Productions in the Capital 530
Brigitta B. Wagner
2 November 1995: Neurosia Embodies Seventy-Five Years of
Queer Film History 537
Randall Halle
Contents ? xv
31 December 1995: Der bewegte Mann Seils 6.5 Million Tickets
to Mark Peak of New German Comedy 543
David N. Coury
10 February 1999: Berlinale Premiere of Four Turkish-German
Films Signals New Chapter in Cinematic Diversity 548
Andrea Reimann
30 April 1999: Werner Herzog s Minnesota Declaration
Performs Critique of Documentary Cinema 553
Eric Arnes
13 May 1999: Germany s Best Fiend, Klaus Kinski,
Remembered at Cannes 559
Will Lehman
19 May 2000: With Code Inconnu Haneke Asserts Cinema s
Centrality to Public Sphere 565
Monica Filimon
21 October 2001: Television Provides Platform for Record
Box-Office Success of Der Schuh des Manitu 572
Sebastian Heiduschke
16 October 2003: Chancellor Gerhard Schröder Sheds
Tears - Again - at Premiere of Das Wunder von Bern 578
Cornelius Partsch
14 February 2004: Golden Bear for Gegen die Wand Affirms
Fatih Akin as Germany s Preeminent Transnational Director 583
Barbara Mennel
8 September 2004: Der Untergang Offers Palatable Authenticity 589
Michael D. Richardson
22 October 2005: Winner of Hessian Film Award Fremde Haut
Queers Dual Binaries of Sexual and National Identity 596
Faye Stewart
22 January 2007: Film Establishment Attacks Berlin School as
Wrong Kind of National Cinema 602
Marco Abel
xvi ? Contents
25 February 2007: Das Leben der Anderen Follows Blueprint
for Foreign-Language Oscar Success 609
Paul Cooke
6 December 2007: Indie Film Für den unbekannten Hund Seeks
Space for Marginalized Male Heroism 615
Patricia Anne Simpson
11 February 2008: Ulrike Ottinger s Prater Wins German
Critics Award for Best Documentary Yet Highlights the
Director s Ties to Both Fiction and Nonfiction Film 622
Nora M. Alter
Epilogue: The Many Lives of Contemporary German Cinema 629
Jennifer M. Kapczynski Michael D. Richardson
Notes on the Contributors 637
Index of Subjects 645
Index of Names 651
Index of Film Tides 664
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| spelling | A new history of German cinema ed. by Jennifer M. Kapczynski & Michael D. Richardson Rochester, N.Y. Camden House 2012 XVI, 673 S. Ill. txt rdacontent n rdamedia nc rdacarrier Screen cultures: German film and the visual Includes bibliographical references and index Geschichte 1900-2000 Geschichte gnd rswk-swf Film Geschichte Motion pictures Germany History 20th century Motion pictures Germany History 21st century Film (DE-588)4017102-4 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Film (DE-588)4017102-4 s Geschichte z DE-604 Kapczynski, Jennifer M. 1972- Sonstige (DE-588)139267174 oth Richardson, Michael David 1970- Sonstige (DE-588)132963930 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025244243&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | A new history of German cinema Film Geschichte Motion pictures Germany History 20th century Motion pictures Germany History 21st century Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4011882-4 |
| title | A new history of German cinema |
| title_auth | A new history of German cinema |
| title_exact_search | A new history of German cinema |
| title_full | A new history of German cinema ed. by Jennifer M. Kapczynski & Michael D. Richardson |
| title_fullStr | A new history of German cinema ed. by Jennifer M. Kapczynski & Michael D. Richardson |
| title_full_unstemmed | A new history of German cinema ed. by Jennifer M. Kapczynski & Michael D. Richardson |
| title_short | A new history of German cinema |
| title_sort | a new history of german cinema |
| topic | Film Geschichte Motion pictures Germany History 20th century Motion pictures Germany History 21st century Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Motion pictures Germany History 20th century Motion pictures Germany History 21st century Deutschland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025244243&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kapczynskijenniferm anewhistoryofgermancinema AT richardsonmichaeldavid anewhistoryofgermancinema |