Elements of the picaresque in contemporary British fiction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publ.
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 239 S. |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804149308715433984 |
|---|---|
| adam_text | Table
of Contents
Introduction
.................................................................................................1
I. The Picaresque Story: Literary and Aesthetic Coordinates
......................7
1.
Genres and the place of genre study in contemporary literary theory
2.
The canon of the picaresque
II. The Rogue Tale in the History of English Literature before the 20th
Century
................................................................................................33
1.
Beginnings of the British rogue story:
La inclinación
picaresca
of the British writers
2.
Smollet, Fielding and Defoe: picaresque stories and experimentation
with the narrative
3.
The nineteenth century English picaresque: Byron and Dickens
III. Revisitations of the Picaresque in the English Literature of the 50s
and
60s.................................................................................................57
1.
The twentieth century: in search of new means of expression after
WWI, and the re-discovery of adventure after WWII
2.
Adventure, fantasy, anger, and erudition in the Post-War Novel
3.
The picaroons of the Angry Generation
a. The Angry Young Men and their times
b. Joe Lampton and Jim Dixon: two angry picaroons
с
Picaresque elements in the non-angry novels of the 50s
IV. The Study of Genres in Contemporary British Literature:
Postmodernist and New Age Criteria
...................................................79
1.
Matters of the self and of identity in Postmodern
and Post-post-modern times
a. Postmodernism and the new approach to history
b. Postmodern subjectivity, and the new conception of the self
с
New conceptions of time and space
d. Tendencies towards a reconstruction of the self and the spirit
of New Age theories
2.
Towards a generic classification of contemporary British literature
3.
In search of the protocols of the picaresque in contemporary British
literature: postmodern revaluations of the Genre
V.
Picaresque
as Displacement
................................................................125
1.
Salman Rushdie s Shame and The Ground Beneath Her Feet
2.
Hanif Kureishi, The Buddha of Suburbia
VI. The Rogue s Progress in the Remains of the Empire
........................153
1.
University rogues and European postmodern picaroons in novels
by Malcolm Bradbury and David Lodge
a. David Lodge, Therapy: the rogue in search of his immortal soul
b. The postmodern European rogue in Malcolm Bradbury s Doctor
Criminale
2.
Kazuo Ishiguro, The Remains of the Day and When We Were
Orphans: the displaced picaresque narrative and the fading
of Englishness
3.
Tom
Sharpe,
The Midden: the comic and the grotesque gathering
of rogues, straggling to find a long-lost Empire
4.
Timothy Mo, The Monkey King and Sour Sweet: the rogue
among pieces and left-overs of colonial times
5.
David Dabydeen, A Harlot s Progress: the tragic story
of involuntary rogues
VII.
The Rogue and the New Ethics of Science
......................................199
1.
Simon Mawer s Mendel s Dwarf: the science rogue and the two¬
fold Otherness
2.
The clone-rogues of Kazuo Ishiguro s Never Let Me Go:
the humanity of the non-human
Conclusions
.............................................................................................223
References
...............................................................................................229
Dr.
Ligia Tomoiága s
Elements of the Picaresque
,
in Contemporary British^Fiction is
aiTSttëmptj»
φ
igfjifB;to demonstrate^that the picaiFesques
ѓ
ай
^g|?is
äniriväŕiánt
of
British^fîction^r
Novels such as Salman Rushdie
ś
¿Shame,
їй
ŕ
Timothy Mo sThe Monkey King ^
Simon Mawer s Mendel s Dwarf areanalysed
across a variety of coordinates ranging from
anthropology and
postcolonial
studies
to postmodernism and the ethics of science,
and are grouped under three metaphorical titles:
;
гїй
;
,
Picaresque asdisplacement,
isiyitj-·
-
^^в»Р*сагеѕЧие
as a mark of the dissolution
Ж
..;::г:#Љ^.,:
of the empire, and Picaresque
and the ethics of science.
|
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| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1950-2000 gnd |
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| title | Elements of the picaresque in contemporary British fiction |
| title_auth | Elements of the picaresque in contemporary British fiction |
| title_exact_search | Elements of the picaresque in contemporary British fiction |
| title_full | Elements of the picaresque in contemporary British fiction by Ligia Tomoiagă |
| title_fullStr | Elements of the picaresque in contemporary British fiction by Ligia Tomoiagă |
| title_full_unstemmed | Elements of the picaresque in contemporary British fiction by Ligia Tomoiagă |
| title_short | Elements of the picaresque in contemporary British fiction |
| title_sort | elements of the picaresque in contemporary british fiction |
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