Dickens adapted:
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Farnham [u.a.]
Ashgate
2012
|
Schriftenreihe: | A library of essays on Charles Dickens
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XXIV, 547 S. |
ISBN: | 9781409430940 |
Internformat
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Datensatz im Suchindex
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---|---|
adam_text | Contents
Acknowledgements
ix
Series Preface
xiii
Introduction
xv
PARTI ON ADAPTATION
1
Thomas Leitch
(2008),
Adaptation Studies at a Crossroads , Adaptation,
1,
pp.
63-77. 3
2
Mary Poovey
(2000),
Creative Criticism: Adaptation, Performative Writing
and the Problem of Objectivity , Narrative,
8,
pp.
109-33. 19
PARTII
SCREEN (LARGE)
3
Jane
Baston
(1996),
Word and Image: The Articulation and Visualization of
Power in Great Expectations , Literature Film Quarterly,
3,
pp.
322-31. 47
4
Graham
Pétrie
(1996),
Dickens in Denmark: Four Danish Versions of his Novels ,
Journal of European Studies,
26,
pp.
185-93. 57
5
Hugh H. Davis
(1999),
A Weirdo, A Rat, and A Humbug: The Literary Qualities
of The Muppet Christmas Carol , Studies in Popular Culture,
3,
pp.
95—105. 67
6
Kamilla
Elliott
(2003),
Cinematic Dickens and Uncinematic Words , in
John Glavin
(ed.),
Dickens on Screen, Cambridge: Cambridge University Press,
pp.
113-21. 79
7
Garrett Stewart
(2003),
Dickens,
Eisenstein,
Film , in John Glavin
(ed.),
Dickens on Screen, Cambridge: Cambridge University Press, pp.
122-44. 89
8
Susan Johnston
(2004),
Historical Picturesque: Adapting Great Expectations
and Sense and Sensibility
,
Mosaic: A Journal of Interdisciplinary Studies of
Literature,
37,
pp.
167-84. 113
9
Scot Balcerzak
(2005),
Dickensian Orphan as Child Star: Freddie Bartholomew
and the Commodity of Cute in MGM
s
David
Copperfield
(1935) ,
Literature Film
Quarterly,
33,
pp.
51-61. 131
10
Juliet John
(2005),
Fagin, the Holocaust and Mass Culture; or, Oliver Twist
on Screen , Dickens Quarterly,
22,
pp.
204-23. 143
11
Michael K. Johnson
(2005),
Not Telling the Story the Way it Happened:
Alfonso
Cuarón s
Great Expectations , Literature Film Quarterly,
33,
pp.
62-78. 163
12
Jason W. Stevens
(2006),
Insurrection and Depression-Era Politics in Selznik s
A Tale of Two Cities
(1935) ,
Literature Film Quarterly,
34,
pp.
176-93. 181
13
Shari Hodges
Holt (2007), Dickens
from a Postmodern Perspective: Alfonso
Cuarón s
Great Expectations for Generation X , Dickens Studies Annual,
38,
pp.
69-92. 199
14
Ana Moya
and Gemma
López
(2008),
I m a Wild Success : Postmodern
Dickens/Victorian
Cuarón , Dickens
Quarterly,
25,
pp.
172-89. 223
15
Shari Hodges Holt
(2010),
Please, Sir, I Want Some More :
Clive
Dormer s
Marxist Adaptation of Oliver Twist , Literature Film Quarterly,
38,
pp.
254-68. 241
16
Maria
Cristina Paganoni
(2010),
From Book to Film: The Semiotics of Jewishness
in Oliver Twist , Dickens Quarterly,
27,
pp.
307-20. 257
PARTIU
SCREEN (SMALL)
17
Tore
Rem
(1998),
The never-ending story? Two Martin Chuzzlewits
,
Word& Image,
12,
pp.
280-90. 273
18
John Romano
(2003),
Writing after Dickens: The Television Writer s Art ,
in John Glavin
(ed.),
Dickens on Screen, Cambridge: Cambridge University Press,
pp.
89-93. 285
19
Luc Bouvard
(2008),
Nicholas Nickleby, Adaptation, Rehearsal and Catharsis ,
Cahiers Victoriens et Edouar
diens,
67,
pp.
379-91. 291
20
Pamela Atzori
(2009), La
Television
des Professeurs? Charles Dickens,
French
Public Service
Television and
Oliver Twist ,
Scope: An
Online Journal
oj
Film Studies,
15. 305
21 Rachel
Carroll
(2009),
Queer Beauty: Illness, Illegitimacy and Visibility in
Dickens s Bleak House and its
2005
BBC Adaptation , Journal of Adaptation in
Film
&
Performance,
2,
pp.
5-18. 319
22
Benjamin Poore
(2010),
Ί
have been true to you, upon my guilty soul I have :
Negotiating Nancy, Hyperauthenticity and Hyperfidelity in the
2007
BBC
Adaptation
οι
Oliver Twist , Journal of Adaptation in Film
&
Performance,
3,
pp.
157-70. 333
PART IV STAGE
23
Malcolm Andrews
(2006),
Reading, Reciting, Acting , in Charles Dickens and
His Performing Selves:
Dietens
and the Public Readings, Oxford: Oxford University
Press, pp.
50-73. 349
24
Helen Groth
(2007),
Reading Victorian Illusions: Dickens s Haunted Man and
Dr. Pepper s Ghost , Victorian Studies,
50,
pp.
43-65. 373
25
Sue
Zemka
(2010),
The Death of Nancy Sikes ,
1838-1912 ,
Representations,
110,
pp.
29-57. 397
26
Sharon Aronofsky Weltman
(2011),
Can a Fellow Be a Villain All His Life?
Oliver!, Fagin and Performing Jewishness , Nineteenth-Century Contexts,
33,
pp.
371-88. 427
PART V PAGE
27
Colette
Selles
(2004),
Heritage in Peter Carey s Jack Maggs , Commonwealth
Essays and Studies,
27,
pp.
63-75. 447
28
Ankhi Mukherjee
(2005),
Missed Encounters: Repetition, Rewriting and
Contemporary Returns to Charles Dickens s Great Expectations ,
Contemporary Literature,
46,
pp.
108-33. 461
29
Laura E.
Savu
(2005),
The Crooked Business of Storytelling: Authorship
and Cultural Revisionism in Peter Carey s Jack Maggs , Ariel: A Review of
International English Literature,
36,
pp.
127-63. 487
30
Beverly Taylor
(2009),
Discovering New Pasts: Victorian Legacies in the
Postcolonial
Worlds
oí
Jack Maggs and Mister Pip , Victorian Studies,
52,
pp.
95-105. 524
Name Index
537
|
any_adam_object | 1 |
building | Verbundindex |
bvnumber | BV040340077 |
classification_rvk | HL 2585 |
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dewey-full | 823.8 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 823 - English fiction |
dewey-raw | 823.8 |
dewey-search | 823.8 |
dewey-sort | 3823.8 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
format | Book |
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isbn | 9781409430940 |
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series2 | A library of essays on Charles Dickens |
spelling | Dickens adapted ed. by John J. Glavin Farnham [u.a.] Ashgate 2012 XXIV, 547 S. txt rdacontent n rdamedia nc rdacarrier A library of essays on Charles Dickens Dickens, Charles / 1812-1870 / Adaptations Dickens, Charles 1812-1870 (DE-588)118525239 gnd rswk-swf Fernsehfilm (DE-588)4154054-2 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Dickens, Charles 1812-1870 (DE-588)118525239 p Rezeption (DE-588)4049716-1 s DE-604 Film (DE-588)4017102-4 s Fernsehfilm (DE-588)4154054-2 s Glavin, John Sonstige oth Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025194357&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Dickens adapted Dickens, Charles / 1812-1870 / Adaptations Dickens, Charles 1812-1870 (DE-588)118525239 gnd Fernsehfilm (DE-588)4154054-2 gnd Rezeption (DE-588)4049716-1 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)118525239 (DE-588)4154054-2 (DE-588)4049716-1 (DE-588)4017102-4 (DE-588)4143413-4 |
title | Dickens adapted |
title_auth | Dickens adapted |
title_exact_search | Dickens adapted |
title_full | Dickens adapted ed. by John J. Glavin |
title_fullStr | Dickens adapted ed. by John J. Glavin |
title_full_unstemmed | Dickens adapted ed. by John J. Glavin |
title_short | Dickens adapted |
title_sort | dickens adapted |
topic | Dickens, Charles / 1812-1870 / Adaptations Dickens, Charles 1812-1870 (DE-588)118525239 gnd Fernsehfilm (DE-588)4154054-2 gnd Rezeption (DE-588)4049716-1 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Dickens, Charles / 1812-1870 / Adaptations Dickens, Charles 1812-1870 Fernsehfilm Rezeption Film Aufsatzsammlung |
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