The black Chicago Renaissance:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana [u.a.]
Univ. of Illinois Press
2012
|
| Schriftenreihe: | The new black studies series
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | xxxiii, 208 S., [12] Bl. Ill. |
| ISBN: | 9780252037023 9780252078583 |
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Datensatz im Suchindex
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Contents*
Dedication
vii
Let's Call It Love J. M. MAHLUM
ix
Acknowledgments
xiii
Introduction DARLENE CLARK
HINE
xv
Part I. Black Chicago.- History, Culture, and Community
Chapter
1.
African American Cultural Expression in Chicago before
the Renaissance; The Performing, Visual, and Literary Arts,
1893-1933 CHRISTOPHER ROBERT REED
3
Chapter
2.
The Negro Renaissance: Harlem and Chicago Flowerings
SAMUEL A. FLOYD JR.
21
Chapter
3.
The Problem of Race and Chicago's Great
Tivoli
Theater
CLOVIS
E. SEMMES
44
Chapter
4.
The Defender Brings You the World: The Grand European
Tour of Patrick B. Prescott Jr. HILARY MAC AUSTIN
57
Part II. Black Chicago's Renaissance: Culture, Consciousness,
Politics, and Place
Chapter
5.
The Dialectics of Placelessness and Boundedness in
Richard Wright's and Gwendolyn Brooks's Fictions:
Crafting the Chicago Black Renaissance's Literary Landscape
ELIZABETH SCHLABACH
79
Chapter
6.
Richard Wright and the Season of Manifestoes
JOHNMcCLUSKEYJR.
96
Chapter
7.
Horace Cayton: No Road Home DAVID T. BAILEY no
Cha pter
8.
"Who Are You America but Me?" The American
Negro Exposition,
1940
JEFFREY
HELGESON
126
Chapter
9.
Chicago's Native Son: Charles White and the
Laboring of the Black Renaissance ERIK S. GELLMAN
147
Part III. Visual Art and Artists in the Black Chicago Renaissance
Chapter
10.
Chicago's African American Visual Arts Renaissance
MURRY
N.
DePILLARS
165
Notes on Contributors
197
Index
201
AFRiCAN AMERICAN STUDIES
/
LITERARY
STUDIES
/
CHICAGO
Łi
This landmark anthology comprehensively gathers work on the
Black Chicago Renaissance and ratifies that topic's ascendant
stature within recent African American and American historical study.
A tremendous achievement for its editors and contributors, and an
indispensable scholarly resource for generations to come.
99
—ADAM GREEN, author of Selling the Race:
Culture, Community, and Black Chicago,
1940-1955
Beginning in the
1930s,
Black Chicago experienced a cultural renaissance that lasted into the
1950s
and rivaled the cultural outpouring of the Harlem Renaissance of the
1920s.
The contrib¬
utors to this volume analyze this prolific period of African American creativity in music, performance
art, social science scholarship, and visual and literary artistic expression.
Like Harlem, Chicago had become a major destination for black southern migrants. Unlike Harlem,
Chicago was also an urban industrial center that gave a unique working-class and internationalist
perspective to the cultural work being done in Chicago. This collection's various essays discuss the
forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and place
the development of black culture in a national and international context. Contributors will also provoke
explorations of renaissances in other cities. Among the topics discussed in this volume are Chicago
writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and
Tivoli
Theater, African
American music and visual arts, and the American Negro Exposition of
1940.
CONTRIBUTORS are Hilary Mac Austin, David T. Bailey, Murry
N.
DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey
Helgeson,
Darlene Clark
Hine,
John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.
DARLENE CLARK
HINE
is Board of Trustees Professor of African American Studies and Professor of History at Northwest¬
ern University. Her other books include Black Victory: The Rise and Fall of the Texas White Primary, Beyond Bondage: Free
Women of Color in the Americas, and Black Europe and the African Diaspora.
JOHN McCLUSKEY JR. is professor emeritus of African American and African Diaspora Studies at Indiana University. He
is the author of the novels Look What They Done to My Song and Mr. America's Last Season Blues and the
coeditor
of the
anthology Black Men Speaking.
A volume in The New Black Studies Series,
edited by Darlene Clark
Hine
and Dwight A. McBride
University of Illinois Press
Urbana,
Chicago, and Springfield
www.press.utllinois.edu
Cover illustration: Walter Ellison, Leaving
Macón
Georgia
(1937),
oil on canvas.
Courtesy of the Collection of Hampton
University Museum.
Cover design by Percolator
ISBN:
978-0-252-07858-3 $27 95
U.S.
5 2795
I
780252«078583« |
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| title | The black Chicago Renaissance |
| title_auth | The black Chicago Renaissance |
| title_exact_search | The black Chicago Renaissance |
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| title_full_unstemmed | The black Chicago Renaissance ed. by Darlene Clark Hine ... |
| title_short | The black Chicago Renaissance |
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