Verfügbarkeit: Antropologia metapoetyki

Antropologia metapoetyki: muzy w kulturze greckiej od Homera do końca V w. p.n.e.

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Mojsik, Tomasz 1974- (VerfasserIn)
Format:	Buch
Sprache:	Polish
Veröffentlicht:	Warszawa Wydawnictwo Neriton 2011
Ausgabe:	Wyd. 1.
Schlagworte:	Musen Geschichte 800 v.Chr. - 400 v.Chr. Metapoetik Kultur Griechenland > Altertum
Online-Zugang:	Inhaltsverzeichnis Abstract
Beschreibung:	Zsfassung in engl. Sprache u.d.T.: Anthropology of metapoetics
Beschreibung:	337 s. 24 cm.
ISBN:	9788375431940

Internformat

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Datensatz im Suchindex

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adam_text	Spis treści Przedmowa .......................................11 Wykaz autorów antycznych i cytowanych tekstów źródłowych ......12 Rozdział 1. Wprowadzenie .............................25 Metoda badawcza ...................................26 Granice chronologiczne pracy .............................27 Zakres źródłowy ....................................29 Stan badań ......................................30 Terminologia i uwagi techniczne ...........................33 Rozdział 2. Muzy między religią a edukacją ..................35 Najwcześniejsze świadectwa literackie .........................42 Hezjod .......................................43 Safona .......................................45 Terpander fragm. 4 Campbell - libacja dla Muz ..................48 Epigram Antypatra z Thessaloniki — „archaiczne posągi Muz ...........49 Muzy i Pitagoras ...................................50 Mouseion ......................................54 Kult Muz w Atenach i Akademii ...........................65 Dolina Muz ......................................77 Kult Muz w Delfach .................................86 Inne miejsca kultu Muz ................................90 Thespie .......................................90 Libethrion .....................................91 Cheroneia .....................................92 Kithairon ......................................94 Teby ........................................94 Sparta .......................................95 Amyklai .....................................105 8 Spis treści Koiynt ...................................... 105 Arkadia ..................................... 107 Epidauros .................................... 111 Trojdzena .................................... 112 Megara ...................................... 114 Olimpia ..................................... 115 Messene..................................... 117 Basen Morza Egejskiego ............................. 118 Morze Czarne — Istros .............................. 122 Sycylia - Syrakuzy ................................ 123 Italia -Tarent .................................. 123 Macedonia ...................................... 124 Strabon ...................................... 125 Dion ....................................... 133 Amphipolis .................................... 138 Kult Muz - świadectwo ikonograficzne ....................... 140 Podsumowanie ................................... 142 Postscriptum - Larissa i kult Apollona Mousagetesa ................ 159 Rozdział 3. Genealogia, imiona i liczba Muz ................161 Genealogia .....................................168 Ouranos i/lub Ge ................................174 Apollon .....................................181 Harmonia ....................................183 Pieros i Pimpléis .................................186 Inne genealogie .................................189 Podsumowanie ..................................190 Onomastyka — imiona Muz .............................191 Muzy i arytmetyka wyobraźni ............................201 Dziewięć Muz — Homer i Hezjod ........................201 Dziewięć Muz — po Hezjodzie ..........................205 Inne liczby ....................................206 Podsumowanie ..................................216 Rozdział 4. Antropologia metapoetyki - sceny inicjacji poetyckiej i płeć kulturowa Muz .............................222 Sceny spotkania z Muzami .............................224 Spotkanie z Muzami u Hezjoda .........................225 Inne sceny spotkania z bóstwami: Archiloch, Hipponaks, Archiloch II, Ajschylos, Epimenides, Homer - Stesichoros, Anakreont, Ennius, Kallimach - Quintus ze Smyrny, Platon i Pindar a pszczoły, Ezop ...................228 Podsumowanie ..................................242 Płeć kulturowa i Muzy ...............................255 Muzy jako chór córek/dziewic ..........................256 Muzy jako matki i „żony ............................259 Spis treści 9 Gender a stosunki między Muzami a poetą ...................263 Podsumowanie .................................265 Rozdział 5. Zakończenie: metapoetyka czyli socjopoetyka? Funkcje Muz w kulturze greckiej epoki archaicznej i klasycznej . 270 Muzy a religijność grecka ..............................270 Kult Muz ....................................272 Źródła kultu Muz ................................273 Muzy a świat natury ...............................274 Muzy jako towarzyszki innych bóstw ......................274 Związki z wodą .................................275 Nimfý ......................................277 Muzyka w kulcie .................................277 Muzy a poeta/publiczność ............................278 Kult poetów (i Muz) ...............................279 Muzy epichoryczne ...............................280 Metapoetyka i antropologia .............................281 Funkcje Muz ....................................283 Funkcje narracyjne ................................283 Inwokacja i funkcje komunikacyjne .......................284 Muzy i autoryzacja ................................286 Muzy i metapoetyka ...............................286 Abstract .......................................288 Bibliografia ....................................293 Indeks miejsc cytowanych .........................320 Indeks ........................................328 Anthropology of Metapoetics: The Muses in Greek Culture from Homer to the End of the Fifth Century ВС Abstract The purpose of the book is to present those aspects of the Muses image in Greek culture until the end of the 5th century ВС which have been neglected or received little attention in the literature on the subject. Thus, one of the issues brought up in the book is the question of place of the Muses in Greek religion, the questions of their number, names and their geneal¬ ogy, the descriptions of encounters with the Muses (so-called Dichterweihe), and the issue of their role and significance of their gender in metapoetic discourse. In the last chapter these issues have been supplemented by a general outline of narrative, communicative, metatextual and authorisational function of the deities in the literature of Archaic and Classical Greece. The analysis as the whole, referring mainly to literary texts, has been searching for the image of the Muses as a certain reflection of particular characteristics of the Greek mentality in the analysed period rather than a meticulous reconstruction of ideas of individual poets. Such an approach resulted from the fact that the philological (essential to a correct analysis of all literary evidence) and historical methods (in this case, serving to place the research material within the socio-political context of the Archaic and Classical eras) have been sup¬ plemented with the elements of anthropological method. This specificity of the approach is evident mainly in the analyses of the scenes describing encounters with the Muses and the issues related to the cultural gender of the deities. Chapter One presents an introduction to the problem and a brief description of the current state of research into the subject of the Muses in Archaic and Classical Greece. Chapter Two, making almost a half of the book, is an analysis of all available testimo¬ nies of the cult of the Muses before the end of the 5th century ВС. Of course, due to the character of the source material there was also the need to confront the evidence from the later periods. Special emphasis has been put on the epigraphic and iconographie material, as well as archaeological sources. Especially noteworthy in the analysed periods are: Athens, Macedonia, Sparta, the Boeotian and Arcadian cities, Delphi, Epidaurus or Crotone and Metapontum. In some cases, it was possible to indicate earlier evidence of the cult than it had been thought (Athens), in others - to shift the date to the later period (Sparta, Delphi, Crotone/Metapontum, the Val¬ ley of the Muses), in yet others - to find the earliest confirmations of the cult (e.g. Epidaurus). The starting point of the analysis of this issue was Willamowitz s opinion that in the period of Antiquity the cult of the Muses was of marginal significance and never played a role Abstract 289 in the religiousness of the polis. The research has enabled us to question Willamowitzs thesis many a times, similarly to the theses of unusually early appearance of the cult, associated, for instance, with - on the basis of literary sources - Olympos, Macedonia or Boeotia. On the basis of the sources it is possible to date the cult on the second half of the 5th century ВС (Athens, Amphipolis, Macedonia) and to observe its exceptional spread in the 4th century ВС. All other opinions are hypothetical only and have not been proved. Among the possible functions of the Muses cult, it is its association with education, teaching and care for intellectual development of young people that predominates, which makes the Muses resemble the image of the kourotrophoi nymphs. There were also the functions related to music - including musical education - but, contrary to stereotypical opinions, they were not too common. With the exception of dramatic agons at the Olympia in Dion there is no evidence to prove the relations between the Muses and musical agons before the 3 rd century ВС (Mouseia at Thespiae). Apart from that, in some places (e.g. Chaeroneia, Sparta, Messene, Crotone) the cult could have been associated — which seems to be mirrored in liter¬ ary texts - with the idea of order, harmony and concord, especially in a social context. The relation between this function and the way of perception of the effects of music and its social role seems to be evident. The associations with the world of nature could have been indicated by some of the places, where the cult was located - on the stream of Ilissos (where the cult seems to be later than the Classic epoch), maybe on Mount Libethrion, Cithaeron or in a grove in the Valley of the Muses. Of course, the place does not need to be precisely related to the functions of the cult, as in the case of, for instance, the Valley of the Muses, where the goddesses are chiefly the protectors of poets and musicians. Besides, from the 4th century on, the cult began to prevail in urban centres and in their vicinities (e.g. at gymnasia). Thus, it is difficult to say whether the cult in natural places is primary or whether it is one of the local variety, for example resulting from the association of the Muses with other goddesses which had been worshipped in that place. Another interesting context in which the Muses appear is that of the hero cult of poets, or of intellectuals in general. Within such a hero cult the Muses could have played an impor¬ tant social role, which could have led to their inclusion in the circle of polis-achíes. It seems, however, that the cult of the intellectuals itself dates back to the 4th century ВС at the earliest. Another matter is that poets should have been interested in the introduction of cult gestures of the Muses that were presented as their divine patrons. Nonetheless, apart from ambiguous literary evidence, there seem to have been no definite traces of religious gestures on their part. Their absence before the 5th century could have resulted from, among other things, minimal significance of such deities for the society who at the same time was the audience for poems. It could be concluded, therefore, that the cult appeared only when the functions of goddesses expanded and included other spheres of collective experience. This we see in the 5th century, when the whole sphere of activities known under the term of mousikë was identified with them. The development of beliefs about the Muses had to evolve towards educational functions of mousiké and its relations with education {paideia), and not - as it could have been expected - towards the choral or purely musical spheres. The lack of elements of the Muses cult is noticeable in the analysed period in all types of musical and poetical agons, including Dionysia, and presumably also in the sphere of festive choreta in general. The evidence for such relations in the ritual sphere is fairly late; originally, the educational role of mousikë and kourotrophos functions prevailed. 290 Abstract The multifaceted analysis of the circumstances of the Muses appearance in the religious life of the Greeks closes with the epigraphic evidence for the cult of Apollon Musagetes in Thessaly of the mid-5th century ВС. The evidence could suggest the existence of the Muses cult in the place we know nothing more about. It explicitly indicates the imperfections of our source base and temporariness of our conclusions. Hence, one of the conclusions resulting from the whole analysis is the postulate to analyse source material relating to the Muses cult throughout the whole Antiquity era. Only such analysis will permit more accurate evaluation of the cult in the individual epochs or explanation of such important phenomena for the ancient culture like the role and function of mouseions. Not less important would be this analysis for the research into literary texts. Chapter Three presents an analysis of genealogy, number and names of the Muses as important characteristics of both their image in Greek culture and the culture itself seen through the prism of the goddesses representation. Therefore, an attempt to indicate the discrepancies in the Muses image explains the position and function of fictional changes in narratives by poets and places them within the social and cultural space. In closing part of the chapter attention is paid to the diversity of performative context, since it could be categorised according to the gender, age or profes¬ sionalism of performers, as well as to the place, time and circumstances of the presentation of composition (religious festival, agon, symposium etc.) - and its impact on the Muses image. Chapter Four consists of two relatively independent parts. At its beginning, it presents an analysis of the scenes depicting meetings with the Muses. The starting point was, of course, Hesiod s description of his poetical initiation, then the descriptions relating to, among others, Archilochus, Hipponax, Aeschylus, Epimenides, Pindar or Aesop. The purpose of the analysis was to present the structure of such descriptions, that have much in common with rituals accompanying an individual s changes in social or family status, called in anthropology a rites of passage . Thus, an attempt was made to indicate possible functions of such stories in a performative context. The references to anthropological analyses, especially to the works by Pierre Bourdieu, allowed us to demonstrate that the references to the Muses and other divine beings, in particular the scenes describing encounters with them, formed - at least in part of the cases known to us — an immanent element of metapoetic texts serving to symbolically create the poet as a social being. Referring to the explanations of the French anthropologist, it could be said that the scenes describing the initiation encounter had not only to commu¬ nicate the progress in social status and to create the poet s prestige, but also to create the personality of the poet as an individual different from both other members of the society and - which is of special importance in the context of competition - other aspiring poets. Hence, the scene of the encounter with the Muses could be interpreted as the distinction between former shepherd Hesiod and other people unfamiliar with the knowledge of the past and the world of gods, as well as other poets with no adequate, true knowledge, since they had had no such contact with the Muses (or other gods) as Hesiod. Then, the poet was speaking the language of social communication (referring to the rites of passage) to communicate his - in other cases ambiguous - function and to distinguish himself from his rivals. The contact with the divine sphere presented in the story, represented by the Muses as the divine protectors of the poet, was in this case the best guarantee for the society of a symbolic effectiveness of the rite accompanied by poetical compositions. If then we refer to Clifford Geertz s category of symbolic capital, we can regard negotiating the poet s status in the society as one of the basic functions of metapoetic expressions, since such Abstract 291 metatextual utterances served to create the reality controlled by the poet, offering to their authors what the anthropologists call social power and ideological control . The second aspect of the Muses image analysed in the fourth chapter is the question of the place of gender traits in the image of the Muses as protectors of poetry and poets. Pointing out certain peculiar features of the image - the Muses virginity, dependence on other deities, especially male gods, relative uniformity, equality and anonymity within the group, present in the early representations (Homer, Hesiod, Alemán etc.), their independence as the mothers of mythical poets from ca. the end of the 6th century ВС, and the occurrence of the elements characteristic of the female sex in the poetologische Bildersprache - the author tried to indicate the position of those aspects of the image in the method of conceptualisation of poetry, its influence and the position of a poet in the Greek world. The analyses stemmed from the conviction that in the poetical sphere the role of the Muses was not evident, and that they held an unquestionable advantage in this sphere over Apollo or Dionysus. Thus, the question is: what were the actual gender traits of the Muses that made them associated with the spheres of music and poetry, and thus, which of the traits of the female sex, as a construct functioning in Creek culture, allowed poets to conceptualise - in this very manner - poetry, music and their actions. Why and when their image became dominated by male features - which could be testified by the image of mythical poets as sons of the Muses with no informa¬ tion about their fathers - and whether they belong to their divine traits or to the metapoetic sphere. By necessity, the explanations suggested in the chapter have to be regarded as tempo¬ rary and, undoubtedly, they need to be improved through further research. It seems, however, that certain traits attributed to the female sex in Greek culture - relationship with the knowl¬ edge, mimesis, ambiguity and pleasure as results of an action - as well as much more general model of perception of socially marginalised groups (Turner s power of the weak ) could allow us to understand, at least in part, the phenomenon of female protectors of the male sphere of knowledge, memory, word and verbal expression. It could be also an argument for the superiority of the Muses over Apollo who, because of his physical and social attributes, could have seemed to be a more suitable candidate for the position of protector of male poets and the source of knowledge. It is noteworthy to mention Andrew Ford thesis, who indicated that a chorus of divine girls conceals the interrelation between the story and human, i.e. male memory, and also the relation between a selected version and agonistic situation; or Eva Stehle s views suggesting the relationship of the female element with what is permanent and stable, and thus - with a representation of the society and relations with the place. Chapter Five, which recapitulates the conclusions drawn from the analyses presented in the previous chapters, includes also additional explanations for the functions performed by the goddesses in the literature of Archaic and Classical Greece. In order to draw attention to the scope of interpretative possibilities and multitude of contexts in which the Muses appeared, narrative, communicative, metatextual and authorisative functions have been set apart. The concluding remarks emphasise the interrelation between the Muses image as the element of metapoetic expressions and social context. And not only on the level of performance situation, but also in the sphere of selection of linguistic and conceptual means. Hence, the question seems to be justified whether to a certain degree metapoetics is not - at least in the analysed period - also sociopoetics. What I understand by this is a relative identity or at least a relation of dependence between the sphere of metapoetic expressions present in the poem and the manner of communication within the society. Otherwise, the sphere of communica¬ tion could be regarded as the sphere of metatextual expressions, and thus as equivalent to 292 Abstract a metapoetic one as regards form, structure and purposes of the expression. The indicated relations are, of course, comprehensible when we take into consideration both the need to adapt the language to the audience on which poet could have been dependent, also financially, and his natural rooting in the conceptual code characteristic of given community, societies or culture. Translated by Grażyna Waluga
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geographic	Griechenland Altertum (DE-588)4093976-5 gnd
geographic_facet	Griechenland Altertum
id	DE-604.BV040105301
illustrated	Not Illustrated
indexdate	2024-07-10T00:16:59Z
institution	BVB
isbn	9788375431940
language	Polish
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-024961761
oclc_num	796205256
open_access_boolean
owner	DE-12
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physical	337 s. 24 cm.
publishDate	2011
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publisher	Wydawnictwo Neriton
record_format	marc
spelling	Mojsik, Tomasz 1974- Verfasser (DE-588)1024071278 aut Antropologia metapoetyki muzy w kulturze greckiej od Homera do końca V w. p.n.e. Tomasz Mojsik Wyd. 1. Warszawa Wydawnictwo Neriton 2011 337 s. 24 cm. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache u.d.T.: Anthropology of metapoetics Musen (DE-588)118820656 gnd rswk-swf Geschichte 800 v.Chr. - 400 v.Chr. gnd rswk-swf Metapoetik (DE-588)7633128-3 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Griechenland Altertum (DE-588)4093976-5 gnd rswk-swf Griechenland Altertum (DE-588)4093976-5 g Kultur (DE-588)4125698-0 s Metapoetik (DE-588)7633128-3 s Musen (DE-588)118820656 p Geschichte 800 v.Chr. - 400 v.Chr. z DE-604 Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024961761&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024961761&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract
spellingShingle	Mojsik, Tomasz 1974- Antropologia metapoetyki muzy w kulturze greckiej od Homera do końca V w. p.n.e. Musen (DE-588)118820656 gnd Metapoetik (DE-588)7633128-3 gnd Kultur (DE-588)4125698-0 gnd
subject_GND	(DE-588)118820656 (DE-588)7633128-3 (DE-588)4125698-0 (DE-588)4093976-5
title	Antropologia metapoetyki muzy w kulturze greckiej od Homera do końca V w. p.n.e.
title_auth	Antropologia metapoetyki muzy w kulturze greckiej od Homera do końca V w. p.n.e.
title_exact_search	Antropologia metapoetyki muzy w kulturze greckiej od Homera do końca V w. p.n.e.
title_full	Antropologia metapoetyki muzy w kulturze greckiej od Homera do końca V w. p.n.e. Tomasz Mojsik
title_fullStr	Antropologia metapoetyki muzy w kulturze greckiej od Homera do końca V w. p.n.e. Tomasz Mojsik
title_full_unstemmed	Antropologia metapoetyki muzy w kulturze greckiej od Homera do końca V w. p.n.e. Tomasz Mojsik
title_short	Antropologia metapoetyki
title_sort	antropologia metapoetyki muzy w kulturze greckiej od homera do konca v w p n e
title_sub	muzy w kulturze greckiej od Homera do końca V w. p.n.e.
topic	Musen (DE-588)118820656 gnd Metapoetik (DE-588)7633128-3 gnd Kultur (DE-588)4125698-0 gnd
topic_facet	Musen Metapoetik Kultur Griechenland Altertum
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024961761&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024961761&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT mojsiktomasz antropologiametapoetykimuzywkulturzegreckiejodhomeradokoncavwpne

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