Towards a global music theory: practical concepts and methods for the analysis of music across human cultures
Since the beginning of the twentieth century, the cross-pollenization of world musical materials and practices has accelerated precipitously, due in large part to advances in higher-speed communications and travel. We live now in a world of global musical practice that will only continue to blossom...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Since the beginning of the twentieth century, the cross-pollenization of world musical materials and practices has accelerated precipitously, due in large part to advances in higher-speed communications and travel. We live now in a world of global musical practice that will only continue to blossom and develop through the twenty-first century and beyond. Yet music theory as an academic discipline is only just beginning to respond to such a milieu. Conferences, workshops and curricula are for the first time beginning to develop around the theme of 'world music theory', as students, teachers and researchers recognize the need for analytical concepts and methods applicable to a wider range of human musics, not least the hybrid musics that influence (and increasingly define) more and more of the world's musical practices. Towards a Global Music Theory proposes a number of such concepts and methods stemming from durational and acoustic relationships between 'twos' and 'threes' as manifested in various interrelated aspects of music, including rhythm, melody, harmony, process, texture, timbre and tuning, and offers suggestions for how such concepts and methods might be applied effectively to the understanding of music in a variety of contexts. While some of the bases for this foray into possible methods for a twenty-first century music theory lie along well established acoustical and psycho-acoustical lines, Dr Mark Hijleh presents a broad attempt to apply them conceptually and comprehensively to a variety of musics in a relevant way that can be readily apprehended and applied by students, scholars and teachers. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XI, 227 S. Notenbeisp. |
| ISBN: | 9781409423362 |
Internformat
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| 245 | 1 | 0 | |a Towards a global music theory |b practical concepts and methods for the analysis of music across human cultures |c Mark Hijleh |
| 264 | 1 | |a Farnham [u.a.] |b Ashgate |c 2012 | |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Since the beginning of the twentieth century, the cross-pollenization of world musical materials and practices has accelerated precipitously, due in large part to advances in higher-speed communications and travel. We live now in a world of global musical practice that will only continue to blossom and develop through the twenty-first century and beyond. Yet music theory as an academic discipline is only just beginning to respond to such a milieu. Conferences, workshops and curricula are for the first time beginning to develop around the theme of 'world music theory', as students, teachers and researchers recognize the need for analytical concepts and methods applicable to a wider range of human musics, not least the hybrid musics that influence (and increasingly define) more and more of the world's musical practices. Towards a Global Music Theory proposes a number of such concepts and methods stemming from durational and acoustic relationships between 'twos' and 'threes' as manifested in various interrelated aspects of music, including rhythm, melody, harmony, process, texture, timbre and tuning, and offers suggestions for how such concepts and methods might be applied effectively to the understanding of music in a variety of contexts. While some of the bases for this foray into possible methods for a twenty-first century music theory lie along well established acoustical and psycho-acoustical lines, Dr Mark Hijleh presents a broad attempt to apply them conceptually and comprehensively to a variety of musics in a relevant way that can be readily apprehended and applied by students, scholars and teachers. | ||
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| 650 | 4 | |a Musical analysis | |
| 650 | 4 | |a World music |x Analysis, appreciation | |
| 650 | 4 | |a Music |x Cross-cultural studies | |
| 650 | 4 | |a Music theory | |
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Datensatz im Suchindex
| _version_ | 1804148960290406400 |
|---|---|
| adam_text | Contents
List of Figures
vii
List of Music Examples
ix
Acknowledgements
xiii
1
Global Music Theory: Issues, Possibilities, and Fundamental Concepts
1
2
Global Rhythm
17
3
Global Melody
59
4
Global Harmony
109
5
Global Synergy in Musical Processes and Products
133
6
Global Analytical Examples: Comparisons and Connections Across
Musical Cultures
155
7
Further Implications and Conclusion
205
Bibliography
213
Index
223
|
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| spelling | Hijleh, Mark Verfasser aut Towards a global music theory practical concepts and methods for the analysis of music across human cultures Mark Hijleh Farnham [u.a.] Ashgate 2012 XI, 227 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Since the beginning of the twentieth century, the cross-pollenization of world musical materials and practices has accelerated precipitously, due in large part to advances in higher-speed communications and travel. We live now in a world of global musical practice that will only continue to blossom and develop through the twenty-first century and beyond. Yet music theory as an academic discipline is only just beginning to respond to such a milieu. Conferences, workshops and curricula are for the first time beginning to develop around the theme of 'world music theory', as students, teachers and researchers recognize the need for analytical concepts and methods applicable to a wider range of human musics, not least the hybrid musics that influence (and increasingly define) more and more of the world's musical practices. Towards a Global Music Theory proposes a number of such concepts and methods stemming from durational and acoustic relationships between 'twos' and 'threes' as manifested in various interrelated aspects of music, including rhythm, melody, harmony, process, texture, timbre and tuning, and offers suggestions for how such concepts and methods might be applied effectively to the understanding of music in a variety of contexts. While some of the bases for this foray into possible methods for a twenty-first century music theory lie along well established acoustical and psycho-acoustical lines, Dr Mark Hijleh presents a broad attempt to apply them conceptually and comprehensively to a variety of musics in a relevant way that can be readily apprehended and applied by students, scholars and teachers. Musik Musical analysis World music Analysis, appreciation Music Cross-cultural studies Music theory Musiktheorie (DE-588)4040876-0 gnd rswk-swf Kulturvergleich (DE-588)4114328-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 s Kulturvergleich (DE-588)4114328-0 s DE-604 Erscheint auch als Online-Ausgabe 978-1-4094-2337-9 Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024835905&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hijleh, Mark Towards a global music theory practical concepts and methods for the analysis of music across human cultures Musik Musical analysis World music Analysis, appreciation Music Cross-cultural studies Music theory Musiktheorie (DE-588)4040876-0 gnd Kulturvergleich (DE-588)4114328-0 gnd |
| subject_GND | (DE-588)4040876-0 (DE-588)4114328-0 |
| title | Towards a global music theory practical concepts and methods for the analysis of music across human cultures |
| title_auth | Towards a global music theory practical concepts and methods for the analysis of music across human cultures |
| title_exact_search | Towards a global music theory practical concepts and methods for the analysis of music across human cultures |
| title_full | Towards a global music theory practical concepts and methods for the analysis of music across human cultures Mark Hijleh |
| title_fullStr | Towards a global music theory practical concepts and methods for the analysis of music across human cultures Mark Hijleh |
| title_full_unstemmed | Towards a global music theory practical concepts and methods for the analysis of music across human cultures Mark Hijleh |
| title_short | Towards a global music theory |
| title_sort | towards a global music theory practical concepts and methods for the analysis of music across human cultures |
| title_sub | practical concepts and methods for the analysis of music across human cultures |
| topic | Musik Musical analysis World music Analysis, appreciation Music Cross-cultural studies Music theory Musiktheorie (DE-588)4040876-0 gnd Kulturvergleich (DE-588)4114328-0 gnd |
| topic_facet | Musik Musical analysis World music Analysis, appreciation Music Cross-cultural studies Music theory Musiktheorie Kulturvergleich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024835905&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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