The philosophy of the beats:
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
Lexington
Univ. Press of Kentucky
2012
|
| Series: | The philosophy of popular culture
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | 291 S. |
| ISBN: | 9780813135809 |
Staff View
MARC
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| 245 | 1 | 0 | |a The philosophy of the beats |c ed. by Sharin N. Elkholy |
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Record in the Search Index
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| adam_text | Contents
Introduction
1
Sharin
N.
Elkholy
I. THE BEATS: CREATING
A SUBCULTURE
The Philosophy and Non-Philosophy of Potato Salad
9
E
Scott Scribner
Laugh of the Revolutionary: Diane
di Prima,
French Feminist Philosophy, and
the Contemporary Cult of the Beat Heroine
19
Roseanne
Giannini Quinn
Beat U-topos or Taking Utopia on the Road: The Case of Jack
Kerouac
33
Christopher
Adamo
Being-at-Home: Gary Snyder and the Poetics of Place
47
Josh Michael Hayes
II. BEAT IDENTITIES: SELFHOOD AND EXPERIMENTATION
From Self-Alienation to
Posthumanism:
The Transmigration of the Burroughsian
Subject
65
Micheal Sean
Bolton
I am not an
Г:
Performative (Self)Identity in the Poetry of Bob Kaufman
79
Tom Pynn
Tongues Untied: Beat Ethnicities, Beat Multiculture
97
A. Robert Lee
Joanne Kyger Descartes and the Splendor Of : Bridging Dualisms through
Collaboration and Experimentation
115
Jane
Falk
III. BEAT AVANT-GARDE: SPONTANEITY AND IMMEDIACY
John Clellon
Hohnes
and Existentialism
133
Ann Charters
Wholly Communion: Poetry, Philosophy, and Spontaneous Bop Cinema
147
David
Sterriti
High Off the Page: Representing the Drug Experience in the Work of Jack
Kerouac
and Allen Ginsberg
163
Erik Mortenson
Genius All the Time: The Beats, Spontaneous Presence, and Primordial Ground
179
Marc Olmsted
Spontaneity, Immediacy, and Difference: Philosophy, Being in Time, and
Creativity in the Aesthetics of Jack
Kerouac,
Charles Olson, and John Cage
195
David Need
IV. BEAT POLITICS: ETHICS AND AFFINITIES
Two Ways of Enduring the Flames: The Existential Dialectics of Love in
Kierkegaard and Bukowski
213
Andreas
Seland
Anarchism and the Beats
227
Ed D Angelo
Between Social Ecology and Deep Ecology: Gary Snyder s Ecological
Philosophy
243
Paul Messersmith Glavin
William Burroughs as Philosopher: From Beat Morality to Third Worldism to
Continental Theory
267
Jones
Irwin
List of Contributors
281
Index
287
THE PHILOSOPHY OF
edited by SHARIN
N.
ELKHOLY
Originating from underworld slang
—
the domain of hustlers, addicts, and
petty thieves
—
the term Beat began
as a reference to the beaten down or
downtrodden. To writer Jack
Kerouac,
it symbolized being at the bottom of
society s hierarchy and looking up.
Kerouac
introduced the phrase beat generation
in
1948
to characterize the underground,
anticonformist
youth gathering in New
York City at that time. Consisting of writers,
artists, and activists, the Beats became a
uniquely American cultural phenomenon
with a worldwide influence that introduced
new ways of interpreting visual art, music,
literature, politics, race and gender issues,
religion, and philosophy.
The Philosophy of the Beats explores the
Beats culture, lifestyle, and art in a variety
of philosophical contexts. The collection
analyzes the work and lives
—
both personal
and political
—
of prominent Beat writers
such as Jack
Kerouac,
Allen Ginsberg,
Diane
di
Frima,
and William S. Burroughs,
among many others. In various ways, the
Beat writers introduced their readers
to new beginnings, mythologies, and
frameworks for self-understanding through
the spontaneous and dynamic modes of
expression that came to mark both their
(CONTINUED ON BACK FLAP)
(CONTINUED FROM FRONT FLAP)
literary style and way of life. This volume
brings together noted Beat scholars and
academics to illuminate the significance
of the cultural movement through a range
of philosophical perspectives. Drawing on
critical race theory, feminist theory, film
theory, environmentalism, existentialism,
and Eastern and Western philosophies, The
Philosophy of the Beats recasts common
Beat themes in terms of their philosophical
undertones and helps simplify theoretical
concepts. With an in-depth study of
the Beats complex subculture and the
evolution of their politics and ethics, The
Philosophy of the Beats establishes an
informed view of the movement and the
alienated sectors of society who adopted it.
Rejecting conventional customs of living,
the Beat generation turned inward,
expressing themselves in new and dynamic
ways with an intensity and vitality all their
own, using art to showcase their radical
attitudes and beliefs. Their work reflected
an ethos of passion that inspired many
Americans during the
1950s,
and their
philosophy resonated with much of the
nation s youth and has influenced the work
of generations.
SHARIN
N.
ELKHOLY is an assistant professor
of philosophy at the University of Houston-
Downtown. She is the author of Heidegger
and a Metaphysics of Feeling: Angst and the
Finitude of Being.
Cover, clockwise from top ¡eft: William S. Burroughs, Jack
Kerouac,
Allen
Ginsburg,
Gary Snyder,
Diane di Prima,
Gregory
Corso,
Bob Kaufman, and Charles Bukowski, as depicted in Eight
American Poets by Phil
Kutno
(philkutnostudios.coni). Oil and
pencil on canvas,
1ST
χ
24 .
Jacket design by Jen
Huppen
Design.
|
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| spelling | The philosophy of the beats ed. by Sharin N. Elkholy Lexington Univ. Press of Kentucky 2012 291 S. txt rdacontent n rdamedia nc rdacarrier The philosophy of popular culture Includes bibliographical references and index Geschichte 1900-2000 Geschichte 1950-1960 gnd rswk-swf Beat generation American literature 20th century History and criticism Beatgeneration (DE-588)4144238-6 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Beatgeneration (DE-588)4144238-6 s Geschichte 1950-1960 z DE-604 Elkholy, Sharin N. Sonstige (DE-588)137957262 oth Erscheint auch als Online-Ausgabe 978-0-8131-3582-3 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025089301&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025089301&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The philosophy of the beats Beat generation American literature 20th century History and criticism Beatgeneration (DE-588)4144238-6 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4144238-6 (DE-588)4035964-5 (DE-588)4078704-7 |
| title | The philosophy of the beats |
| title_auth | The philosophy of the beats |
| title_exact_search | The philosophy of the beats |
| title_full | The philosophy of the beats ed. by Sharin N. Elkholy |
| title_fullStr | The philosophy of the beats ed. by Sharin N. Elkholy |
| title_full_unstemmed | The philosophy of the beats ed. by Sharin N. Elkholy |
| title_short | The philosophy of the beats |
| title_sort | the philosophy of the beats |
| topic | Beat generation American literature 20th century History and criticism Beatgeneration (DE-588)4144238-6 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Beat generation American literature 20th century History and criticism Beatgeneration Literatur USA |
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