How did poetry survive?: the making of modern American verse
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana [u.a.]
Univ. of Illinois Press
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XI, 338 S. Ill. |
| ISBN: | 9780252036798 9780252093906 9780252079689 |
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Datensatz im Suchindex
| _version_ | 1804149089169833984 |
|---|---|
| adam_text | Contents
Acknowledgments
ix
Introduction: A Modernism of the City
ι
PART I: INVENTING THE NEW VERSE
1. American Poetry on the Brink,
1905-12 9
2.
Poetry s Opening Door: Harriet Monroe
and American Modernism
26
3.
Young, Blithe, and Whimsical: The Avant-Gardism
of The Masses
54
4.
There Is Always Others: Experimental Verse
and Ulterior Social Result
79
5.
Volunteers of America, 1917:
The Seven Arts and the Great War
118
PART II: KEYS TO THE CITY
6.
Gutter and Skyline: The New Verse
and the Metropolitan
Cityscape
147
7.
Footprints of the Twentieth Century:
American Skyscrapers, Modern Poems
180
8.
Subway Fare: Toward a Poetics of Rapid Transit
217
Notes
263
Bibliography
303
Index
327
HOW DID l OHTRY SURVIVHV traces the
emergence of modern American poetry at
the turn of the nineteenth century. American
poetry had stalled: a small group of recently
deceased New England poets still held sway,
and few outlets existed for living poets. How¬
ever, the United States quickly accelerating
urbanization in the early twentieth century
opened new opportunities, as it allowed the
rise of publications focused on promoting the
work of living writers of all kinds. The urban
scene also influenced the work of poets, shift¬
ing away from traditional subjects and forms
to reflect the rise of buildings and the increas¬
ingly busy bustle of the city. Change was
everywhere: new forms of architecture and
transportation, new immigrants, new profes¬
sions, new tastes, new worries.
This urbanized world called for a new
poetry, and a group of new magazines entirely
or chiefly devoted to exploring modern
themes and forms led the way. Avant-garde
little magazines succeeded not by ignoring
or rejecting the busy commercial world
that surrounded them, but by adapting its
technologies of production and strategies of
marketing for their own purposes.
With a particular focus on four literary
magazines
—
Poetry, The Masses, Others, and
The Seven Arts
—
John Timberman Newcomb
shows how each advanced ambitious
agendas combining urban subjects, stylistic
experimentation, and progressive social
ideals. All four were profoundly affected by
World War I, and the poetry on their pages
responded to the war and its causes with
clarity and strength. While subsequent literary
history has favored the poets whose work
made them distinct
—
individuals singled out
usually on the basis of a novel technique
—
Newcomb provides a denser, richer view of the
history that hundreds of poets made.
|
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| spelling | Newcomb, John T. Verfasser aut How did poetry survive? the making of modern American verse John Timberman Newcomb Urbana [u.a.] Univ. of Illinois Press 2012 XI, 338 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-2000 Geschichte 1900-1920 gnd rswk-swf American poetry / 20th century / History and criticism Modernism (Literature) / United States Poetry / Authorship / Psychological aspects Poets, American / 20th century / Psychology Social change in literature Social conflict in literature City and town life in literature Technology in literature Psychologie Lyrik (DE-588)4036774-5 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Lyrik (DE-588)4036774-5 s Geschichte 1900-1920 z DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024983470&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024983470&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Newcomb, John T. How did poetry survive? the making of modern American verse American poetry / 20th century / History and criticism Modernism (Literature) / United States Poetry / Authorship / Psychological aspects Poets, American / 20th century / Psychology Social change in literature Social conflict in literature City and town life in literature Technology in literature Psychologie Lyrik (DE-588)4036774-5 gnd |
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| title | How did poetry survive? the making of modern American verse |
| title_auth | How did poetry survive? the making of modern American verse |
| title_exact_search | How did poetry survive? the making of modern American verse |
| title_full | How did poetry survive? the making of modern American verse John Timberman Newcomb |
| title_fullStr | How did poetry survive? the making of modern American verse John Timberman Newcomb |
| title_full_unstemmed | How did poetry survive? the making of modern American verse John Timberman Newcomb |
| title_short | How did poetry survive? |
| title_sort | how did poetry survive the making of modern american verse |
| title_sub | the making of modern American verse |
| topic | American poetry / 20th century / History and criticism Modernism (Literature) / United States Poetry / Authorship / Psychological aspects Poets, American / 20th century / Psychology Social change in literature Social conflict in literature City and town life in literature Technology in literature Psychologie Lyrik (DE-588)4036774-5 gnd |
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