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Images: critical and primary sources 1 Understanding images

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Bibliographische Detailangaben
Weitere Verfasser:	Manghani, Sunil (HerausgeberIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	London [u.a.] Bloomsbury 2013
Ausgabe:	1. publ.
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XXVI, 330 S. Ill.
ISBN:	9780857850850

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Datensatz im Suchindex

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adam_text	IMAGES: CRITICAL AND PRIMARY SOURCES UNDERSTANDING IMAGES Edited by Sunil Manghani BLOOMS B U RY LONDON · NEW DELHI · NEW YORK · SYDNEY IMAGES: CRITICAL AND PRIMARY SOURCES VOLUME 1 xii xviii 3 33 49 79 91 104 133 147 CONTENTS VOLUME 1 UNDERSTANDING IMAGES General Introduction Introduction Sunil Manghani Part i: Image Studies What Is an Image? W.J.T. Mitchell Image, Medium, Body: A New Approach to Iconology Hans Belting Art History and Images That Are Not Art James Elkins A Neglected Tradition? Art History as Bildwissenschaft Horst Bredekamp The Role of the Spectator Jacques Aumont Images, Not Signs Régis Debray Part 2: Defining Images Classical Greek Origins of Western Aesthetic Theory John T. Kirby The Shameful Face of Philosophy Michèle Le Doeuff CONTENTS vi 9. The Simile of the Cave 166 Plato 10. The Origins of Imitation 173 Aristotle 11. Of the Images that Form on the Back of the Eye 174 René Descartes 12. Of Ideas in General, and Their Original 180 John Locke 13. Representation and Imagination 190 Immanuel Kant 14. Of the Selection of Images for Conscious Presentation: What Our Body Means and Does 194 Henri Bergson 15. Modernizing Vision 198 Jonathan Crary Part 3: Image and Ideology 16. What is Iconoclaşti? Or is There a World Beyond the Image Wars? 211 Bruno Latour 17. Idolatry and Iconoclasm 237 David Freedberg 18. The Doctrine of the Image and Icon 258 Marie-José Mondzain 19. The Precession of Simulacra 270 Jean Baudrillard 20. Ideology, Imagology, and Critical Thought: The Impoverishment of Politics 275 Jon Simons 21. Making Metapictures Political: Public Screenings of the Fall of the Berlin Wall 298 Sunil Manghani 22. What Do Pictures Want? 317 W. J. T. Mitchell VOLUME 2 THE PICTORIAL TURN General Introduction vii Introduction xiii Sunil Manghani CONTENTS vii Part i: Image Philosophy 1. Thinking as Picturing 3 Judith Genova 2. The Pictorial Turn 21 W.J.T. Mitchell 3. Pictorial Versus Iconic Turn: Two Letters 31 Gottfried Boehm and W. J. T Mitchell 4. Do Pictures Really Want to Live? 50 Jacques Rancière 5. Reality Remade 60 Nelson Goodman 6. The Information Available in Pictures 81 James J. Gibson 7. On J. J. Gibson’s New Perspective 94 Nelson Goodman 8. Pictures as Ruined Notations 96 James Elkins Part 2: Text and Image 9. The Image of Pictures and Words 111 Rudolf Arnheim 10. Divide and Narrate: The Icon-Symbol Tension in Seurat 117 Wendy Steiner 11. A Proposal for Integrating Readerly Visuality into Literary Studies: Reflections on Italo Calvino 122 Ellen J. Esrock 12. ‘When the trees of language are shaken by rhizomes’ in René Magritte’s ‘Les mots et les images’ 136 Lisa K. Lipinski 13. The Absent Image: Ekphrasis and the ‘Infinite Relation’ of Translation 144 Gary Shapiro 14. The Convention of Captioning: W. G. Sebald and the Release of the Captive Image 155 Elizabeth Chaplin Part 3: Image as Thought 15. A Plea for Visual Thinking 169 Rudolf Arnheim Vlii CONTENTS 16. Perceptual Metaphor Donald Brook 175 17. Picturing Vision /oe/ Snyder 190 18. How to “See” with the Whole Body Joyce Brodsky 214 19. Body Images Antonio Damasio 237 20. Thought-images: A Re-reading of the ‘Angel of History’ Sigrid Weigel 246 VOLUME 3 IMAGE THEORY General Introduction vii Introduction Sunil Mangbani xiii Part i: Art History 1. The End of the Image Theory Otto Pacht 3 2. Standards of Truth: The Arrested Image and the Moving Eye E. H. Gombrich 12 3. Crossing the Frontiers: Mnemosyne Between Art History and Cinema Philippe-Alain Michaud 30 Part 2: Beyond Semiotics 4. The Third Meaning: Research Notes on Several Eisenstein Stills Roland Barthes 43 5. Semiotics and Art History Mieke Bal and Norman Bryson 54 6. Marks, Traces, Traits, Contours, Orli, and Splendores: Nonsemiotic Elements in Pictures James Elkins 116 Part 3: Psychoanalysis 7. The Gaze Jacques Lacan 151 CONTENTS ix 8. Visual Pleasure and Narrative Cinema 165 Laura Mulvey 9. Cindy Sherman’s Untitled Film Stills 177 Joan Copjec 10. The Gaze in the Expanded Field 185 Norman Bryson Part 4: Phenomenology 11. Eye and Mind 199 Maurice Merleau-Ponty 12. Representation and Imagination 206 Mikel Dufrenne Part 5: Between Mediums 13. On the Very Idea of a ‘Specific’ Medium: Michael Fried and Stanley Cavell on Painting and Photography as Arts 215 Diarmuid Costello 14. Visual and Audiovisual: From Image to Moving Image 244 Sean Cubitt 15. Leaving the Movie Theater 255 Roland Barthes 16. Site-seeing: Architecture and the Moving Image 259 Giuliana Bruno 17. The Sequence-image 269 Victor Burgin 18. Affect as Medium, or the‘Digital-Facial-Image’ 280 Mark B.N. Hansen VOLUME 4 IMAGE CULTURES General Introduction viii Introduction xiv Sunil Manghani Part x: Visual Culture 1. Cultural Relativism and the Visual Turn 3 Martin Jay CONTENTS 1 c CONTENTS 2. Symbol, Idol and Murti: Hindu God-Images and the Politics of Mediation 15 Gregory Price Grieve 3. Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics 31 Susan Murray Part 2: Image and Memory 4. Involuntary Memory 47 Marcel Proust 5. Ways of Remembering 50 John Berger 6. Snapshots: Notes on Myth, Memory and Technology - Short Fictions Concerning the Camera 57 Justin Lorentzen 7. Public Identity and Collective Memory in U.S. Iconic Photography: The Image of “Accidental Napalm” 62 Robert Hariman and John Louis Lucaites 8. Finding Aids to the Past: Bearing Personal Witness to Traumatic Public Events 94 Barbie Zelizer 9. Obama and the Image 109 Susan Buck-Morss Part 3: Visual Evidence 10. Visible Materials, Visualised Theory and Images of Social Research 131 Jon Wagner 11. Talking about Pictures: A Case for Photo Elicitation 149 Douglas Harper 12. The Prosthetic Eye: Photography as Cure and Poison 166 Christopher Pinney 13. Visual Literacy in Action: “Law in the Age of Images” 181 Richard K. Sherivin Part 4: Science Imaging 14. Words, Lines, Diagrams, Images: Towards a History of Scientific Imagery 193 Christoph Luthy and Alexis Smets CONTENTS xi 15. Visual Abstraction and Anatomy: Pře-and Post-modern Imagery 219 Tricia Daly and Philip Bell 16. Images Scatter into Data, Data Gather into Images 231 Peter Galison 17. Sensible Models in Cognitive Neuroscience 250 Arthur Piper 18. Thoughts Not Our Own: Whatever Happened to Selective Attention? 262 Barbara Maria Stafford 19. Scientific Visualism 279 Don Ihde 20. The Neurology of the Platonic Ideal 290 Semir Zeki Part 5: Making Images 21. Writing Hypnagogia 301 Peter Schwenger 22. The Two Kinds of Attention 316 Anton Ehrenzweig 23. Citizen Hamilton: The Art of Richard Hamilton 324 Hal Foster 24. Photographic Being 334 Yve Lomax Appendix of Sources 341
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title_full	Images critical and primary sources 1 Understanding images ed. by Sunil Manghani
title_fullStr	Images critical and primary sources 1 Understanding images ed. by Sunil Manghani
title_full_unstemmed	Images critical and primary sources 1 Understanding images ed. by Sunil Manghani
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