The philosophy of art: an introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Polity
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | XIII, 209 S. |
| ISBN: | 9780745649153 0745649157 9780745649160 0745649165 |
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Datensatz im Suchindex
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|---|---|
| adam_text | The Philosophy of Art
An Introduction
THEODORE GRACYK
polity
Contents
Preface
page
ix
Acknowledgments
xiii
1
Meaning, Interpretation, and Picturing
1
1.1
Visual representations and pictures
2
1.2
Theories of picturing
4
1.3
Intentions and transparency in pictures and
photographs
12
1.4
Indiscernible counterparts
14
1.5
Fine art
18
2
Art as Expression
22
2.1
Overview of expression theories
22
2.2
Tolstoy s account of expressive art
25
2.3
Collingwood s account of expressive art
28
2.4
The expressive persona
32
2.5
Expression as arousal
34
2.6
Revising the arousal theory
36
2.7
Expression as cognitive recognition
39
3
Meaning and Creativity
42
3.1
Plato on creativity
42
3.2
Kant on genius
44
3.3
Metaphorical exemplification
47
3.4
Hegel and Marx
51
3.5
Material bases of creativity
54
3.6
Feminism and creativity
57
4
Fakes, Originals, and Ontology
62
4.1
Multiple and singular
62
4.2
Abstract objects
64
4.3
Problems and
iirmlications
66
vi
CONTENTS
4.4
Fakes and
Originals 70
4.5
Objections and
alternatives 75
5
Authenticity and Cultural Origins
82
5.1
Two kinds of contextualism
83
5.2
Four kinds of appropriation
87
5.3
Moral concerns
90
5.4
Culture
93
5.5
Cultural authenticity
96
5.6
Modernity and authenticity
99
6
Defining Art
103
6.1
Philosophical definition
103
6.2
Historical background
105
6.3
Functional definitions
107
6.4
Institutional definitions
110
6.5
Historical definitions
114
6.6
The cluster account
117
7
Aesthetics
123
7.1
Aesthetic judgments and properties
123
7.2
Supervenience
126
7.3
Two complications
128
7.4
Aesthetics and nature
129
7.5
Formalism and detachment
133
7.6
Making special
137
7.7
Pleasure and appreciation
139
8
Beyond the Fine Arts
145
8.1
Popular and mass art
146
8.2
Standard criticisms of popular art
151
8.3
Social consequences of popular culture
155
8.4
Gender and race
157
8.5
Everyday aesthetics
160
9
Artistic and Aesthetic Value
165
9.1
Three kinds of value
165
9.2
The uniqueness thesis
167
9.3
Value empiricism
169
Contents
vii
9.4 Instrumental
value
171
9.5 An alternative
analysis
174
9.6
Appreciation
176
9.7
Cognitive value
179
10
Conclusion
185
References
190
Index
200
|
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701 |
| dewey-search | 701 |
| dewey-sort | 3701 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Philosophie |
| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| physical | XIII, 209 S. |
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| title | The philosophy of art an introduction |
| title_auth | The philosophy of art an introduction |
| title_exact_search | The philosophy of art an introduction |
| title_full | The philosophy of art an introduction Theodore Gracyk |
| title_fullStr | The philosophy of art an introduction Theodore Gracyk |
| title_full_unstemmed | The philosophy of art an introduction Theodore Gracyk |
| title_short | The philosophy of art |
| title_sort | the philosophy of art an introduction |
| title_sub | an introduction |
| topic | Kunst Philosophie Art / Philosophy Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst Philosophie Art / Philosophy Ästhetik |
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