British music and literary context: artistic connections in the long nineteenth century
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
Boydell Press
2012
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Music in Britain, 1600 - 1900
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 320 S. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 9781843837305 |
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Datensatz im Suchindex
| _version_ | 1804149345376796672 |
|---|---|
| adam_text | Contents
Lists of Figures, Tables and Music Examples
vi
Acknowledgements
ix
List of Abbreviations
xi
Introduction British Music and Literary Context
ι
Chapter
ι
Parry and Bridges: Music and Poetry in the Invocation to
Music
13
Chapter
2
Stanford and Tennyson: The Musical Promotion of a Poet
63
Chapter
3
Bantock and Browning: Reformulated Dramatic Monologue in
Fifine at the Fair
133
Chapter
4
Elgar and Bulwer Lytton: Hidden Narrative and the Piano
Quintet, op.
84 189
Chapter
5
Elgar and Travel Literature: In the South and Imaginative
Topography
245
Bibliography
290
Index
307
Figures,
Tables
and Music Examples
FIGURES
1.1 Bridges sketch of the Invocation to Music
18
1.2
Bridges, Invocation to Music, versions of stanza
7 27
1.3
Parry, Invocation to Music
(1895),
title page
30
2.1
Tennyson s recitation of The Lotos-Eaters
Chorie Song,
transcribed by
Parry
68
2.2
Stanford s sketch for a Becket opera
82
3.1
Bantock s poetic incipits from Browning s Fifine at the Fair
163
TABLES
1
Stanford s compositions with Tennysonian associations
64
2
Bantock s compositions inspired by Browning s poetry
138
3
Bantock, Fifine at the Fair, structural overview
164
4
Elgar, Piano Quintet, op.
84,
structural overview
216
5
Elgar, In the South, op.
50,
structural overview
253
MUSIC EXAMPLES
1.1
Parry, Invocation to Music, end of verse
4 24
1.2
Stanford, Eden, op.
40,
Vision of Good , bars
82-9 35
1.3
Parry, Invocation to Music, verse
9 45
1.4
Parry, Invocation to Music, verse
7 50
1.5
Parry, Invocation to Music, transition from verses
7
to
8 52
1.6
Hoist, Awake, my heart , bars
11-17 58
1.7
Hoist, Sorrow and Joy , Seven Part-Songs for female voices
&
strings,
op.
44,
opening
59
1.8
Hoist, A Choral Fantasia, op.
51,
bars
191-3 60
1.9
Hoist, A Choral Fantasia, excerpts
61
2.1
Stanford, The Revenge, op.
24,15
bars after figure Y, original and published
version
73
2.2
Stanford, Ode on the Death of the Duke of Wellington, op.
100,
figure
15 74
2.3
Stanford, Becket, op.
48,
final scene
80
2.4
Stanford, Becket, chant references
81
2.5
Stanford, The splendour falls , A Cycle of Songs from The Princess,
bars
33-6 88
2.6
Stanford, Tears, idle tears , bars
5-13 92
2.7
Stanford, Tears, idle tears , bars
113-29 94
2.8
Stanford, The Voyage ofMaeldune, op.
34,
two bars after figure
L
100
2.9
Stanford, Irish Symphony, op.
28,
first movement, opening
103
2.10
Stanford, The Voyage ofMaeldune, motives
103
2.11
Stanford, The Voyage ofMaeldune,
63
bars before the end
104
2.12
Stanford, Ode on the Death of the Duke of Wellington,
8
bars after
figure
15 109
2.13
Stanford, Ode on the Death of the Duke of Wellington,
6
bars before
figure
75 110
2.14
Stanford, The Revenge,
7
bars after letter CC
113
2.15
Stanford, Elegiac Symphony, first movement, opening
118
2.16
Stanford, Elegaic Symphony, first movement, bars
35-42 119
2.17
Stanford, Elegiac Symphony, scherzo, bars
53-8 120
2.18
Stanford, Elegaic Symphony, finale, bars
43-6 120
2.19
Stanford,
Ό
living will , bars
9-10,
and Strong Son of God , opening
123
2.20
Stanford, The Vision , bars
30-7 124
2.21
Stanford, Crossing the Bar , opening
126
2.22
Stanford, Faith , bars
28-34 127
2.23
Stanford, Merlin and the Gleam, op.
172,
opening gleam motif
130
2.24
Stanford, Merlin and the Gleam, bars
171-7 130
2.25
Stanford, The fairy lough , opening
132
3.1
Bantock, A Woman s Last Word , excerpts
147
3.2
Bantock, Never the Time and the Place , excerpts
149
3.3
Bantock, A Toccata ofGaluppi s, bars
11-14 151
3.4
Bantock, Caliban upon Setebos , excerpts
153
3.5
Bantock, Soliloquy of the Spanish Cloister , excerpts
154
3.6
Bantock, Fifine at the Fair, Prologue,
10:5-10:8 167
3.7
Bantock, Fifine at the Fair,
3:4,
Carnival of Venice reference
169
3.8
Bantock, Fifine at the Fair,
7:2,
the fair characters
170
3.9
Bantock, Fifine at the Fair,
14:5,
Fifine reference
171
3.10
Bantock, Fifine at the Fair,
17:9,
fate motif
173
3.11
Bantock, Fifine at the Fair,
19:9,
Fifine introduced
175
3.12
Bantock, Fifine at the Fair, Fifine s dance
176
3.13
Bantock, Fifine at the Fair, Fifine s cadenza
179
3.14
Bantock, Fifine at the Fair, Elvire s theme, figure
35 181
3.15
Bantock, Fifine at the Fair, Don Juan and
Elvire
dialogue, figure
36 182
3.16
Bantock, Fifine at the Fair and The Witch of Atlas, endings
187
4.1
Elgar, Owls , Four Choral Songs, op.
53/4,
bars
23-9 191
4.2
Elgar, sketches of Piano Quintet, op.
84,
first movement
197
4.3
Elgar, Piano Quintet sketch, first movement
198
4.4
Elgar, Piano Quintet, first movement, opening
218
4.5
Elgar, Piano Quintet, first movement, bars
18-26 220
4.6
Elgar, Piano Quintet, first movement, bars
74-7 222
4.7
Elgar, Piano Quintet, first movement, bars
478-96 223
4.8
Elgar, Piano Quintet, first movement, bars
182-202 225
4.9
Elgar, Piano Quintet, first movement, bars
447-64 228
4.10
Elgar, Piano Quintet, first movement, bars
79-82 230
4.11
Elgar, Piano Quintet, first movement, bars
113-22 231
4.12
Elgar, Piano Quintet, first movement, piano part, excerpts
233
4.13
Elgar, Piano Quintet, first movement, piano part, bars
286-7 233
Viii
BRITISH
MUSIC AND LITERARY CONTEXT
4.14
Elgar, Piano Quintet, first movement, string parts, bars
259-63 234
4.15
Elgar, Piano Quintet, first movement, bars
293-9 235
4.16
Elgar, Piano Quintet, first movement, bars
327-33 236
4.17
Elgar, Tarantella sketch
237
4.18
Elgar, Piano Quintet, second movement, bars
43-6 238
4.19
Elgar, Piano Quintet, finale, opening
240
4.20
Elgar, Piano Quintet, finale, excerpts
241
5.1
Elgar s incipits for In the South
255
5.2
Elgar, Alassio streetboy sketch
266
5.3
Elgar, In the South, Canto
popolare ,
five bars after figure
34 266
5.4
Elgar, In the South, three bars before figure
9 270
5.5
Elgar, In the South, Romans section, figure
21 275
5.6
Elgar, In the South, strife , nine bars after figure
26 275
5.7
Elgar, In Moonlight , bars
9-20 281
5.8
Elgar, In the South, Canto
popolare ,
figure
39,
solo viola part
285
5.9
Elgar, In the South, figure
6 286
5.10
Elgar, In the South, figure
51,
tranquillo
restatement
oí
nobilmente
theme
287
|
| any_adam_object | 1 |
| author | Allis, Michael 1964- |
| author_GND | (DE-588)1023580861 |
| author_facet | Allis, Michael 1964- |
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| classification_rvk | HL 1031 LQ 84005 |
| ctrlnum | (OCoLC)802218031 (DE-599)HBZHT017243294 |
| discipline | Anglistik / Amerikanistik Musikwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1600-1900 gnd |
| era_facet | Geschichte 1600-1900 |
| format | Book |
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| spelling | Allis, Michael 1964- Verfasser (DE-588)1023580861 aut British music and literary context artistic connections in the long nineteenth century Michael Allis 1. publ. Woodbridge Boydell Press 2012 X, 320 S. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Music in Britain, 1600 - 1900 Geschichte 1600-1900 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf England (DE-588)4014770-8 g Musik (DE-588)4040802-4 s Literatur (DE-588)4035964-5 s Geschichte 1600-1900 z DE-604 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025174069&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Allis, Michael 1964- British music and literary context artistic connections in the long nineteenth century Literatur (DE-588)4035964-5 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4040802-4 (DE-588)4014770-8 |
| title | British music and literary context artistic connections in the long nineteenth century |
| title_auth | British music and literary context artistic connections in the long nineteenth century |
| title_exact_search | British music and literary context artistic connections in the long nineteenth century |
| title_full | British music and literary context artistic connections in the long nineteenth century Michael Allis |
| title_fullStr | British music and literary context artistic connections in the long nineteenth century Michael Allis |
| title_full_unstemmed | British music and literary context artistic connections in the long nineteenth century Michael Allis |
| title_short | British music and literary context |
| title_sort | british music and literary context artistic connections in the long nineteenth century |
| title_sub | artistic connections in the long nineteenth century |
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| topic_facet | Literatur Musik England |
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