Performance studies: an introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2013
|
| Ausgabe: | Third edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xii, 359 Seiten Illustrationen, Diagramme, Karten |
| ISBN: | 9780415502306 9780415502313 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804148749676576768 |
|---|---|
| adam_text | IMAGE 1
PERFORMANCE STUDIES
AN INTRODUCTION THIRD EDITION
RICHARD 5CHECHNER MEDIA EDITOR - 5ARA BRADY
R ROUTLEDGE TAYLOR &. FRANCIS GROUP LONDON AND NEW YORK
IMAGE 2
CONTENTS
PREFACE IX
ACKNOWLEDGEMENTS XI
1 WHAT 15 PERFORMAMCE 5TUDIE5? 1
INTRODUCING THIS BOOK, THIS FIELD, AND ME 1
THE BOXES 1
WHAT MAKES PERFORMANCE STUDIES SPECIAL 1
MULTIPLE LITERACIES AND HYPERTEXTS 4
PERFORMANCE STUDIES HERE, THERE, AND EVERYWHERE S
IS PERFORMANCE STUDIES AN INDEPENDENT FIELD? 1 2
THEVICTORTURNER CONNECTION 17
THE CENTRE FOR PERLORMANCE RESEARCH AND PSI 20
NORTHWESTERN S BRAND OF PERFORMANCE STUDIES 20
THE INTER OF PERFORMANCE STUDIES 24
ETHICAL QUESTIONS 25
CONCLUSIONS 25
TALK ABOUT 26
PERFORM 27
2 WHAT 15 PERFORMAMCE? 28
WHAT IS TO PERFORM ? 28
PERFORMANCES 28
BILL PARCELLS WANTS YOU TO PERFORM 30
EIGHT KINDS OF PERFORMANCE 3 1
RESTORATION OF BEHAVIOR 34
CAUTION! BEWARE OF GENERALIZATIONS 36
IS AND AS PERFORMANCE 38
MAPS AS PERFORMANCE 41
MAKE-BELIEF AND MAKE-BELIEVE 42
BLURRY BOUNDARIES 43
THE FUNCTIONS OF PERFORMANCE 45
CONCLUSIONS 48
TALK ABOUT 51
PERFORM 51
3 RITUAL 52
RITUAL, PLAV, AND PERFORMANCE 52
VARIETIES OF RITUAL 52
SACRED AND SECULAR 53
STRUCTURES, FUNCTIONS, PROCESSES, AND EXPERIENCES 56
HOW ANCIENT ARE RITUALS? 57
ELEVEN THEMES RELATING RITUAL TO PERFORMANCE
STUDIES 57
RITUALS AS ACTION, AS PERFORMANCE 57
HUMAN AND ANIMAL RITUALS 59
RITUALS AS LIMINAL PERFORMANCES 66
LIMENS, LINTELS, AND STAGES 66
COMMUNITAS AND ANTI-STRUCTURE 70
RITUAL TIME/SPACE 71
TRANSPORTATIONS AND TRANSFORMATIONS 72
ASEMO S INITIATION 73
SOCIAL DRAMA 75
THE PIG-KILL DANCING AT KURUMUGL 77
THE EFFICACY-ENTERTAINMENT DYAD 79
ORIGINS OF PERFORMANCE: IF NOT RITUAL, THEN WHAT? 80
CHANGING RITUALS OR INVENTING NEW ONES 81
USING RITUALS IN THEATRE, DANCE, AND MUSIC 83
CONCLUSIONS 87
TALK ABOUT 88
PERFORM 88
4 PLAY 89
THE JOKER IN THE DECK 89
WHAT IS PLAY? WHAT IS PLAYING? 91
SOME QUALITIES OL PLAYING 92
SEVEN WAYS TO APPROACH PLAV 93
TYPES OF PLAYING 93
PLAY ACTS, PLAY MOODS 95
FLOW, OR EXPERIENCING PLAYING 97
TRANSITIONAL OBJECTS, ILLUSIONS, AND CULTURE 98
THE ETHOLOGICAL APPROACH TO PLAY 99
THE MESSAGE, 1 HIS IS PLAY 102
BATESON S OTHELLO 104
PLAYING BLOOD RITES 105
PHILOSOPHIES OF PLAY 106
VII
IMAGE 3
C0NTEMT5
THE BIAS AGAINST PLAY
MAYA-LI LA
DEEP PLAY, DARK PLAY
CONCLUSIONS
TALK ABOUT
PERFORM
5 PERFORMATMTY
A TERM HARD TO PIN DOWN AUSTIN S PERFORMATIVE
SEARLE S SPEECH ACTS
REALITY TV AND BEYOND
POSTMODERNISM
SIMULATION
POSTSTUCTURALISM/DECONSTRUCTION
THE DIFFUSION OF POSTSTRUCTURALISM
PROBLEMS WITH POSTSTRUCTURALISM
CONSTRUCTIONS OF GENDER
CONSTRUCTIONS OF RACE
DURING, BEFORE, AND AFTER PERFORMANCE ART
WHAT THE GRAVEDIGGER KNEW ABOUT THE
PERFORMATIVE
CONCLUSIONS
TALK ABOUT
PERFORM
6 PERFORMING
THE BROAD SPECTRUM OF PERFORMING FROM TOTAL ACTING TO NOT ACTING
REALISTIC ACTING
BRECHTIAN ACTING
CODIFIED ACTING
CODIFIED ACTING AND THE AVANT-GARDE
CODIFIED ACTING, RITUAL, CHARISMA, AND PRESENCE
TRANCE PERFORMING
TRANCE PERFORMING AND SHAMANISM
MASKS, PUPPETS, A ND OTHER PERFORMING OBJECTS
HYBRID ACTING
PERFORMING IN EVERYDAY LIFE
TRIALS AND EXECUTIONS AS PERFORMANCE
SURGERY AS PERFORMANCE
BELIEF IN THE ROLE ONE IS PLAYING
HOW REALISTIC IS REALISTIC ACTING?
CONCLUSIONS
TALK ABOUT
PERFORM
7 PERFORMANCE PROCE55E5 221
THE EARLIEST PERFORMANCES? 221
PERFORMANCE PROCESS AS A TIME-SPACE SEQUENCE 22S
PROTO-PERFORMANCE 225
A NOTE ON TEXT 227
TRAINING /* 228
IMITATION AS A WAY OF ACQUIRING PERFORMANCE
KNOWLEDGE 232
WORKSHOP 233
REHEARSAL 236
WARM-UP 239
PUBLIC PERFORMANCE 240
LARGER EVENTS AND CONTEXTS 244
COOLDOWN 245
AFTERMATH 246
RULES, PROTO-PERFORMANCE, AND PUBLIC
PERFORMANCE 249
THE PERFORMANCE QUADRILOGUE 250
FROM PERFORMANCE MONTAGE TO VIRTUAL REALITY 255
EXPERIMENTAL IN ONE CONTEXT, ORDINARY IN ANOTHER 260
CONCLUSIONS 261
TALK ABOUT 262
PERFORM 262
8 GLOBAL AND INTERCULTURAL
PERFORMANCES 263
GLOBALIZATION S THROUGHLINE 263
SCENARIOS OF GLOBALIZATION 265
CULTURAL IMPOSITIONS AND APPROPRIATIONS 270
JIHAD/TERRORISM AS PERFORMANCE 270
IS GLOBALIZATION GOOD OR BAD? 280
COLONIAL MIMICRY 287
TOURIST PERFORMANCES: LEISURE GLOBALIZATION 290
THE OLYMPICS: GLOBALISING SIGNATURE PERFORMANCE 295
VERTICAL TRANSCULTURALISM 300
HORIZONTAL INTERCULLURALISM 303
INTEGRATIVE INTERCULLURALISM 308
BORDER WARS 314
FROM THE GLOCAL TO SOCIAL THEATRE 320
CONCLUSIONS 326
TALK ABOUT 331
PERFORM 331
REFERENCES 332
INDEX 346
1 1 2
113
1 1 8
1 2 1
1 2 1
1 2 2
123
123 123
125
126
129
133
141
147
148
151
154
158
166
168
169
169
170
170 174
176
180
183
1 8 8
190
192
198
203
204
206
2 1 1
214
215
2 1 8
220
220
220
VIII
|
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| author2 | Brady, Sara 1971- |
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| discipline | Allgemeines |
| edition | Third edition |
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| spelling | Schechner, Richard 1934- Verfasser (DE-588)119010143 aut Performance studies an introduction Richard Schechner ; media editor - Sara Brady Third edition London ; New York Routledge, Taylor & Francis Group 2013 xii, 359 Seiten Illustrationen, Diagramme, Karten txt rdacontent n rdamedia nc rdacarrier Anthropologie (DE-588)4002230-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Ritual (DE-588)4050164-4 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Performativität Kulturwissenschaften (DE-588)7651115-7 gnd rswk-swf (DE-588)4123623-3 Lehrbuch gnd-content Theater (DE-588)4059702-7 s Ritual (DE-588)4050164-4 s Anthropologie (DE-588)4002230-4 s DE-604 Performance Künste (DE-588)4173750-7 s Performativität Kulturwissenschaften (DE-588)7651115-7 s 1\p DE-604 Brady, Sara 1971- (DE-588)1019507691 ctb Erscheint auch als Online-Ausgabe 978-0-203-12516-8 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024675212&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 3 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Schechner, Richard 1934- Performance studies an introduction Anthropologie (DE-588)4002230-4 gnd Theater (DE-588)4059702-7 gnd Ritual (DE-588)4050164-4 gnd Performance Künste (DE-588)4173750-7 gnd Performativität Kulturwissenschaften (DE-588)7651115-7 gnd |
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| title | Performance studies an introduction |
| title_auth | Performance studies an introduction |
| title_exact_search | Performance studies an introduction |
| title_full | Performance studies an introduction Richard Schechner ; media editor - Sara Brady |
| title_fullStr | Performance studies an introduction Richard Schechner ; media editor - Sara Brady |
| title_full_unstemmed | Performance studies an introduction Richard Schechner ; media editor - Sara Brady |
| title_short | Performance studies |
| title_sort | performance studies an introduction |
| title_sub | an introduction |
| topic | Anthropologie (DE-588)4002230-4 gnd Theater (DE-588)4059702-7 gnd Ritual (DE-588)4050164-4 gnd Performance Künste (DE-588)4173750-7 gnd Performativität Kulturwissenschaften (DE-588)7651115-7 gnd |
| topic_facet | Anthropologie Theater Ritual Performance Künste Performativität Kulturwissenschaften Lehrbuch |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024675212&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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