Titian: his life
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Harper
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XXI, 832 S., [16] Bl. Ill., Kt. |
| ISBN: | 9780007175826 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804149186752413696 |
|---|---|
| adam_text | CONTENTS
Introduction
xiii
A Note on
Money
xvii
List of
Illustrations
xix
Titian s
Family
Tree
xxii
Maps
xxiv
part
ι:
1488/90-1518
1
Mountains
3
2
The Most Triumphant
City
19
3
The Painter s Venice
44
4
Myths of Venice
65
5
The
Fondaco, Giorgione
and the
Modern Manner
87
6
Miracles and Disasters
99
7
Some Little Bit of Fame
117
8
His Industrious Brush :
Pentimenti
and Portraits
133
9
Sacred and Profane
150
PART IK
1518-І53О
1
Alfonso
d Esté,
Duke of
Ferrara
169
2
Bacchus and Ariadne
186
3
A New Doge, a River of Wine and Marriage
204
CONTENTS
4
The Fall of a World
216
5
The Triumvirate of Taste
234
6
Caesar in Italy
253
7
The Most Beautiful Thing in Italy
276
part in:
1530-1542
1
The Portrait of Cornelia
291
2
The House in
Вігі
Grande
304
3
The Most Powerful Ruler in the World
318
4
The Venus of
Vrbino
337
5
The Roman Emperors
350
6
The Writers Venice
366
7
An Old Battle and a New War
385
8
Titian in his Fifties
402
part
iv: 1543-1562
1
Aretino
Plays Pontius Pilate
427
2
The Last Great Pope of the Renaissance
439
3
A Miracle of Nature
451
4
Rome
461
5
A Matter of Religion
474
6
Augsburg
489
7
The Prince and the Painter
509
8
Venus and Adonis
532
9
The Passing of the Leviathans
550
10
The Diana Poems
570
11
The Rape of
Europa
590
part v:
1562-1576
1
A Factory of Images
605
2
The Spider King
620
CONTENTS
3
The Biographer, the Art Dealer and the
King s
Annus Horribilis
641
4
Wars
654
5
In This my Old Age
669
6
Another Way of Using Colour
684
7
The Plague and the Pity
704
Titian s Legacy
725
Notes
737
Bibliography
789
Appendix: Locations of Paintings
803
Index
813
Acknowledgements
831
Xl
Born in the mountains above Venice in the late fifteenth
century, Tiziano Vecellio
—
or Titian
—
was the greatest
painter of the Venetian High Renaissance. A poetic
visionary and a technical master of oils, he painted
everything from frescos and grand altarpieces to
mythological stories and portraits
—
works described by
his contemporaries as mirrors ot nature .
Much has been written about Titian. Sheila Hale s rich
biography is, however, the first since
1877
to examine all
contemporary accounts of Titian s life and work whilst
taking into account recent art historical scholarship,
some of it previously unpublished. Her book charts the
extraordinary transformation of Titian s style: from the
radiant, minutely-realised masterpieces of his youth,
to the more freely painted work of his middle years,
to the dark, tragic, sometimes terrifying visions of his
old age. Drawing on the latest scientific examinations
of his paintings, Hale seeks to explain this evolution of
his methods. In doing so, she also seeks to give many
different voices
—
from Titian s lifetime to today
-
free
reign to explore, praise and sometimes doubt his genius.
When Titian died in
1576
he was in his late eighties and
had spent the whole of his working life in Venice- the
most celebrated city in Europe
—
travelling as little as
possible despite the clamour for his presence at the great
courts of Europe. He had witnessed wars, Ottoman
invasions, and the rising Protestant threat to the Catholic
church. He had become the favoured painter of both
Charles V
—
the most powerful man in the world
-
and
his son, Philip II of Spain, who became Titian s most
important patron.
Sheila Hale s masterly biography presents Titian through
the lens of the turbulent century in which he lived, and
paints a vivid portrait of how this innovative sixteenth-
century master conveyed in his paintings a kind of truth
that few other artists have been able to communicate and
which has fascinated Titian s admirers and followers for
centuries.
і
Sheila Hale has known and often lived in Venice since
1965
when she began work as research assistant to the late John
Hale, with whom she worked on Renaissance Venice and The
Civilization of Europe in the Renaissance. Her guidebook to
Venice, first published in
1984,
was praised by David Lodge
as the best guidebook I have ever used and by Eric Newby as
deserving a Nobel prize . She has written other guidebooks,
an architectural history of Verona and articles for a number
of papers including The New Yor Times, Observer and Times
Literary Supplement. Her book, The Man Who Lost His
Language, was described by Brenda Maddox as enlarging the
language of love , and by Michael Frayn as a triumph . Sheila
Hale is a Trustee of Venice in Peril and lives in Twickenham.
£30.00
Sheila Hale photographed by Caroline Forbes
Jacket shows: The Venus of Urbino, c.1538
©
The Art Archive/Gallcria
degli Uffizi
Florence/Alfredo
Dagli Orti
(front); Self-portrait, c.1572
β
Hulton Archive/Getty Images
(spine); The Triumph of Love (mid 1540s)
©
Ashmolean Museum, University of Oxford
(back). Endpapers: Madonna and Child with Saint Francis and the Donor
Luigi Gozzi
with
Saint Alvise (detail).
Ancona. Pinacoteca Comunale.
© 2012.
Photo
Scaia.
Florence
|
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