Media authorship:
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
New York, NY [u.a.]
Routledge
2013
|
Ausgabe: | 1st ed. |
Schriftenreihe: | AFI film readers
|
Schlagworte: | |
Beschreibung: | "Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures--from visual arts to videogames, from textiles to television--contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask: - What constitutes "media" and "authorship" in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content? - What can we learn from cinematic and literary models of authorship--and critiques of those models--with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet? - How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation? - What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in "new media"? By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade--even, reauthored--by new practices in the digital media environment"-- Provided by publisher. |
Beschreibung: | XII, 311 S. |
ISBN: | 9780415699426 9780415699433 |
Internformat
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490 | 0 | |a AFI film readers | |
500 | |a "Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures--from visual arts to videogames, from textiles to television--contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask: - What constitutes "media" and "authorship" in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content? - What can we learn from cinematic and literary models of authorship--and critiques of those models--with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet? - How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation? - What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in "new media"? By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade--even, reauthored--by new practices in the digital media environment"-- Provided by publisher. | ||
650 | 4 | |a Arts |x Authorship | |
650 | 4 | |a Creation (Literary, artistic, etc.) | |
650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES / Authorship |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
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Datensatz im Suchindex
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author_GND | (DE-588)132212439 |
building | Verbundindex |
bvnumber | BV040341397 |
callnumber-first | N - Fine Arts |
callnumber-label | NX195 |
callnumber-raw | NX195 |
callnumber-search | NX195 |
callnumber-sort | NX 3195 |
callnumber-subject | NX - Arts in General |
ctrlnum | (DE-599)BVBBV040341397 |
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dewey-hundreds | 300 - Social sciences |
dewey-ones | 302 - Social interaction |
dewey-raw | 302.23 |
dewey-search | 302.23 |
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dewey-tens | 300 - Social sciences |
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edition | 1st ed. |
format | Book |
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id | DE-604.BV040341397 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T00:22:01Z |
institution | BVB |
isbn | 9780415699426 9780415699433 |
language | English |
lccn | 2012023370 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025195649 |
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owner | DE-M382 DE-M472 DE-Po75 |
owner_facet | DE-M382 DE-M472 DE-Po75 |
physical | XII, 311 S. |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Routledge |
record_format | marc |
series2 | AFI film readers |
spelling | Media authorship ed. by Cynthia Chris ... 1st ed. New York, NY [u.a.] Routledge 2013 XII, 311 S. txt rdacontent n rdamedia nc rdacarrier AFI film readers "Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures--from visual arts to videogames, from textiles to television--contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask: - What constitutes "media" and "authorship" in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content? - What can we learn from cinematic and literary models of authorship--and critiques of those models--with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet? - How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation? - What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in "new media"? By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade--even, reauthored--by new practices in the digital media environment"-- Provided by publisher. Arts Authorship Creation (Literary, artistic, etc.) SOCIAL SCIENCE / Media Studies bisacsh LANGUAGE ARTS & DISCIPLINES / Authorship bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Chris, Cynthia 1961- Sonstige (DE-588)132212439 oth Erscheint auch als Online-Ausgabe 978-0-203-13601-0 |
spellingShingle | Media authorship Arts Authorship Creation (Literary, artistic, etc.) SOCIAL SCIENCE / Media Studies bisacsh LANGUAGE ARTS & DISCIPLINES / Authorship bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
title | Media authorship |
title_auth | Media authorship |
title_exact_search | Media authorship |
title_full | Media authorship ed. by Cynthia Chris ... |
title_fullStr | Media authorship ed. by Cynthia Chris ... |
title_full_unstemmed | Media authorship ed. by Cynthia Chris ... |
title_short | Media authorship |
title_sort | media authorship |
topic | Arts Authorship Creation (Literary, artistic, etc.) SOCIAL SCIENCE / Media Studies bisacsh LANGUAGE ARTS & DISCIPLINES / Authorship bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
topic_facet | Arts Authorship Creation (Literary, artistic, etc.) SOCIAL SCIENCE / Media Studies LANGUAGE ARTS & DISCIPLINES / Authorship PERFORMING ARTS / Film & Video / History & Criticism |
work_keys_str_mv | AT chriscynthia mediaauthorship |