The contexts of painted pottery in the ancient Mediterranean world: seventh - fourth centuries BCE
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford
Archaeopress
2012
|
| Schriftenreihe: | BAR / International series
2364 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Paperback |
| Beschreibung: | IV, 116 S. Ill., graph. Darst., Kt. 30x22 cm |
| ISBN: | 9781407309514 140730951X |
Internformat
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| 245 | 1 | 0 | |a The contexts of painted pottery in the ancient Mediterranean world |b seventh - fourth centuries BCE |c ed. by Dimitris Paleothodoros |
| 264 | 1 | |a Oxford |b Archaeopress |c 2012 | |
| 300 | |a IV, 116 S. |b Ill., graph. Darst., Kt. |c 30x22 cm | ||
| 336 | |b txt |2 rdacontent | ||
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Datensatz im Suchindex
| _version_ | 1804149285473746944 |
|---|---|
| adam_text | Contents
Contents..................................................................................................................................
і
List of
illustrations
.................................................................................................................
ii
List of
tables
..........................................................................................................................iv
Introduction
............................................................................................................................1
D.
Paleothodoros
Early Sixth-Century Directional Trade: The Evidence of Attic Early
Black-Figured Pottery
.......................................................................................................5
A. Alexandridou
Sex and the Athenian woman: A contextual analysis of erotic vase-paintings
from attic graves of the 5th century
ВС
..........................................................................21
D.
Paleothodoros
Red-Figure Pottery from Minoa on Amorgos
......................................................................41
M. Manoledakis
Forme,
immagini e rituali: osservazioni sulla ceramica attica dalle necropoli
di Marzabotto
..................................................................................................................81
V.
Baldoni
Adria
e Forcello: Alcune considerazioni sulla ceramica attica figurata
proveniente dagli abitati
.................................................................................................93
F. Wiel-Marin
Birth and development of red-figured pottery between Sicily
and South Calabria
.......................................................................................................101
D.
Elia
List of illustrations
D. Paleothodoros: Sex and the Athenian woman: A contextual analysis
of erotic vase-paintings from attic graves of the 5th century
ВС
Figures
1-2.
Ceramicus cemetery, tomb t. HW
198.............................................................25
Figures
3.
Athens, Kerameikos Museum
2713,
red-figured alabastron
...............................25
Figures
4-5.
Athens, Kerameikos Museum
2713,
red-figured alabastron
............................26
Figure
6.
Athens, Kerameikos Museum
1063,
red-figured
askos
........................................28
Figures
7-9.
Athens Kerameikos Museum, red-figured nuptial lebes
..................................29
Figures
10-11.
Ceramicus, tomb Tomb HTR
278................................................................30
Figure
12-13.
Athens, Kerameikos Museum, black-figured alabastron
...............................31
Figures
14-16.
Athens, Kerameikos Museum
1487,
red-figured lekythos
...........................32
Figure
17.
Piraeus Museum, inv.
6252.................................................................................33
M. Manoledakis: Red-Figure Pottery from Minoa on Amorgos
Figure
1.
Topographical sketch of the hill of Minoa. The positions where fragments
of red-figure vessels were found are indicated with red dots
.........................................42
Figure
2.
Plan of the city of Minoa, recording the positions where fragments
of red-figure vessels were found
....................................................................................42
Figure
3.
Detailed sketch of the wall with tower-like structure
...........................................43
Figure
4.
Sketch of the area of the triangular tower
.............................................................43
Figure
5.
Distribution of fragments from identifiable areas of the vessel,
by vessel form
.................................................................................................................74
Figure
6.
Statistical table of firmly identified forms. The columns on the right
(kraters, skyphoi,
kylixes) list the fragments that probably belong to
vessels of the specific type
.............................................................................................74
Figure
7.
Chronological distribution of red-figure fragments
..............................................76
V. Baldoni: Forme,
immagini e rituali: osservazioni sulla
ceramica attica dalle necropoli di Marzabotto
Figura
1.
Marzabotto. Ceramiche di importazione nel Museo di Villa Aria, sala
V
............82
Figura
2.
Cratere a figure nere da una necropoli di Marzabotto; perduto
............................83
Figura
3.
Marzabotto, Museo Nazionale Etrusco P. Aria , inv.
335.
Stamnos attico a figure nere da una tomba della necropoli orientale
..............................83
Figura
4.
Marzabotto. Stamnos a figure nere
.......................................................................84
Figura
5.
Oon a figure nere da una tomba di Marzabotto; perduto
......................................86
Figura
6.
Marzabotto. Lekythos a vernice nera da una tomba del sepolcreto nord
...............86
Figura
7.
Marzabotto,
Museo Nazionale Etrusco P. Aria , inv.
242.
Askos
a vernice nera da una tomba della necropoli nord
................................................87
Figura
8.
Marzabotto, Museo Nazionale Etrusco P. Aria , inv.
530.
Kantharos configurato a figure rosse da una tomba della necropoli nord
......................88
Figura
9.
Marzabotto, Museo Nazionale Etrusco P. Aria , inv.
135.
Lekythos a figure rosse da una tomba della necropoli est
...............................................89
F. Weil-Marìn:
Adria
e Forcello: Alcune considerazioni
sulla ceramica attica figurata proveniente dagli abitati
Figura
1.
La pianura padana e
і
tre centri di
Adria,
Forcello e Spina
...................................93
Figura
2.
Presenza delle tre classi di ceramica attica negli abitati di
Adria
e Forcello
.........94
Figura
3.
Presenza delle forme vascolari negli abitati di
Adria
e Forcello
...........................95
Figura
4.
Forcello (Bagnolo S.
Vito,
MN),
kylix inv. st.
99377
[1985;
R
18; 1 18;
US
90],
un
fr.
di fondo-stelo
..............................................................96
Figura
5.
Forcello (Bagnolo
S. Vito,
MN),
kylix inv. st.
163810
[28.05.2008;
R
19;
r
4; US 2136],
un
fr.
di fondo-stelo
.................................................96
Figura
6.
Forcello (Bagnolo S.
Vito,
MN),
stemless
cup
inv.
st.
163811
[31.05.2005;
R
18;
e
13; US 844;
RR
914],
due frr. contigui di fondo-piede
................96
Figura
7.
Forcello (Bagnolo S.
Vito,
MN),
stemless
cup
inv.
st.
99385
[1985,
Q R
13],
due frr. contigui di fondo-piede
............................................................96
Figura
8.
Forcello (Bagnolo S.
Vito,
MN),
skyphos
inv.
st.
163297
[23.09.2008;
R
18;
a-b
12-14;
US
2239],
un fr.
di orlo-parete
.......................................96
Figura
9.
Forcello (Bagnolo
S. Vito,
MN),
skyphos inv. st.
163299
[24.09.2008;
Q
18;
u
16,
t-u
17,
1
18; US 2166],
un
fr.
di orlo-parete
con due fori di antico restauro
.......................................................................................96
Figura
10.
Forcello (Bagnolo
S. Vito,
MN),
skyphos inv. st.
99337
[R18;
m
4; US 2],
un
fr.
di orlo-parete
...........................................................................97
Figura
11.
Forcello (Bagnolo
S. Vito,
MN),
skyphos inv. st.
99338
[R
18;
p
3; US 2;
RR
219],
un
fr.
di parete
.....................................................................97
Figura
12.
Forcello (Bagnolo
S. Vito,
MN),
skyphos inv. st.
99365
[R
18;
u
6; US 2],
un
fr.
di orlo
......................................................................................97
Figura
13.
Forcello (Bagnolo S.
Vito,
MN),
skyphos inv. st.
99364
[R
18; US 2],
un fr. di orlo-parete
..................................................................................97
Figura
14.
Forcello (Bagnolo
S. Vito,
MN),
kantharos inv. st.
99315
[R
18;
q
2; US 2],
un
fr.
di parete
...................................................................................98
Figura
15.
Forcello (Bagnolo
S. Vito,
MN),
kantharos inv. st.
163801
[09.09.2008;
R
18;
a-b
16-17; US 1785],
un fr. di orlo-parete
.......................................98
Figura
16.
Forcello (Bagnolo
S. Vito,
MN),
kantharos inv. st.
40716,
un fr. di orlo-parete
.........................................................................................................98
Figura
17.
Forcello (Bagnolo S.
Vito,
MN),
kylix inv. st.
164307
[09.09.2009;
S
17;
f
19; US 2208;
RR
1209],
un fr. di fondo
........................................98
Figura
18.
Forcello (Bagnolo
S. Vito,
MN),
kylix inv. st.
163809
[2005],
un fr. di fondo in prossimità dello stelo
.............................................................99
Figura
19.
Forcello (Bagnolo
S. Vito,
MN),
skyphos inv. st.
99383,
unfr. di orlo-parete
.........................................................................................................99
Figura
20.
Forcello (Bagnolo S.
Vito,
MN),
stemless
cup
inv.
st.
163857
[01.10.2008;
R
18; US 2267],
un fr. di orlo-parete-fondo-piede
....................................99
D.
Elia:
Birth and development of red-figured pottery
between Sicily and South Calabria
Figure
1.
Distribution map of the Chequer Group
.............................................................107
Figure
2.
Calyx-krater by the Chequer Painter
...................................................................107
πι
Figures. Distribution map of the Santapaola Painter
........................................................107
Figured Calyx-krater by the Santapaola Painter
...............................................................107
Figure
5.
Distribution map of the
Himera
Group
...............................................................108
Figure
6.
Calyx-krater by the
Himera
Painter
....................................................................108
Figure
7.
Distribution map of the Locri Group
..................................................................108
Figure
8.
Dinos by the Locri Painter
..................................................................................108
Figure
9.
Bell-krater by the Locri Painter from Selinus
.....................................................109
Figure
10.
Bell-krater by the Locri Painter from Locri
......................................................109
Figure
11.
Examples of figures attributed to the careless trend in the Locri Group:
a, c) from Locri; b) from Lipari
....................................................................................110
Figure
12.
Painter of Kylix
105400:
kylix and details
........................................................111
List of tables
A. Alexandridou: Early Sixth-Century Directional Trade:
The Evidence of Attic Early Black-Figured Pottery
Table
1.
Late seventh-century Distribution of Early Black-Figured Attic Vases
...................6
Table
2.
Early sixth-century Overseas Shape Distribution of Early Attic
Black-Figured Vases
........................................................................................................8
Table
3.
Early Sixth-Century Shape Circulation in the Mediterranean
..................................8
Table
4.
Representation of Early Sixth-Century Painters in
Attika
and the Mediterranean
....................................................................................................12
Table
5.
Late Seventh-and Early Sixth-Century Overseas Shape Circulation
according to Painters
......................................................................................................13
Table
6.
Distribution of Early Sixth-Century Sympotic Shapes in
Attika
and the Mediterranean
(ca. 600-575
B.C.)
......................................................................15
D.
Elia:
Birth and development of red-figured pottery
between Sicily and South Calabria
Table
1................................................................................... 203
iv
|
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| discipline | Klassische Archäologie |
| era | Geschichte 700 v. Chr.-300 v. Chr. gnd |
| era_facet | Geschichte 700 v. Chr.-300 v. Chr. |
| format | Book |
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| id | DE-604.BV040277879 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:20:36Z |
| institution | BVB |
| isbn | 9781407309514 140730951X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025133305 |
| oclc_num | 802446294 |
| open_access_boolean | |
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| physical | IV, 116 S. Ill., graph. Darst., Kt. 30x22 cm |
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| publishDate | 2012 |
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| publisher | Archaeopress |
| record_format | marc |
| series2 | BAR / International series |
| spelling | The contexts of painted pottery in the ancient Mediterranean world seventh - fourth centuries BCE ed. by Dimitris Paleothodoros Oxford Archaeopress 2012 IV, 116 S. Ill., graph. Darst., Kt. 30x22 cm txt rdacontent n rdamedia nc rdacarrier BAR / International series 2364 Paperback Geschichte 700 v. Chr.-300 v. Chr. gnd rswk-swf Keramische Malerei (DE-588)4287412-9 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Keramik & Vasenmalerei (DE-2581)TH000008253 gbd Antike (DE-588)4068754-5 s Keramische Malerei (DE-588)4287412-9 s Geschichte 700 v. Chr.-300 v. Chr. z DE-604 Palaiothodōros, Dēmētrēs Sonstige (DE-588)143184628 oth International series BAR 2364 (DE-604)BV023549802 2364 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025133305&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The contexts of painted pottery in the ancient Mediterranean world seventh - fourth centuries BCE Keramische Malerei (DE-588)4287412-9 gnd Antike (DE-588)4068754-5 gnd |
| subject_GND | (DE-588)4287412-9 (DE-588)4068754-5 |
| title | The contexts of painted pottery in the ancient Mediterranean world seventh - fourth centuries BCE |
| title_auth | The contexts of painted pottery in the ancient Mediterranean world seventh - fourth centuries BCE |
| title_exact_search | The contexts of painted pottery in the ancient Mediterranean world seventh - fourth centuries BCE |
| title_full | The contexts of painted pottery in the ancient Mediterranean world seventh - fourth centuries BCE ed. by Dimitris Paleothodoros |
| title_fullStr | The contexts of painted pottery in the ancient Mediterranean world seventh - fourth centuries BCE ed. by Dimitris Paleothodoros |
| title_full_unstemmed | The contexts of painted pottery in the ancient Mediterranean world seventh - fourth centuries BCE ed. by Dimitris Paleothodoros |
| title_short | The contexts of painted pottery in the ancient Mediterranean world |
| title_sort | the contexts of painted pottery in the ancient mediterranean world seventh fourth centuries bce |
| title_sub | seventh - fourth centuries BCE |
| topic | Keramische Malerei (DE-588)4287412-9 gnd Antike (DE-588)4068754-5 gnd |
| topic_facet | Keramische Malerei Antike |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025133305&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV023549802 |
| work_keys_str_mv | AT palaiothodorosdemetres thecontextsofpaintedpotteryintheancientmediterraneanworldseventhfourthcenturiesbce |