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Unfinished music:

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Bibliographic Details
Main Author:	Kramer, Richard 1938- (Author)
Format:	Book
Language:	English
Published:	New York [u.a.] Oxford Univ. Press 2012
Edition:	1. issued as an Oxford Univ. Press paperback
Subjects:	Geschichte 1750-1950 Compositie Esthetica Muziek Psychologische aspecten Musik Psychologie Ästhetik Music > Psychological aspects Music > Philosophy and aesthetics Composition (Music) > Psychological aspects Musikphilosophie Musikpsychologie Musikästhetik Komposition > Musik
Online Access:	Inhaltsverzeichnis Klappentext
Physical Description:	XIII, 405 S. Notenbeisp.
ISBN:	9780199917884 9780195326826

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MARC


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Record in the Search Index

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adam_text	CONTENTS part i First Things 1 Language and the Beginnings of Creation 3 part u Emanuel Bach and the Allure of the Irrational 2 Carl Philipp Emanuel Bach and the Aesthetics of Patricide 25 3 The Ends of Veränderung 47 4 Late Works 71 5 Probestück 111 6 Diderot s Paradoxe and C. P. E. Bach s Empfindungen 129 part in Between Enlightenment and Romance 7 Haydn s Chaos and Herder s Logos 153 8 Beethoven and the Romance of Creation 171 part iv Beethoven: Confronting the Past 9 Cadenza Contra Text: Mozart in Beethoven s Hands 211 10 Opus 90: In Search of Emanuel Bach 233 11 Adagio espressivo: Opus 109 as Radical Dialectic 265 12 Lisch aus, mein Licht: Song, Fugue, and the Symptoms of a Late Style 285 part v Fragments 13 Toward an Epistemology of Fragment 311 14 Reliquie 345 part vi Death Masb 15 Walter Benjamin and the Apprehending of Beauty 367 List of Works Cited 381 Index 399 This extraordinary book provides a unitary experience, revealing a deep and special perspective on classical music and style. It should be required reading for anyone studying or interested in leth-century music. —CHOICE [A] remarkable piece of criticism. — Journal of the American Musicotogical Society As with all great books—and Kramer s is a book of immense learning, imagination and rhetorical force — we are provoked to dig a little deeper along the lines suggested by the author. — Nineteenth-Century Music Review Unfinished Music draws its inspiration from the riddling aphorism by Walter Benjamin that serves as its epigraph: the work is the death mask of its conception. The work in its finished, perfected state conceals the enlivening process engaged in its creation. Author Richard Kramer moves from some explosive ideas of J. G. Hamann, on the place of language at the seat of thought, to explore the no less radical music of Carl Philipp Emanuel Bach, whose bold idiosyncrasies, like Hamann s, disrupted the discourse of Enlightenment aesthetics. In several chapters on the late music of Beethoven, Bach reappears, a spiritual alter ego in the search for a new voice. Music seductively unfinished lies at the center of the book: unstudied late sketches, finally rejected, for a famous quartet movement by Beethoven; the enigmas set loose in several remarkable Mozart fragments; the romanticizing of fragment and its bearing on two important sonatas that Schubert left incomplete. Finally, the author returns to Benjamin s epigraph, drawing together his essay on Goethe s Elective Affinities, Mann s Death in Venice, and the draft for a difficult passage in the andantino of Schubert s Sonata in A (1828). Unfinished Musk explores with subtle insight the uneasy relationship between the finished work and the elusive, provocative traces of the profound labors buried in its past The book will appeal to music scholars, theorists and performers, indeed and to all for whom music is integral to the history of ideas. RICHARD KRAMERisthe author of Distant Cycles: Schubert and the Conceiving of Song, awarded the Kinkeldey prize of the American Musicological Society and an ASCAP-Deems Taylor prize, and of many essays on the music of Carl Philipp Emanuel Bach, Beethoven, and Schubert. Kramer, who teaches at the Graduate Center of the City University of New York, is a fellow of the American Academy of Arts & Sciences. OXPORD UNIVERSITY PRESS www.oup.com Cover design: James Brick«. Cover image: Beethoven, Kano in E major, Opus 109, first movement, from the autograph score. Courtesy of the Library of Congres*. ISBN 978-0-19-991788-4 9 0 0 00 9 »78 01 9 9 9 178 84
any_adam_object	1
author	Kramer, Richard 1938-
author_GND	(DE-588)13504992X
author_facet	Kramer, Richard 1938-
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author_sort	Kramer, Richard 1938-
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building	Verbundindex
bvnumber	BV040343963
callnumber-first	M - Music
callnumber-label	ML3830
callnumber-raw	ML3830
callnumber-search	ML3830
callnumber-sort	ML 43830
callnumber-subject	ML - Literature on Music
classification_rvk	LR 56800
ctrlnum	(OCoLC)812205128 (DE-599)BVBBV040343963
dewey-full	781.1/7
dewey-hundreds	700 - The arts
dewey-ones	781 - General principles and musical forms
dewey-raw	781.1/7
dewey-search	781.1/7
dewey-sort	3781.1 17
dewey-tens	780 - Music
discipline	Musikwissenschaft
edition	1. issued as an Oxford Univ. Press paperback
era	Geschichte 1750-1950 gnd
era_facet	Geschichte 1750-1950
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spelling	Kramer, Richard 1938- Verfasser (DE-588)13504992X aut Unfinished music Richard Kramer 1. issued as an Oxford Univ. Press paperback New York [u.a.] Oxford Univ. Press 2012 XIII, 405 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Geschichte 1750-1950 gnd rswk-swf Compositie gtt Esthetica gtt Muziek gtt Psychologische aspecten gtt Musik Psychologie Ästhetik Music Psychological aspects Music Philosophy and aesthetics Composition (Music) Psychological aspects Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Komposition Musik (DE-588)4133320-2 s Musikpsychologie (DE-588)4127817-3 s Musikphilosophie (DE-588)4123809-6 s Musikästhetik (DE-588)4040808-5 s Geschichte 1750-1950 z DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025198160&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025198160&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext
spellingShingle	Kramer, Richard 1938- Unfinished music Compositie gtt Esthetica gtt Muziek gtt Psychologische aspecten gtt Musik Psychologie Ästhetik Music Psychological aspects Music Philosophy and aesthetics Composition (Music) Psychological aspects Musikphilosophie (DE-588)4123809-6 gnd Musikpsychologie (DE-588)4127817-3 gnd Musikästhetik (DE-588)4040808-5 gnd Komposition Musik (DE-588)4133320-2 gnd
subject_GND	(DE-588)4123809-6 (DE-588)4127817-3 (DE-588)4040808-5 (DE-588)4133320-2
title	Unfinished music
title_auth	Unfinished music
title_exact_search	Unfinished music
title_full	Unfinished music Richard Kramer
title_fullStr	Unfinished music Richard Kramer
title_full_unstemmed	Unfinished music Richard Kramer
title_short	Unfinished music
title_sort	unfinished music
topic	Compositie gtt Esthetica gtt Muziek gtt Psychologische aspecten gtt Musik Psychologie Ästhetik Music Psychological aspects Music Philosophy and aesthetics Composition (Music) Psychological aspects Musikphilosophie (DE-588)4123809-6 gnd Musikpsychologie (DE-588)4127817-3 gnd Musikästhetik (DE-588)4040808-5 gnd Komposition Musik (DE-588)4133320-2 gnd
topic_facet	Compositie Esthetica Muziek Psychologische aspecten Musik Psychologie Ästhetik Music Psychological aspects Music Philosophy and aesthetics Composition (Music) Psychological aspects Musikphilosophie Musikpsychologie Musikästhetik Komposition Musik
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025198160&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025198160&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT kramerrichard unfinishedmusic

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