Aesthetic modernism and masculinity in fascist Italy:
"Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2013
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Popular culture and world politics
|
| Schlagworte: | |
| Online-Zugang: | Rezension |
| Zusammenfassung: | "Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing. Champagne seeks to evaluate how the aesthetic analysis of the artifacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something like 'masculinity' is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations.Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history. "-- Provided by publisher. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VIII, 221 S. Ill. |
| ISBN: | 9780415528627 |
Internformat
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| 264 | 1 | |a London [u.a.] |b Routledge |c 2013 | |
| 300 | |a VIII, 221 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
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| 490 | 0 | |a Popular culture and world politics | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a "Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing. Champagne seeks to evaluate how the aesthetic analysis of the artifacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something like 'masculinity' is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations.Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history. "-- Provided by publisher. | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Fascism and art |z Italy |x History |y 20th century | |
| 650 | 4 | |a Masculinity in art | |
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Datensatz im Suchindex
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| author | Champagne, John |
| author_GND | (DE-588)1081727225 |
| author_facet | Champagne, John |
| author_role | aut |
| author_sort | Champagne, John |
| author_variant | j c jc |
| building | Verbundindex |
| bvnumber | BV040237365 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX180 |
| callnumber-raw | NX180.F3 |
| callnumber-search | NX180.F3 |
| callnumber-sort | NX 3180 F3 |
| callnumber-subject | NX - Arts in General |
| ctrlnum | (OCoLC)796268624 (DE-599)BVBBV040237365 |
| dewey-full | 700.4/52110945 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.4/52110945 |
| dewey-search | 700.4/52110945 |
| dewey-sort | 3700.4 852110945 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| edition | 1. publ. |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| geographic | Italien Italien (DE-588)4027833-5 gnd |
| geographic_facet | Italien |
| id | DE-604.BV040237365 |
| illustrated | Illustrated |
| indexdate | 2025-01-02T19:13:20Z |
| institution | BVB |
| isbn | 9780415528627 |
| language | English |
| lccn | 2012006767 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025093637 |
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| physical | VIII, 221 S. Ill. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
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| publisher | Routledge |
| record_format | marc |
| series2 | Popular culture and world politics |
| spelling | Champagne, John Verfasser (DE-588)1081727225 aut Aesthetic modernism and masculinity in fascist Italy John Champagne 1. publ. London [u.a.] Routledge 2013 VIII, 221 S. Ill. txt rdacontent n rdamedia nc rdacarrier Popular culture and world politics Includes bibliographical references and index "Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing. Champagne seeks to evaluate how the aesthetic analysis of the artifacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something like 'masculinity' is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations.Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history. "-- Provided by publisher. Geschichte 1900-2000 Geschichte Fascism and art Italy History 20th century Masculinity in art Modernism (Aesthetics) Italy Arts, Italian 20th century POLITICAL SCIENCE / General bisacsh Künste (DE-588)4033422-3 gnd rswk-swf Männlichkeit Motiv (DE-588)4372433-4 gnd rswk-swf Modernismus (DE-588)4133275-1 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Künste (DE-588)4033422-3 s Modernismus (DE-588)4133275-1 s Männlichkeit Motiv (DE-588)4372433-4 s DE-604 Erscheint auch als Online-Ausgabe 978-0-203-10196-4 https://www.recensio.net/r/d5f63144ec144c04a1549130774e2160 rezensiert in: Il Mestiere di Storico, 2013, 1, S. 167 Rezension |
| spellingShingle | Champagne, John Aesthetic modernism and masculinity in fascist Italy Geschichte Fascism and art Italy History 20th century Masculinity in art Modernism (Aesthetics) Italy Arts, Italian 20th century POLITICAL SCIENCE / General bisacsh Künste (DE-588)4033422-3 gnd Männlichkeit Motiv (DE-588)4372433-4 gnd Modernismus (DE-588)4133275-1 gnd |
| subject_GND | (DE-588)4033422-3 (DE-588)4372433-4 (DE-588)4133275-1 (DE-588)4027833-5 |
| title | Aesthetic modernism and masculinity in fascist Italy |
| title_auth | Aesthetic modernism and masculinity in fascist Italy |
| title_exact_search | Aesthetic modernism and masculinity in fascist Italy |
| title_full | Aesthetic modernism and masculinity in fascist Italy John Champagne |
| title_fullStr | Aesthetic modernism and masculinity in fascist Italy John Champagne |
| title_full_unstemmed | Aesthetic modernism and masculinity in fascist Italy John Champagne |
| title_short | Aesthetic modernism and masculinity in fascist Italy |
| title_sort | aesthetic modernism and masculinity in fascist italy |
| topic | Geschichte Fascism and art Italy History 20th century Masculinity in art Modernism (Aesthetics) Italy Arts, Italian 20th century POLITICAL SCIENCE / General bisacsh Künste (DE-588)4033422-3 gnd Männlichkeit Motiv (DE-588)4372433-4 gnd Modernismus (DE-588)4133275-1 gnd |
| topic_facet | Geschichte Fascism and art Italy History 20th century Masculinity in art Modernism (Aesthetics) Italy Arts, Italian 20th century POLITICAL SCIENCE / General Künste Männlichkeit Motiv Modernismus Italien |
| url | https://www.recensio.net/r/d5f63144ec144c04a1549130774e2160 |
| work_keys_str_mv | AT champagnejohn aestheticmodernismandmasculinityinfascistitaly |