The music of fantasy cinema:
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Sheffield
Equinox Publ.
2012
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Genre, music, and sound
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | VIII, 244 S. Notenbeisp. |
ISBN: | 9781908049933 9781845535322 |
Internformat
MARC
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Datensatz im Suchindex
_version_ | 1804148824179998720 |
---|---|
adam_text | Contents
Contributors
vii
Introduction: Finding Fantasy
1
Janet K. Halfyard
1
Fantasy and the Exotic Other: The Films of
Ray Harryhausen 16
Mark Brill
2
Numinous Ambience: Spirituality, Dreamtimes and Fantastic
Aboriginality
40
Philip Hayward
3
Who Wants to Live Forever:
Glam Rock,
Queen and Fantasy Film
58
J. Drew Stephen
4
Fantasy Meets
Electronica:
Legend and the Music of Tangerine
Dream
79
Lee Barron
5
Entering the Labyrinth: How Henson and Bowie Created a
Musical Fantasy
95
Liz Giuffre
6
Superman as Mythic Narrative: Music, Romanticism and the
Oneiric Climate 111
Ben Winters
7
Music and Fantasy Types in Tim Burton s Edward Sdssorhands
132
Alexander G. Binns
8
The
Tritone
Within: Interpreting Harmony in Elliot
Goldenthaľs
Score for Final Fantasy: The Spirits Within
148
Scott Murphy
vi
Contents
9
Scoring Fantasy Girls: Music and Female Agency in Indiana Jones
and The Mummy films
175
Janet K. Halfyard and Victoria Hancock
10
Creating Magic with Music: The Changing Dramatic Relationship
between Music and Magic in Harry Potter Films
193
Jamie L. Webster
11
Superconductors: Music, Fantasy and Science in The Sorcerer s
Apprentice
218
Janet K. Halfyard
Index
233
GENRE,
MUSIC AND SOUND I SERIES EDITOR: MARK EVANS, MACQUARIE UNIVERSITY
THE MUSIC OF FANTASY CINEMA
JANET K. HALFYARD
Janet K. Halfyard is a Senior
Academic in Music at Birmingham
Conservatoire. She has published
widely on film and television music,
particularly in relation to horror and
fantasy genres. Her publications
include Danny Elf man
s
Batman
.
A
Film Score Guide
(2004)
and Music.
Sound and Silence in Butfy the
Vampire Slayer
(20101.
Cover design by Streetline Media
Printed in Great Britain
ISBN
978-1-9О8О4Э-93-3
908»049933
Fantasy has had a modern resurgence in cinema owing largely to the
success of superhero narratives and two major fantasy series: The Lord
of the Rings and Harry Potter. Often regarded as mere escapism, works
of both literature and cinema wishing to be taken seriously by the public,
by critics and by academics have tended to shelter under the euphemistic
umbrella of Magic Realism and. until very recently, there has been a
general lack of serious academic work concerned with fantasy as a genre.
This volume explores the way in which music and sound articulate the
fantastic in cinema and contribute to the creation of fantasy narratives.
Apart from the accusation of frivolous escapism that attaches itself to the
fantasy genre, another issue is the lack of a single and simple definition
of what fantasy is: the consensus of academic opinion appears to be that
fantasy invokes the magical within its narratives as the means by which
to achieve what would be impossible in our own reality, as compared
to sci-fi
s
as-yet-unknown technologies and horror s dark and deadly
supernatural forces. Fantasy remains problematic, however, because it
defies many of the conventional mechanisms by which genre is defined,
such as setting, mood and audience. In a way quite unlike its co-genres,
fantasy moves with infinite flexibility between locations
-
the world
(almost) as we know it. historical, futuristic or mythic locations: between
moods
-
heroic, epic, magical; and between audiences
-
children, teens,
adults. In English-language cinema, it encompasses the grand mythic
narratives of The Lord of the Rings. Legend and The Seventh Voyage of
Sinbad. the heroic narratives of Superman. Flash Gordon and Indiana
Jones and the magical narratives of Labyrinth. Edward Scissorhands and
the Harry Potter series, to name just some films that typify the variety the
genre offers. What these films have in common is a requirement that the
audience accepts a fundamental break with reality within the diegesis of
the filmic narrative, and embraces magic in its many and various forms,
sometimes benign, sometimes not.
This volume examines music in fantasy cinema across a broad historical
perspective, from Bernard Herrmann
s
scores for
Ray Harryhausen,
through the popular music scores of the
1
980s to contemporary scores for
films such as The Mummy and the Harry Potter series, allowing the reader
to see not only the way that the musical strategies of fantasy scoring have
changed over time but also to appreciate the inventiveness of composers
such as Bernard Herrmann. John Williams. Jerry Goldsmith. Danny Elfman
and Elliot
Goldenthal,
and popular musicians such as Queen and David
Bowie in evoking the mythic, the magical and the monstrous in their music
for fantasy film.
equinox
|
any_adam_object | 1 |
author2 | Halfyard, Janet K. 1966- |
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callnumber-first | M - Music |
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dewey-raw | 781.5/42 |
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dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
edition | 1. publ. |
format | Book |
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spelling | The music of fantasy cinema ed. by Janet K. Halfyard 1. publ. Sheffield Equinox Publ. 2012 VIII, 244 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Genre, music, and sound Motion picture music History and criticism Fantasy films History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf Fantastischer Film (DE-588)4126326-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Fantastischer Film (DE-588)4126326-1 s Filmmusik (DE-588)4017129-2 s DE-604 Halfyard, Janet K. 1966- (DE-588)133308847 edt Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024738773&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024738773&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | The music of fantasy cinema Motion picture music History and criticism Fantasy films History and criticism Filmmusik (DE-588)4017129-2 gnd Fantastischer Film (DE-588)4126326-1 gnd |
subject_GND | (DE-588)4017129-2 (DE-588)4126326-1 (DE-588)4143413-4 |
title | The music of fantasy cinema |
title_auth | The music of fantasy cinema |
title_exact_search | The music of fantasy cinema |
title_full | The music of fantasy cinema ed. by Janet K. Halfyard |
title_fullStr | The music of fantasy cinema ed. by Janet K. Halfyard |
title_full_unstemmed | The music of fantasy cinema ed. by Janet K. Halfyard |
title_short | The music of fantasy cinema |
title_sort | the music of fantasy cinema |
topic | Motion picture music History and criticism Fantasy films History and criticism Filmmusik (DE-588)4017129-2 gnd Fantastischer Film (DE-588)4126326-1 gnd |
topic_facet | Motion picture music History and criticism Fantasy films History and criticism Filmmusik Fantastischer Film Aufsatzsammlung |
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