Cognition in the Globe: attention and memory in Shakespeare's theatre
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Palgrave Macmillan
2011
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Cognitive studies in literature and performance
|
Schlagworte: | |
Beschreibung: | "Shakespeare's company coped with an enormous mnemonic load, performing up to six different plays a week. How did they do it? Cognition in the Globe addresses this question through the lens of distributed cognition. This is a dynamic model that attends to the art of 'playing' at a range of levels. These include the material conditions of playing space; artifacts such as parts, plots, and playbooks; the social structures of the companies, including methods of training and coordination; internal cognitive mechanisms such as attention, perception, and memory; and actor-audience dynamics, among many others. This is the first book to offer such an approach to theatrical history and performance studies"--Provided by publisher. Includes bilbiographical references and index |
Beschreibung: | xv, 200 S. ill. 22 cm |
ISBN: | 9780230110854 0230110851 |
Internformat
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245 | 1 | 0 | |a Cognition in the Globe |b attention and memory in Shakespeare's theatre |c Evelyn B. Tribble |
250 | |a 1. publ. | ||
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300 | |a xv, 200 S. |b ill. |c 22 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Cognitive studies in literature and performance | |
500 | |a "Shakespeare's company coped with an enormous mnemonic load, performing up to six different plays a week. How did they do it? Cognition in the Globe addresses this question through the lens of distributed cognition. This is a dynamic model that attends to the art of 'playing' at a range of levels. These include the material conditions of playing space; artifacts such as parts, plots, and playbooks; the social structures of the companies, including methods of training and coordination; internal cognitive mechanisms such as attention, perception, and memory; and actor-audience dynamics, among many others. This is the first book to offer such an approach to theatrical history and performance studies"--Provided by publisher. | ||
500 | |a Includes bilbiographical references and index | ||
600 | 1 | 4 | |a Shakespeare, William |d 1564-1616 |x Stage history |y To 1625 |
600 | 1 | 4 | |a Shakespeare, William |d 1564-1616 |x Stage history |z England |
600 | 1 | 4 | |a Shakespeare, William |d 1564-1616 |x Dramatic production |
648 | 4 | |a Geschichte 1600-1700 | |
648 | 4 | |a Geschichte 1500-1600 | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Theater |z England |x History |y 16th century | |
650 | 4 | |a Theater |x England |x History |y 17th century | |
650 | 4 | |a Acting |x History |y 16th century | |
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Datensatz im Suchindex
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any_adam_object | |
author | Tribble, Evelyn B. |
author_facet | Tribble, Evelyn B. |
author_role | aut |
author_sort | Tribble, Evelyn B. |
author_variant | e b t eb ebt |
building | Verbundindex |
bvnumber | BV040279100 |
callnumber-first | P - Language and Literature |
callnumber-label | PN2589 |
callnumber-raw | PN2589 |
callnumber-search | PN2589 |
callnumber-sort | PN 42589 |
callnumber-subject | PN - General Literature |
ctrlnum | (OCoLC)743284706 (DE-599)BVBBV040279100 |
dewey-full | 792.0942/09031 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.0942/09031 |
dewey-search | 792.0942/09031 |
dewey-sort | 3792.0942 49031 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
edition | 1. publ. |
era | Geschichte 1600-1700 Geschichte 1500-1600 |
era_facet | Geschichte 1600-1700 Geschichte 1500-1600 |
format | Book |
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id | DE-604.BV040279100 |
illustrated | Illustrated |
indexdate | 2024-07-10T00:20:38Z |
institution | BVB |
isbn | 9780230110854 0230110851 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025134491 |
oclc_num | 743284706 |
open_access_boolean | |
owner | DE-19 DE-BY-UBM |
owner_facet | DE-19 DE-BY-UBM |
physical | xv, 200 S. ill. 22 cm |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | Palgrave Macmillan |
record_format | marc |
series2 | Cognitive studies in literature and performance |
spelling | Tribble, Evelyn B. Verfasser aut Cognition in the Globe attention and memory in Shakespeare's theatre Evelyn B. Tribble 1. publ. New York Palgrave Macmillan 2011 xv, 200 S. ill. 22 cm txt rdacontent n rdamedia nc rdacarrier Cognitive studies in literature and performance "Shakespeare's company coped with an enormous mnemonic load, performing up to six different plays a week. How did they do it? Cognition in the Globe addresses this question through the lens of distributed cognition. This is a dynamic model that attends to the art of 'playing' at a range of levels. These include the material conditions of playing space; artifacts such as parts, plots, and playbooks; the social structures of the companies, including methods of training and coordination; internal cognitive mechanisms such as attention, perception, and memory; and actor-audience dynamics, among many others. This is the first book to offer such an approach to theatrical history and performance studies"--Provided by publisher. Includes bilbiographical references and index Shakespeare, William 1564-1616 Stage history To 1625 Shakespeare, William 1564-1616 Stage history England Shakespeare, William 1564-1616 Dramatic production Geschichte 1600-1700 Geschichte 1500-1600 Geschichte Theater England History 16th century Theater England History 17th century Acting History 16th century Acting History 17th century |
spellingShingle | Tribble, Evelyn B. Cognition in the Globe attention and memory in Shakespeare's theatre Shakespeare, William 1564-1616 Stage history To 1625 Shakespeare, William 1564-1616 Stage history England Shakespeare, William 1564-1616 Dramatic production Geschichte Theater England History 16th century Theater England History 17th century Acting History 16th century Acting History 17th century |
title | Cognition in the Globe attention and memory in Shakespeare's theatre |
title_auth | Cognition in the Globe attention and memory in Shakespeare's theatre |
title_exact_search | Cognition in the Globe attention and memory in Shakespeare's theatre |
title_full | Cognition in the Globe attention and memory in Shakespeare's theatre Evelyn B. Tribble |
title_fullStr | Cognition in the Globe attention and memory in Shakespeare's theatre Evelyn B. Tribble |
title_full_unstemmed | Cognition in the Globe attention and memory in Shakespeare's theatre Evelyn B. Tribble |
title_short | Cognition in the Globe |
title_sort | cognition in the globe attention and memory in shakespeare s theatre |
title_sub | attention and memory in Shakespeare's theatre |
topic | Shakespeare, William 1564-1616 Stage history To 1625 Shakespeare, William 1564-1616 Stage history England Shakespeare, William 1564-1616 Dramatic production Geschichte Theater England History 16th century Theater England History 17th century Acting History 16th century Acting History 17th century |
topic_facet | Shakespeare, William 1564-1616 Stage history To 1625 Shakespeare, William 1564-1616 Stage history England Shakespeare, William 1564-1616 Dramatic production Geschichte Theater England History 16th century Theater England History 17th century Acting History 16th century Acting History 17th century |
work_keys_str_mv | AT tribbleevelynb cognitionintheglobeattentionandmemoryinshakespearestheatre |