Opera in the novel from Balzac to Proust:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge University Press
2011
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge studies in opera
|
| Schlagworte: | |
| Online-Zugang: | Cover image Inhaltsverzeichnis |
| Beschreibung: | "The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Come;die humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Ope;ra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience"-- Provided by publisher. |
| Beschreibung: | IX, 287 S. 24 cm |
| ISBN: | 9780521118903 0521118905 |
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Datensatz im Suchindex
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| adam_text | OPERA IN THE NOVEL FROM BALZAC TO PROUST
/ NEWARK, CORMAC
: 2011
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION; 1. BALZAC, MEYERBEER AND SCIENCE; 2. TOUT ENTIER? :
SCENES FROM GRAND OPE;RA IN DUMAS AND BALZAC; 3. THE NOVEL IN OPERA:
RESIDUES OF READING IN FLAUBERT; 4. KNOWING WHAT HAPPENS NEXT: OPERA IN
VERNE; 5. VOUS QUI FAITES L ENDORMIE : THE PHANTOM AND THE BURIED
VOICES OF THE PARIS OPE;RA; 6. PROUST AND THE SOIRE;E ... L OPE;RA CHEZ
SOI; ENVOI; BIBLIOGRAPHY.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Newark, Cormac 1972- |
| author_GND | (DE-588)1011155974 |
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| callnumber-first | P - Language and Literature |
| callnumber-label | PQ653 |
| callnumber-raw | PQ653 |
| callnumber-search | PQ653 |
| callnumber-sort | PQ 3653 |
| callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
| classification_rvk | IG 4600 LQ 82206 LR 57710 |
| ctrlnum | (OCoLC)664450793 (DE-599)BVBBV039868451 |
| dewey-full | 843/.8093578 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 843 - French fiction |
| dewey-raw | 843/.8093578 |
| dewey-search | 843/.8093578 |
| dewey-sort | 3843 78093578 |
| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Romanistik Musikwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1900-2000 Geschichte 1800-1900 |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 |
| format | Book |
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| institution | BVB |
| isbn | 9780521118903 0521118905 |
| language | English |
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| physical | IX, 287 S. 24 cm |
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| spelling | Newark, Cormac 1972- Verfasser (DE-588)1011155974 aut Opera in the novel from Balzac to Proust Cormac Newark 1. publ. Cambridge [u.a.] Cambridge University Press 2011 IX, 287 S. 24 cm txt rdacontent n rdamedia nc rdacarrier Cambridge studies in opera "The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Come;die humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Ope;ra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience"-- Provided by publisher. Geschichte 1900-2000 Geschichte 1800-1900 French fiction 19th century History and criticism French fiction 20th century History and criticism Opera in literature Oper Motiv (DE-588)4198779-2 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Französisch (DE-588)4113615-9 s Roman (DE-588)4050479-7 s Oper Motiv (DE-588)4198779-2 s DE-604 http://assets.cambridge.org/97805211/18903/cover/9780521118903.jpg Cover image LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024727829&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Newark, Cormac 1972- Opera in the novel from Balzac to Proust French fiction 19th century History and criticism French fiction 20th century History and criticism Opera in literature Oper Motiv (DE-588)4198779-2 gnd Französisch (DE-588)4113615-9 gnd Roman (DE-588)4050479-7 gnd |
| subject_GND | (DE-588)4198779-2 (DE-588)4113615-9 (DE-588)4050479-7 |
| title | Opera in the novel from Balzac to Proust |
| title_auth | Opera in the novel from Balzac to Proust |
| title_exact_search | Opera in the novel from Balzac to Proust |
| title_full | Opera in the novel from Balzac to Proust Cormac Newark |
| title_fullStr | Opera in the novel from Balzac to Proust Cormac Newark |
| title_full_unstemmed | Opera in the novel from Balzac to Proust Cormac Newark |
| title_short | Opera in the novel from Balzac to Proust |
| title_sort | opera in the novel from balzac to proust |
| topic | French fiction 19th century History and criticism French fiction 20th century History and criticism Opera in literature Oper Motiv (DE-588)4198779-2 gnd Französisch (DE-588)4113615-9 gnd Roman (DE-588)4050479-7 gnd |
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