"Painting and writing have much to tell each other": on the conceptualization of personal identity in modernist painting and literature
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Trier
WVT, Wiss. Verl. Trier
2012
|
| Schriftenreihe: | ELCH
51 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. [286] - 302 |
| Beschreibung: | 308 S. Ill. 23 cm |
| ISBN: | 9783868213799 |
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| 245 | 1 | 0 | |a "Painting and writing have much to tell each other" |b on the conceptualization of personal identity in modernist painting and literature |c Jens Zwernemann |
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Datensatz im Suchindex
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|---|---|
| adam_text | IMAGE 1
CONTENTS
I. EVERYTHING CRACKS : MODERNISM, ART, AND IDENTITY 1
1. [A]N ATTITUDE O F COMPLETE SCEPTICISM ABOUT EVEN THE MOST WIDELY
ACCEPTED JUDGEMENTS : MODERNISM AS AN AESTHETIC AND AS AN EPOCH 4
2. A HISTORICAL SKETCH O F MODERNISM 8
3. [I]L NE PEUT SE CREER D ART STABLE, D ART DEFMITIF : MODERNISM AND
ART 12
4. [T]HE INFLUENCE O F SOMETHING UPON SOMEBODY- THE SCOPE O F THE
PRESENT STUDY 18
II. AS UNALTERABLE AS THE WAY OF THE ETERNAL [?]: TOWARDS A DEFINITION
OF PERSONAL IDENTITY 22
1. A DEFINITION O F PERSONAL IDENTITY 24
2. A (VERY) SHORT HISTORY O F PERSONAL IDENTITY 27
3. [A] COMPLEX MULTIFORM CREATURE : THE MENSCHENBILD IN (PRE-)MODERNIST
LITERATURE AND ART 31
III. UT PICTURA POESIS [?!]: ON THE PROBLEM OF COMPARING PAINTING AND
LITERATURE 42
1. UT PICTURA POESIS : O F SISTER-ARTS AND ARTISTIC HIERARCHIES 44
2. INTRODUCING DIFFERENCE: JAMES HARRIS, A DISCOURSE ON MUSIC,
PAINTING, AND POETRY (1744) 48
3. JOSEPH SPENCE, POLYMETIS (1747) 52
4. THE TWENTIETH CENTURY 54
4.1. NICHT ALLES IST ZU ALLEN ZEITEN MOEGLICH : HEINRICH WOELFFLIN S
KUNSTGESCHICHTLICHE GRUNDBEGRIFFE (1915) 56
5. SUMMARY: AESTHETIC POSITIONS 57
6. DISSENTING VOICES 59
7. RECENT DEVELOPMENTS 61
8. A CULTURAL-HISTORICAL APPROACH TO INTERMEDIALITY 67
9. POETICS O F THE OPENED FORM 72
IV. LE PERE DE NOUS TOUS : PAUL CEZANNE 75
1. PICTURES FROM THE HOUSE O F THE DEAD: CEZANNE S EARLY WORKS 79
2. REALISER SUR NATURE : CEZANNE S IMPRESSIONIST TURN 84
HTTP://D-NB.INFO/1023999986
IMAGE 2
3. THE ESSENCE O F THE OBJECT: CEZANNE S STILL LIFES 90
3.1. NATURE MORTE A U COMPOTIER (1879/1880) 91
3.2. MADAME CEZANNE AE LA JUPE RAYEE (C. 1877) 100
4. NONFINITO 102
4.1. PORTRAIT OFAMBROISE VOLLARD (1899) 104
4.2. THE LATE PORTRAITS 108
5. OPENING THE CLOSED FORM 110
6. THE BATHERS 111
V. DIE DURCHBRECHUNG DER GESCHLOSSENEN FORM : TYPOLOGY AND THE
DISSOLUTION OF IDENTITY IN PABLO PICASSO S (PRE-)CUBIST PORTRAITS 115
1. THE PORTRAIT O F GERTRUDE STEIN (1906) 118
2. PORTRAITS O F FERNANDE OLIVIER (1906-1909) 124
3. [T]HREE O F PICASSO S GREATEST PORTRAITS : WILHELM UHDE, AMBROISE
VOLLARD, DANIEL HENRY KAHNWEILER 128
3.1. PORTRAIT DE WILHELM UHDE { 1910) 129
3.2. DIE DURCHBRECHUNG DER GESCHLOSSENEN FORM : EARLY INTERPRETATIONS O
F CUBISM 130
3.3. PORTRAIT DE A MBROISE VOLLARD (1910) 135
3.4. PORTRAIT DE DANIEL-HENRY KAHNWEILER (1910) 138
4. EVERYBODY S PORTRAIT AND THE DISSOLUTION O F THE HUMAN FORM: LE
POETE (1911) AND M A JOLIE (1911) 139
VI. THE HISTORY OF ALL HUMAN BEINGS : GERTRUDE STEIN AND THE FAILURE O
F TYPOLOGY 144
1. J ETAIS AE CETTE EPOQUE SEULE AE COMPRENDRE PICASSO : STEIN AND
ART-THE ART O F STEIN 145
2. NORMAL MOTOR AUTOMATISM (1896) 159
3. Q.E.D. (1903) 162
4. MELANCTHA (1906) 168
5 . THE MAKING O F AMERICANS (1911) 180
5.1. [M]ANY MILLIONS O F EACH KIND : THE CREATION O F A PSYCHOLOGICAL
PANTHEON 183 5.2. I AM WRITING EVERYTHING AS I AM LEARNING ANYTHING :
THE ENACTMENT O F PERCEPTION 194
5.3. COMPOSITE PORTRAITURE AND THE DETECTION O F TYPES 199
5.4. EVERY ONE TO ME JUST NOW IS IN PIECES TO ME : THE FAILURE O F
TYPOLOGY 203
IMAGE 3
VII. A WEDGE-SHAPED CORE O F DARKNESS :
VIRGINIA WOOLF AND THE POST-IMPRESSIONIST SELP 211
1. THE ART QUAKE O F 1910 212
2. RENDERING AN OBJECT S REAL SIGNIFICANCE : POST-IMPRESSIONIST
AESTHETICS 215
3. ONE SHOULD BE A PAINTER : VIRGINIA WOOLF AND THE RELATIONSHIP
BETWEEN PAINTING AND LITERATURE 221
4. [T]HE SOLID GRAIN O F PURE SEIF : [PHYLLIS AND ROSAMOND] (1906)
230
5. [T]HAT SHELL O F A PERSON WHICH IS SEEN BY OTHER PEOPLE : THE MARK
ON THE WALL (1917) 232
6. IT IS NO USE TRYING TO SUM PEOPLE UP : JACOB S ROOM (1922) 235
7. [S]HE WOULD NOT SAY O F HERSEIF, I AM THIS, I AM THAT : MRS.
DALLOWAY (1925) 244
8. [T]HE TRUTH O F THINGS : TO THE LIGHTHOUSE (1927) 263
VIII. IDENTITY IS A VERY STRAENGE THING : CONCLUSION 283
IX. BIBLIOGRAPHY 286
1. PRIMARY WORKS 286
2. SECONDARY WORKS 288
2.1. MODERNISM 288
2.2. PERSONAL IDENTITY 290
2.3. INTERMEDIALITY 291
2.4. PAINTING: PAUL CEZANNE, PABLO PICASSO ET AL. 294
2.5. WRITING: GERTRUDE STEIN, VIRGINIA WOOLF ET AL. 299
X. PLATES 303
|
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| author | Zwernemann, Jens |
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| author_role | aut |
| author_sort | Zwernemann, Jens |
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| classification_rvk | EC 2440 |
| ctrlnum | (OCoLC)801769693 (DE-599)BSZ366951033 |
| discipline | Literaturwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Thesis Book |
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| spelling | Zwernemann, Jens Verfasser aut "Painting and writing have much to tell each other" on the conceptualization of personal identity in modernist painting and literature Jens Zwernemann Trier WVT, Wiss. Verl. Trier 2012 308 S. Ill. 23 cm txt rdacontent n rdamedia nc rdacarrier ELCH 51 Literaturverz. S. [286] - 302 Zugl.: Heidelberg, Univ., Diss., 2010 Geschichte gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Identität Motiv (DE-588)4311101-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Literatur (DE-588)4035964-5 s Malerei (DE-588)4037220-0 s Moderne (DE-588)4039827-4 s Identität Motiv (DE-588)4311101-4 s Geschichte z DE-604 ELCH 51 (DE-604)BV013959706 51 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025137951&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Zwernemann, Jens "Painting and writing have much to tell each other" on the conceptualization of personal identity in modernist painting and literature ELCH Malerei (DE-588)4037220-0 gnd Moderne (DE-588)4039827-4 gnd Identität Motiv (DE-588)4311101-4 gnd Literatur (DE-588)4035964-5 gnd |
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| title | "Painting and writing have much to tell each other" on the conceptualization of personal identity in modernist painting and literature |
| title_auth | "Painting and writing have much to tell each other" on the conceptualization of personal identity in modernist painting and literature |
| title_exact_search | "Painting and writing have much to tell each other" on the conceptualization of personal identity in modernist painting and literature |
| title_full | "Painting and writing have much to tell each other" on the conceptualization of personal identity in modernist painting and literature Jens Zwernemann |
| title_fullStr | "Painting and writing have much to tell each other" on the conceptualization of personal identity in modernist painting and literature Jens Zwernemann |
| title_full_unstemmed | "Painting and writing have much to tell each other" on the conceptualization of personal identity in modernist painting and literature Jens Zwernemann |
| title_short | "Painting and writing have much to tell each other" |
| title_sort | painting and writing have much to tell each other on the conceptualization of personal identity in modernist painting and literature |
| title_sub | on the conceptualization of personal identity in modernist painting and literature |
| topic | Malerei (DE-588)4037220-0 gnd Moderne (DE-588)4039827-4 gnd Identität Motiv (DE-588)4311101-4 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Malerei Moderne Identität Motiv Literatur Hochschulschrift |
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