Using software samplers: skill pack
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston
Course Technology
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 196 S. zahlr Ill. |
| ISBN: | 9781435458536 |
Internformat
MARC
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|---|---|---|---|
| 001 | BV040306634 | ||
| 003 | DE-604 | ||
| 005 | 20120917 | ||
| 007 | t | ||
| 008 | 120711s2012 a||| |||| 00||| eng d | ||
| 015 | |a GBB109457 |2 dnb | ||
| 020 | |a 9781435458536 |9 978-1-4354-5853-6 | ||
| 035 | |a (OCoLC)802630935 | ||
| 035 | |a (DE-599)BVBBV040306634 | ||
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| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
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| 100 | 1 | |a Batzdorf, Nick |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Using software samplers |b skill pack |c Nick Batzdorf |
| 264 | 1 | |a Boston |b Course Technology |c 2012 | |
| 300 | |a XI, 196 S. |b zahlr Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Sampler (Musical instrument) | |
| 650 | 0 | 7 | |a Sampler |g Musikinstrument |0 (DE-588)4283793-5 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
| 689 | 0 | 0 | |a Sampler |g Musikinstrument |0 (DE-588)4283793-5 |D s |
| 689 | 0 | |5 DE-604 | |
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Datensatz im Suchindex
| _version_ | 1804149326437416960 |
|---|---|
| adam_text | Contents
Introduction
..................................................................................................................................................ix
Chapter
1
Planning
1
Computer Performance
.................................................................................................................................1
Processing Power
.....................................................................................................................................1
Memory Access
.......................................................................................................................................3
Drives
......................................................................................................................................................-5
Multiple Machines
..................................................................................................................................6
Recording Choices
.........................................................................................................................................6
Stereo versus Mono
.................................................................................................................................7
Multiple
Mic
Positions
..........................................................................................................................10
Rooms
...................................................................................................................................................11
Sample Rates and Bit Depths
................................................................................................................12
Samplers
................................................................................................................................................13
Looped or Unlooped
.............................................................................................................................14
Alternate Takes
.....................................................................................................................................14
The Sucking Sound
...........................................................................................................................14
Friendly
Mic
Null
..................................................................................................................................14
What to Record
—
An Incomplete Checklist
..........................................................................................15
Musical Purpose
....................................................................................................................................15
Test Recording
......................................................................................................................................15
Chapter
2
Processing and Primary Editing
17
Monitoring
..................................................................................................................................................17
Noise Reduction?
........................................................................................................................................19
Test Programs
..............................................................................................................................................21
Editing in Apple Logic Pro
..........................................................................................................................21
Tutorial: Cutting Up the Samples in Logic
...........................................................................................21
Editing in Avid Pro Tools
...........................................................................................................................28
Tutorial: Cutting Up the Samples in Pro Tools
....................................................................................28
VI
Contents
vii
Chapter
З
Building Programs in Apple EXS24
39
Tutorial: Quick Chromatic Sample Mapping from a Logic Track
.............................................................39
Tutorials: Building a Multivelocity Instrument with Automatic Sample Alternation
.................................42
Stage
1:
A Basic Playable Instrument
....................................................................................................42
Stage
2:
Automatic Sample Alternation of Separate Performances
.......................................................49
Stage
3:
Bringing in the Staccato Notes and Setting Velocity Ranges
..................................................55
Stage
4:
Adding the Long Notes
...........................................................................................................58
Chapter
4
Building Programs in Native Instruments
Kontakt 63
Stage
1:
A Basic Playable Instrument
..........................................................................................................64
Stage
2:
Automatic Sample Alternation of Separate Performances
.............................................................70
Stage
3:
Bringing in the Staccato Notes and Setting Velocity Ranges
........................................................77
Stage
4:
Adding the Long Notes
.................................................................................................................80
Chapter
5
Building Programs in the Propellerhead Reason (and Record) NN-XT Advanced
Sampler
____________________________________________________________85
Stage
1:
A Basic Playable Instrument
..........................................................................................................86
Stage
2:
Bringing in the Vibrato Samples
...................................................................................................94
Stage
3:
Creating a Round-Robin Staccato/Short Notes Program
..............................................................98
Chapter
6
Building Programs in Avid (Formerly Digidesign) Structure
107
Stage
1:
A Basic Playable Instrument
........................................................................................................108
Stage
2:
The Vibrato Samples
...................................................................................................................116
Stage
3:
The Short Notes
..........................................................................................................................122
Alternative: Switching Short Notes by Playing Speed
...............................................................................131
Chapter
7
Looping
___________________________________________________________135
Looking at Edit Points
..............................................................................................................................136
Setting Loop Points
...................................................................................................................................138
Loop Points in Structure
...........................................................................................................................139
Loop Points in NN-XT
.............................................................................................................................142
Loop Points inEXS24
...............................................................................................................................148
viii
Using
Software
Samplers: Skill Pack
Chapter
8
Release Samples
159
Tutorial: Release Samples
..........................................................................................................................159
Tutorial: Release Samples in Structure
......................................................................................................164
Tutorial: Release Samples in
Kontakt
.......................................................................................................168
Tutorial: Release Samples in EXS24
.........................................................................................................178
Chapter
9
Using
Kontakt
Scripts
187
Tutorial: Adding a Preset Script
................................................................................................................188
Index
..........................................................................................................................................................193
Online Content at www.courseptr.com/downloads
Chapter
10:
The Stutter Effect
Chapter
11:
Synthesis Parameters
|
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| illustrated | Illustrated |
| indexdate | 2024-07-10T00:21:15Z |
| institution | BVB |
| isbn | 9781435458536 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025161534 |
| oclc_num | 802630935 |
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| physical | XI, 196 S. zahlr Ill. |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Course Technology |
| record_format | marc |
| spelling | Batzdorf, Nick Verfasser aut Using software samplers skill pack Nick Batzdorf Boston Course Technology 2012 XI, 196 S. zahlr Ill. txt rdacontent n rdamedia nc rdacarrier Sampler (Musical instrument) Sampler Musikinstrument (DE-588)4283793-5 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Sampler Musikinstrument (DE-588)4283793-5 s DE-604 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025161534&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Batzdorf, Nick Using software samplers skill pack Sampler (Musical instrument) Sampler Musikinstrument (DE-588)4283793-5 gnd |
| subject_GND | (DE-588)4283793-5 (DE-588)4151278-9 |
| title | Using software samplers skill pack |
| title_auth | Using software samplers skill pack |
| title_exact_search | Using software samplers skill pack |
| title_full | Using software samplers skill pack Nick Batzdorf |
| title_fullStr | Using software samplers skill pack Nick Batzdorf |
| title_full_unstemmed | Using software samplers skill pack Nick Batzdorf |
| title_short | Using software samplers |
| title_sort | using software samplers skill pack |
| title_sub | skill pack |
| topic | Sampler (Musical instrument) Sampler Musikinstrument (DE-588)4283793-5 gnd |
| topic_facet | Sampler (Musical instrument) Sampler Musikinstrument Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025161534&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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