Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene: i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Croatian |
| Veröffentlicht: |
Zagreb
HAZU [u.a.]
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassungen in engl. Sprache Literaturverz. S. 177 - 179 |
| Beschreibung: | 179 S. Ill, zahlr. Noten |
| ISBN: | 9789531548823 9789533090092 |
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Datensatz im Suchindex
| _version_ | 1804149070914125824 |
|---|---|
| adam_text | SADRŽAJ
Uvodna bilješka (Josip Bratulić, Ennio Stipčević
i Ivana Žužul)
............................................................7
Pretisak
............................................................................9
Transkripcija nota (Ennio Stipčević)
i teksta (Ivana Žužul)
..............................................47
Napomene uz kritičko notno izdanje
(Ennio Stipčević)
.................................................87
Rječnik (Ivana Žužul)
..............................................95
Popratne studije
Književni rad Atanazija Jurjevića
(Josip Bratulić)
...................................................99
Neke osobitosti jezika i stila u Jurjevićevim
Pisnima (Ivana Žužul)
......................................137
Glazba u zbirci Pisni Atanazija Jurjevića
(Ennio Stipčević)
...............................................157
Summaries
...................................................................172
Literatura
.....................................................................177
SUMMARIES
Josip Bratulić
The literary work of Atanazije
Jurjević
Scholars who have so far done research on the life and work
of Atanazije
Jurjević
have managed to establish several data and
facts, which might be summarised as follows: Atanazije
Jurjević
was born in Split around
1590.
He usually signed his published
works as Atanasio Georgiceo, but in one letter, he did add the
Croatian form of his surname
-
Jurjević
(Athanas Georgiceus
alias Jurievich
-
Dalmata). In
the Croatian variant, his surname
could be found in diverse forms: Georgievich,
Georgičević,
Grgičević.
He had begun his education in Split and continued it in
Ljubljana, where in
1607/1608,
he worked at the Jesuit College
as assistant and prefect. From Ljubljana, he moved to the Jesuit
Faculty in
Graz,
where in
1611,
he graduated in philosophy. He
studied law in Vienna for two years while working as the secre¬
tary of the bishop of
Bamberg.
It was thanks to his fine know¬
ledge of the Slavic languages that Emperor Ferdinand the Second
had appointed
Jurjević
his counsellor; diplomatic missions to
Russia and Poland followed. He had gone on a special mission to
Bosnia, and subsequently, in
1626,
he wrote a comprehensive
report on it in the Italian language. For his extraordinary merits,
the Emperor had awarded him the land property
Švarča
near
Karlovac
in
1629;
however,
Jurjević
did not succeed in entering
into the possession of this land property due to the disputes
arisen, and was therefore paid up. It may have been so that this
172
money had later enabled him to publish his works. Since
1630,
he had lived moving among
Graz,
Vienna,
Rijeka
and Zagreb.
He died in
1640,
most probably in Vienna. He had written and
published four books in the Croatian language: the translation of
Toma
Kempenac s book
Od
naslidovan ja Isukarstova /Following
Jesus/
(1629)
in verse,
Prilike i promišljan
j
a sarca
človičansko-
ga
/Reflexions of the human heart/
(1633) -
poems inspired by
the etchings of
Filip Sadeler,
Nastojanja duhovna
/Spiritual
endeavours/
(1633) -
a prayer book including prayers and hymns
for everyday and for the holidays throughout the church year.
Several hymns from this prayer book found their place in Jurje-
vić s
fourth book
-
Pisni za najpoglavitije
...
dni
svega godišća
/Songs for the greatest... days of the year/
(1635),
which is the
oldest printed Croatian songbook with music notation.
Ivana Žužul
Some specific features of language and style
of
Pisni
/Songs/ by
Atanazije Jurjević
The central idea of this analysis was to show that the oldest
printed Croatian Baroque songbook with music notation, dating
from the first half of the
1
7th century
-
Pisni
/Songs/ by Atanazije
Jurjević,
is not entirely coherent in in the generic, linguistic and
stylistic sense, although this might be expected from a church
popular songbook written and composed for the purpose of pro¬
moting the post-trident Catholic aims. The fact that this songbook
had not been created only as a reflection of the Croatian poetic
tradition is an argument in favour of its diversity; echos of folk
173
religious texts and old prayer-books may be found in it as well.
The archaic characteristics of
Jurjević s
chakavian literary-lingui¬
stic type (constant ikavisms, realisation of the ar sequence, main¬
taining the following secondary clusters: n j, I j, tj, dj) may partly
be due to the
16љ-сеппдгу
poetic tradition. On the other hand, the
specific stylistic features are determined by the pastoral use of the
songbook, thus formed in a manner of religious, moralistic, me¬
diaeval lyric poetry. Nevertheless, some features of these texts
may be viewed as a symptom of the layering of particular Baro¬
que elements, though
Jurjević
had not used them entirely conscio¬
usly. This is a case of a marginal Baroque figuration and the in¬
corporation of everyday speech into a strictly pastoral language.
Jurjević s
choice to use the octosyllabic verse may also explain
this tendency
-
it is the verse that had partly followed the metrical
practice of the Baroque poets. The overlapping of the diachronic
and
synchronie
linguistic elements may be observed not only at
the verse level, but also through the interweaving of the archaic
chakavian forms (e.g.
tvé)
with the newer, non-shortened
štoka-
vian forms (e.g.
tvoje)
and at the level of orthography.
Jurjević
followed the writing characteristic of
Hektorović
{ch
and
chi in
place of
ć;
y
in place of j;
gli,
gl in place of Ij;
f
and
s
in place of
s) to a much greater extent than he did the spirit of his own time.
Nevertheless, he did support the then contemporary linguistic ten¬
dencies by having composed a rather regulated system of letters
based upon
Kašić s
principle of »one sound
-
one letter«. In this
way, he was expressing the need for the literary language to be
regulated in the orthographic sense as well.
According to the strict literary and aesthetic criteria,
Jurje¬
vić s
songbook may not have reached the level of the then con¬
temporary artistic lyrics; but certainly it has contributed to the
174
formation
of our cultural, linguistic and literary heritage on the
whole. This paper attempted to prove this by analysing particular
special linguistic and stylistic features.
Ennio
Stipčević
The music in
Pisni
/Songs/
by
Atanazije Jurjević
Three incomplete copies of
Pisni
/Songs/ have been preser¬
ved
-
the first at the National and University Library, the second at
the Metropolitan Library of the Zagreb Archdiocese, and the third
at the Franciscan Monastery in Krapanj. Apart from these, at least
three more copies are mentioned in the professional literature, the
trace of which had been lost. This critical edition was prepared
after having inspected all three preserved copies and consulted
the
1935
diplomatic transcription by
Josip Mantuani.
The need
for a critical edition became evident after having analysed the so
far existing modern editions and checked the reception of
Pisni
/Songs/ in the musicological literature, as well as after the
discovery of the Metropolitan and the Krapanj copies. The
musicological study is focused on the contents of the collection,
the stylistic features of the songs and their historical context. This
collection includes twelve religious songs, written for voice
accompanied by organ (unmarked basso
continuo).
The collec¬
tion is composed in such a manner that the songs may be sung in
various festive occasions on the holidays throughout the church
year. Five of the songs are dedicated to the Virgin Mary, which
175
reflects the early-Baroque Virgin Mary cult. The vocal monody
may be interpreted twofold: either as an early-Baroque monody
(written for voice solo) or as choir singing, in both cases to be
accompanied by organ. What becomes evident here is
Jurjević
s
intention to near as much as possible the simple folk church song
by choosing the appropriate musical and poetical expression.
Stylistically,
Pisni
/Songs/ may be seen as a kind of link between
the southern tradition, rich in early-Baroque monody, and
the northern, kajkavian one, strongly marked by the impact
of the South-German and Austrian monastic culture onto the
South-Eastern European culture. The collection
Pisni
/Songs/
deserves a special place in the Croatian musical church life. The
melodies and tunes in this songbook are intended not exclusively
for professional musicians, but primarily to meet the perception
and interpretation capacities of the folk in general. The function
of these simple melodies and tunes in the Croatian language
is much more pastoral than it is aesthetic. Hence, the songbook
Pisni
/Songs/ by Atanazije
Jurjević
is an extraordinary witness of
the fact that, in the early 17th century, the Baroque in music had
eventually adopted Croatian as the language of the Croatian
artistic church music.
176
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| genre | Musikdruck gnd |
| genre_facet | Musikdruck |
| id | DE-604.BV040114609 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:17:11Z |
| institution | BVB |
| isbn | 9789531548823 9789533090092 |
| language | Croatian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024970846 |
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| physical | 179 S. Ill, zahlr. Noten |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | HAZU [u.a.] |
| record_format | marc |
| spelling | Georgiceus, Athanasius 1590-1640 Verfasser (DE-588)104038594 aut Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta priredili i popratne studije napisali: Josip Bratulić ... Zagreb HAZU [u.a.] 2011 179 S. Ill, zahlr. Noten txt rdacontent n rdamedia nc rdacarrier Zsfassungen in engl. Sprache Literaturverz. S. 177 - 179 Georgiceus, Athanasius 1590-1640 (DE-588)104038594 gnd rswk-swf Geschichte 1635 gnd rswk-swf Ikavisch (DE-588)4161247-4 gnd rswk-swf Čakavisch (DE-588)4120166-8 gnd rswk-swf Kroatisch (DE-588)4033245-7 gnd rswk-swf Liederbuch (DE-588)4167634-8 gnd rswk-swf Musikdruck gnd rswk-swf Georgiceus, Athanasius 1590-1640 (DE-588)104038594 p Kroatisch (DE-588)4033245-7 s Čakavisch (DE-588)4120166-8 s Ikavisch (DE-588)4161247-4 s Liederbuch (DE-588)4167634-8 s Geschichte 1635 z Musikdruck f DE-604 Bratulić, Josip 1939- Sonstige (DE-588)103242732 oth Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024970846&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024970846&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Georgiceus, Athanasius 1590-1640 Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta Georgiceus, Athanasius 1590-1640 (DE-588)104038594 gnd Ikavisch (DE-588)4161247-4 gnd Čakavisch (DE-588)4120166-8 gnd Kroatisch (DE-588)4033245-7 gnd Liederbuch (DE-588)4167634-8 gnd |
| subject_GND | (DE-588)104038594 (DE-588)4161247-4 (DE-588)4120166-8 (DE-588)4033245-7 (DE-588)4167634-8 |
| title | Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta |
| title_auth | Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta |
| title_exact_search | Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta |
| title_full | Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta priredili i popratne studije napisali: Josip Bratulić ... |
| title_fullStr | Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta priredili i popratne studije napisali: Josip Bratulić ... |
| title_full_unstemmed | Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta priredili i popratne studije napisali: Josip Bratulić ... |
| title_short | Pisni za najpoglavitije, najsvetije i najvesel'je dni svega godišća složene |
| title_sort | pisni za najpoglavitije najsvetije i najvesel je dni svega godisca slozene i kako se u organe s jednim glasom mogu spivati napravljene po atanaziju georgiceu u becu iz pritiskopisa matea formike 1635 pretisak transkripcija nota i teksta |
| title_sub | i kako se u organe s' jednim glasom mogu spivati, napravljene po Atanaziju Georgiceu, u Beču, iz pritiskopisa Matea Formike, 1635 ; pretisak, transkripcija nota i teksta |
| topic | Georgiceus, Athanasius 1590-1640 (DE-588)104038594 gnd Ikavisch (DE-588)4161247-4 gnd Čakavisch (DE-588)4120166-8 gnd Kroatisch (DE-588)4033245-7 gnd Liederbuch (DE-588)4167634-8 gnd |
| topic_facet | Georgiceus, Athanasius 1590-1640 Ikavisch Čakavisch Kroatisch Liederbuch Musikdruck |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024970846&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024970846&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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