Unfinished music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
2012
|
| Ausgabe: | 1. issued as an Oxford Univ. Press paperback |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIII, 405 S. Notenbeisp. |
| ISBN: | 9780199917884 9780195326826 |
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Datensatz im Suchindex
| _version_ | 1804149378597781504 |
|---|---|
| adam_text | CONTENTS
part i
First Things
1 Language and the Beginnings of Creation
3
part
u Emanuel
Bach and the Allure of the Irrational
2 Carl Philipp
Emanuel Bach
and the Aesthetics of Patricide
25
3
The Ends of
Veränderung 47
4
Late Works
71
5 Probestück 111
6
Diderot s
Paradoxe
and C. P. E. Bach s
Empfindungen 129
part in Between Enlightenment and Romance
7
Haydn s Chaos and Herder s Logos
153
8
Beethoven and the Romance of Creation
171
part
iv
Beethoven: Confronting the Past
9
Cadenza Contra Text: Mozart in Beethoven s Hands
211
10
Opus
90:
In Search of
Emanuel Bach
233
11
Adagio
espressivo:
Opus
109
as Radical Dialectic
265
12 Lisch aus, mein Licht: Song,
Fugue, and the Symptoms
of a Late Style
285
part
v
Fragments
13
Toward an Epistemology of Fragment
311
14 Reliquie 345
part
vi
Death Masb
15
Walter Benjamin and the Apprehending of Beauty
367
List of Works Cited
381
Index
399
This extraordinary book provides a unitary experience, revealing a deep and special
perspective on classical music and style. It should be required reading for anyone
studying or interested in leth-century music. —CHOICE
[A] remarkable piece of criticism.
—
Journal of the American Musicotogical Society
As with all great books—and Kramer s is a book of immense learning, imagination
and rhetorical force
—
we are provoked to dig a little deeper along the lines suggested
by the author.
—
Nineteenth-Century Music Review
Unfinished Music draws its inspiration from the riddling aphorism by Walter
Benjamin that serves as its epigraph: the work is the death mask of its conception.
The work in its finished, perfected state conceals the enlivening process engaged in its
creation. Author Richard Kramer moves from some explosive ideas of J. G.
Hamann,
on the place of language at the seat of thought, to explore the no less radical music
of
Carl Philipp
Emanuel Bach,
whose bold idiosyncrasies, like Hamann s, disrupted
the discourse of Enlightenment aesthetics. In several chapters on the late music of
Beethoven, Bach reappears, a spiritual alter ego in the search for a new voice. Music
seductively unfinished lies at the center of the book: unstudied late sketches, finally
rejected, for a famous quartet movement by Beethoven; the enigmas set loose in
several remarkable Mozart fragments; the romanticizing of fragment and its bearing
on two important sonatas that Schubert left incomplete. Finally, the author returns to
Benjamin s epigraph, drawing together his essay on Goethe s Elective Affinities, Mann s
Death in Venice, and the draft for a difficult passage in the
andantino
of Schubert s
Sonata in A
(1828).
Unfinished Musk explores with subtle insight the uneasy relationship between the
finished work and the elusive, provocative traces of the profound labors buried in its
past The book will appeal to music scholars, theorists and performers, indeed and to
all for whom music is integral to the history of ideas.
RICHARD KRAMERisthe author of Distant Cycles: Schubert and the Conceiving
of Song, awarded the Kinkeldey prize of the American Musicological Society and an
ASCAP-Deems Taylor prize, and of many essays on the music of
Carl Philipp
Emanuel
Bach, Beethoven, and Schubert. Kramer, who teaches at the Graduate Center of the
City University of New York, is a fellow of the American Academy of Arts
&
Sciences.
OXPORD
UNIVERSITY PRESS
www.oup.com
Cover design: James Brick«. Cover image:
Beethoven, Kano
in
E
major, Opus
109,
first movement, from the autograph score.
Courtesy of the Library of
Congres*.
ISBN
978-0-19-991788-4
9 0 0 00
9 »78 01
9 9 9
178 84
|
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| author | Kramer, Richard 1938- |
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| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
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| discipline | Musikwissenschaft |
| edition | 1. issued as an Oxford Univ. Press paperback |
| era | Geschichte 1750-1950 gnd |
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| spelling | Kramer, Richard 1938- Verfasser (DE-588)13504992X aut Unfinished music Richard Kramer 1. issued as an Oxford Univ. Press paperback New York [u.a.] Oxford Univ. Press 2012 XIII, 405 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Geschichte 1750-1950 gnd rswk-swf Compositie gtt Esthetica gtt Muziek gtt Psychologische aspecten gtt Musik Psychologie Ästhetik Music Psychological aspects Music Philosophy and aesthetics Composition (Music) Psychological aspects Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Komposition Musik (DE-588)4133320-2 s Musikpsychologie (DE-588)4127817-3 s Musikphilosophie (DE-588)4123809-6 s Musikästhetik (DE-588)4040808-5 s Geschichte 1750-1950 z DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025198160&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025198160&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Unfinished music |
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| title_full | Unfinished music Richard Kramer |
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