Scottish and international modernisms: relationships and reconfigurations
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Glasgow
ASLS
2011
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Occasional papers / Association for Scottish Literary Studies
15 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | V, 206 S. Ill. 21 cm |
| ISBN: | 9781906841072 1906841071 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
v
Introduction
Emma Dymock
and Margery Palmer McCulloch
ι
One Scotland and Modernism
8
Roderick Watson
Two Edwin
Muir, Kafka
and German Modernism
20
Ritchie Robertson
Three Modernity and Nationhood: Little Magazines in Scotland
34
Alistair McCleery
Four Modernism, Magazines, and the Creation of an
American Literature
47
Mark
Gaiţa
Five Edwin
Muir
and The New Age
63
AlexanderJ. Cuthbert
Six
Primitivism
in the Writing of D. H. Lawrence and
Neil M. Gunn
75
Andrew J. Sneddon
Seven W. B. Yeats and Hugh MacDiarmid: Kingly Cousins
87
Alan Riach
Eight On Cosmopolitanism and Late Style: Lewis Grassic
Gibbon and James Joyce
101
Scott Lyall
Nine That Cry Alone Will Last : Scottish and European
Perspectives in Sorley MacLeans^/« Cuilithionn
116
Emma Dymock
Ten
Willa
Muir,
Modernism and Gender
132
Aileen Christianson
Hi
Contents
(continued)
Eleven
Testing the Boundaries in Life and Literature:
Catherine Carswell and Rebecca West
148
Margery Palmer McCulloch
Twelve From Portrait of a Young Scotsman to the Birth of Venus
161
Jonathan
Blackwood
Thirteen Modernism and Music in Scotland between the Wars
171
John Purser
Fourteen Prismatic Modernities: Towards a Re-Contextualisation
of Scottish Modernism
184
Carla Sassi
Notes on Contributors
198
Index
2.01
iv
The twentieth-century Scottish renaissance
-
the literary and artistic revival which followed
the end of the First World War
-
advanced
a claim for a distinctive Scottish identity:
cultural, political and national. Unlike earlier
nineteenth-century Celtic revivals, this
renaissance was both outward-looking and
confidently contemporary; it embraced
continental European influences as well as
those of Anglophone writers such as Eliot,
Joyce, Pound and Lawrence, and contributed
to the development of what we now call
modernism.
This collection of essays, from fourteen
scholars, illustrates the strongly international
and modernist dimension of Scotland s
interwar revival and illuminates the
relationships between Scottish and non-
Scottish writers and contexts. It also includes
two chapters on the contribution made to
this revival by Scottish visual art and music.
These essays are based on papers originally
presented at the 38th ASLS Annual
Conference, Scottish and International
Modernism; held at the University of Stirling,
6-7
June
2009.
|
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| title | Scottish and international modernisms relationships and reconfigurations |
| title_alt | Scottish & international modernisms |
| title_auth | Scottish and international modernisms relationships and reconfigurations |
| title_exact_search | Scottish and international modernisms relationships and reconfigurations |
| title_full | Scottish and international modernisms relationships and reconfigurations ed. by Emma Dymock and Margery Palmer McCulloch |
| title_fullStr | Scottish and international modernisms relationships and reconfigurations ed. by Emma Dymock and Margery Palmer McCulloch |
| title_full_unstemmed | Scottish and international modernisms relationships and reconfigurations ed. by Emma Dymock and Margery Palmer McCulloch |
| title_short | Scottish and international modernisms |
| title_sort | scottish and international modernisms relationships and reconfigurations |
| title_sub | relationships and reconfigurations |
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