Making race: modernism and "racial art" in America
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Seattle [u.a.]
Univ. of Washington Press
2012
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Schlagworte: | |
Online-Zugang: | Cover image |
Beschreibung: | "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"-- Provided by publisher. -- "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"-- Provided by publisher. Includes bibliographical references and index |
Beschreibung: | XIV, 250 S., [4] Bl. Ill. |
ISBN: | 9780295991450 |
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Datensatz im Suchindex
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any_adam_object | |
author | Francis, Jacqueline |
author_GND | (DE-588)1011657996 |
author_facet | Francis, Jacqueline |
author_role | aut |
author_sort | Francis, Jacqueline |
author_variant | j f jf |
building | Verbundindex |
bvnumber | BV039849447 |
callnumber-first | N - Fine Arts |
callnumber-label | ND212 |
callnumber-raw | ND212.5.M63 |
callnumber-search | ND212.5.M63 |
callnumber-sort | ND 3212.5 M63 |
callnumber-subject | ND - Painting |
ctrlnum | (OCoLC)713189786 (DE-599)BVBBV039849447 |
dewey-full | 759.13 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.13 |
dewey-search | 759.13 |
dewey-sort | 3759.13 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
era | Geschichte 1900-2000 Geschichte 1920-1940 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1920-1940 |
format | Book |
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spelling | Francis, Jacqueline Verfasser (DE-588)1011657996 aut Making race modernism and "racial art" in America Jacqueline Francis Seattle [u.a.] Univ. of Washington Press 2012 XIV, 250 S., [4] Bl. Ill. txt rdacontent n rdamedia nc rdacarrier "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"-- Provided by publisher. -- "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"-- Provided by publisher. Includes bibliographical references and index Johnson, Malvin Gray 1896-1934 Criticism and interpretation Kuniyoshi, Yasuo 1889-1953 Criticism and interpretation Weber, Max 1881-1961 Criticism and interpretation Johnson, Malvin Gray 1896-1934 (DE-588)1021166162 gnd rswk-swf Weber, Max 1881-1961 (DE-588)118834010 gnd rswk-swf Kuniyoshi, Yasuo 1889-1953 (DE-588)118725416 gnd rswk-swf Geschichte 1900-2000 Geschichte 1920-1940 gnd rswk-swf Geschichte Modernism (Art) United States Painting, American 20th century Art criticism United States History 20th century Art and race ART / American / African American bisacsh ART / American / Asian American bisacsh SOCIAL SCIENCE / Ethnic Studies / General bisacsh Künstler (DE-588)4033423-5 gnd rswk-swf Minderheit (DE-588)4752223-9 gnd rswk-swf Ethnizität Motiv (DE-588)4438896-2 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf USA New York, NY (DE-588)4042011-5 gnd rswk-swf Johnson, Malvin Gray 1896-1934 (DE-588)1021166162 p Kuniyoshi, Yasuo 1889-1953 (DE-588)118725416 p Weber, Max 1881-1961 (DE-588)118834010 p DE-604 New York, NY (DE-588)4042011-5 g Minderheit (DE-588)4752223-9 s Künstler (DE-588)4033423-5 s Malerei (DE-588)4037220-0 s Ethnizität Motiv (DE-588)4438896-2 s Geschichte 1920-1940 z http://www.netread.com/jcusers/1305/2465478/image/lgcover.3140359.jpg Cover image |
spellingShingle | Francis, Jacqueline Making race modernism and "racial art" in America Johnson, Malvin Gray 1896-1934 Criticism and interpretation Kuniyoshi, Yasuo 1889-1953 Criticism and interpretation Weber, Max 1881-1961 Criticism and interpretation Johnson, Malvin Gray 1896-1934 (DE-588)1021166162 gnd Weber, Max 1881-1961 (DE-588)118834010 gnd Kuniyoshi, Yasuo 1889-1953 (DE-588)118725416 gnd Geschichte Modernism (Art) United States Painting, American 20th century Art criticism United States History 20th century Art and race ART / American / African American bisacsh ART / American / Asian American bisacsh SOCIAL SCIENCE / Ethnic Studies / General bisacsh Künstler (DE-588)4033423-5 gnd Minderheit (DE-588)4752223-9 gnd Ethnizität Motiv (DE-588)4438896-2 gnd Malerei (DE-588)4037220-0 gnd |
subject_GND | (DE-588)1021166162 (DE-588)118834010 (DE-588)118725416 (DE-588)4033423-5 (DE-588)4752223-9 (DE-588)4438896-2 (DE-588)4037220-0 (DE-588)4042011-5 |
title | Making race modernism and "racial art" in America |
title_auth | Making race modernism and "racial art" in America |
title_exact_search | Making race modernism and "racial art" in America |
title_full | Making race modernism and "racial art" in America Jacqueline Francis |
title_fullStr | Making race modernism and "racial art" in America Jacqueline Francis |
title_full_unstemmed | Making race modernism and "racial art" in America Jacqueline Francis |
title_short | Making race |
title_sort | making race modernism and racial art in america |
title_sub | modernism and "racial art" in America |
topic | Johnson, Malvin Gray 1896-1934 Criticism and interpretation Kuniyoshi, Yasuo 1889-1953 Criticism and interpretation Weber, Max 1881-1961 Criticism and interpretation Johnson, Malvin Gray 1896-1934 (DE-588)1021166162 gnd Weber, Max 1881-1961 (DE-588)118834010 gnd Kuniyoshi, Yasuo 1889-1953 (DE-588)118725416 gnd Geschichte Modernism (Art) United States Painting, American 20th century Art criticism United States History 20th century Art and race ART / American / African American bisacsh ART / American / Asian American bisacsh SOCIAL SCIENCE / Ethnic Studies / General bisacsh Künstler (DE-588)4033423-5 gnd Minderheit (DE-588)4752223-9 gnd Ethnizität Motiv (DE-588)4438896-2 gnd Malerei (DE-588)4037220-0 gnd |
topic_facet | Johnson, Malvin Gray 1896-1934 Criticism and interpretation Kuniyoshi, Yasuo 1889-1953 Criticism and interpretation Weber, Max 1881-1961 Criticism and interpretation Johnson, Malvin Gray 1896-1934 Weber, Max 1881-1961 Kuniyoshi, Yasuo 1889-1953 Geschichte Modernism (Art) United States Painting, American 20th century Art criticism United States History 20th century Art and race ART / American / African American ART / American / Asian American SOCIAL SCIENCE / Ethnic Studies / General Künstler Minderheit Ethnizität Motiv Malerei USA New York, NY |
url | http://www.netread.com/jcusers/1305/2465478/image/lgcover.3140359.jpg |
work_keys_str_mv | AT francisjacqueline makingracemodernismandracialartinamerica |