Mastering: profesionelles Audio-Editing und Mastering
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Bergkirchen
PPVMedien
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 174 S. Ill. |
| ISBN: | 9783941531789 3941531786 |
Internformat
MARC
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|---|---|---|---|
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| 264 | 1 | |a Bergkirchen |b PPVMedien |c 2012 | |
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Datensatz im Suchindex
| _version_ | 1804149320287518720 |
|---|---|
| adam_text | Inhalt
1. Einleitung: Was ist
Mastering?
....................... 10
2. Grundlagen ........................................ 13
Klangerzeuger.......................................... 14
Medium............................................... 22
Empfänger: Das menschliche Ohr und das Mikrofon............... 25
3. Psychoakustik...................................... 26
Lautstärke............................................. 28
Tonhöhe .............................................. 30
Kurven gleicher Lautstärke (Isophone)........................ 31
Lokalisation von Schallquellen............................... 33
Gesetz der ersten Wellenfront (Haas-Effekt).................... 36
Schwebung und binaurale Beats............................. 36
Masking-Effekt.......................................... 37
Zeitliche Verdeckung..................................... 38
Datenreduktion......................................... 38
Cocktail-Party-Effekt...................................... 39
Residualton............................................ 39
Die „Laune der Musik .................................... 40
4. Raumakustik und Schallisolation...................... 41
Schallisolation.......................................... 41
Reflexionen............................................ 42
Stehende Wellen......................................... 44
-5-
Inhalt
Schallabsorption......................................... 45
Resonatoren............................................ 45
Schalltoter Raum........................................ 46
Diffusor............................................... 46
Position der Monitorboxen................................. 47
Arbeiten mit Kopfhörern................................... 49
5. Stereofonie und Stereo-Effekte........................ 51
Intensitätsstereofonie..................................... 51
Knüppelstereofonie....................................... 52
Modulationseffekte....................................... 52
Nachhall
(Reverb)
....................................... 53
Hallplatte.............................................. 54
Faltungshall............................................ 55
Gated-Reverb........................................... 55
Reverse-Hall............................................ 55
Stereobasis-Verbreiterung.................................. 56
6.
Equipment
......................................... 58
Hardware und Software................................... 58
Verkabelung: Netzkabel, Audiokabel, Digitalkabel................ 61
Synchronisation......................................... 64
Anzeige-Instrumente...................................... 65
Monitorsystem.......................................... 69
Aufbau eines analog-digitalen Mastering-Setups................. 73
Studiopegel und
„Hi-Fľ -Pegel
............................... 75
-6-
7.
Equalizer
........................................... 76
Funktionen und Bauarten.................................. 76
Allgemeine Anwendungen.................................. 77
Parametrischer Equalizer.................................. 78
Semiparametrischer Equalizer............................... 83
Kuhschwanz-Equalizer.................................... 83
Grafischer Equalizer...................................... 86
Notch-Filter
............................................ 87
Phase-Linear-Equalizer....................................
88
M/S-Equalizer.......................................... 90
Dynamischer Equalizer.................................... 92
8. Regelverstärker.................................... 96
Kompressor............................................ 96
Side-Chain-Kompressor.................................... 100
Kompression im
Mastering
................................. 101
Parallel-Kompression..................................... 102
Multiband-Kompressor.................................... 103
Limiter .............................................. 106
De-Esser............................................... HO
Noisegate.............................................. 112
Expander.............................................. 114
Kompander............................................ 115
9. Verzerrungen ...................................... 116
Lineare Verzerrung....................................... 116
Nichtlineare Verzerrung................................... 124
-7-
10.
Analyse
und Bearbeitung eines Titels................. 126
Frequenzbereich 50 Hz-160 Hz.............................. 128
Mittlerer Frequenzbereich.................................. 129
Präsenzen............................................. 130
High-End
.............................................. 131
dB-Pegel.............................................. 132
Phasenlage............................................. 132
Transienten-Designer..................................... 133
Exciter
............................................... 134
Urteilskraft............................................. 135
Umsetzung fremder Vorstellungen............................ 136
11.
Tape-Mastering
................................... 137
12.
Remastering......................................
139
13.
Stem-Mastering
................................... 141
Hauptstimme........................................... 142
Chorstimmen........................................... 143
Bassdrum.............................................. 143
Snaredrum............................................. 145
Hi-Hat ............................................... 145
Bass
............................................... 146
E-Gitarre.............................................. 147
Synthesizer............................................ 148
-8-
14.
Dos digitale Format
................................ 150
Abtasttheorem.......................................... 150
Fehlerkorrektur......................................... 152
Hohe Samplerate........................................ 153
Hohe Bitrate............................................ 153
Digital-Analog-Umsetzer................................... 154
Truncation
............................................. 155
Dithering
.............................................. 155
Verlustfreie Formate...................................... 155
Verlustbehaftete Formate.................................. 156
Digitale Schnittstellen..................................... 159
15. Das CD-Master.................................... 160
Dynamik.............................................. 160
Gesamtsound........................................... 160
Reihenfolge............................................ 161
Pausenlängen........................................... 161
Blenden und Crossfades................................... 162
Störgeräusche........................................... 163
Master-Audio-CD......................................... 165
DDP-Master............................................ 166
Redbook-Standard....................................... 166
Metadaten............................................. 167
Über den Autor ....................................... 169
Stichwortverzeichnis .................................. 170
-9-
|
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| bvnumber | BV040302328 |
| ctrlnum | (OCoLC)802609744 (DE-599)DNB1019858168 |
| discipline | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV040302328 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:21:09Z |
| institution | BVB |
| isbn | 9783941531789 3941531786 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025157332 |
| oclc_num | 802609744 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM |
| owner_facet | DE-12 DE-19 DE-BY-UBM |
| physical | 174 S. Ill. |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | PPVMedien |
| record_format | marc |
| spelling | Noltemeier, Stefan Verfasser aut Mastering profesionelles Audio-Editing und Mastering Stefan Noltemeier Bergkirchen PPVMedien 2012 174 S. Ill. txt rdacontent n rdamedia nc rdacarrier Audio-Mastering (DE-588)7533668-6 gnd rswk-swf Audio-Mastering (DE-588)7533668-6 s DE-604 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025157332&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Noltemeier, Stefan Mastering profesionelles Audio-Editing und Mastering Audio-Mastering (DE-588)7533668-6 gnd |
| subject_GND | (DE-588)7533668-6 |
| title | Mastering profesionelles Audio-Editing und Mastering |
| title_auth | Mastering profesionelles Audio-Editing und Mastering |
| title_exact_search | Mastering profesionelles Audio-Editing und Mastering |
| title_full | Mastering profesionelles Audio-Editing und Mastering Stefan Noltemeier |
| title_fullStr | Mastering profesionelles Audio-Editing und Mastering Stefan Noltemeier |
| title_full_unstemmed | Mastering profesionelles Audio-Editing und Mastering Stefan Noltemeier |
| title_short | Mastering |
| title_sort | mastering profesionelles audio editing und mastering |
| title_sub | profesionelles Audio-Editing und Mastering |
| topic | Audio-Mastering (DE-588)7533668-6 gnd |
| topic_facet | Audio-Mastering |
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