Verfügbarkeit: Guitar tone :: THWS Bibkatalog

Guitar tone: pursuing the ultimate guitar sound

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Gallagher, Mitch (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Boston Course Technology 2011
Schlagworte:	Guitar Tone color (Music) Gitarre Klangerzeugung Einführung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XXII, 362 S.
ISBN:	9781435456150

Internformat

MARC


LEADER	00000nam a2200000 c 4500
001	BV039774214
003	DE-604
005	20120213
007	t
008	111222s2011 \|\|\|\| 00\|\|\| eng d
015			\|a GBB0B4258 \|2 dnb
020			\|a 9781435456150 \|9 978-1-4354-5615-0
035			\|a (OCoLC)665138003
035			\|a (DE-599)BVBBV039774214
040			\|a DE-604 \|b ger \|e rakwb
041	0		\|a eng
049			\|a DE-12
084			\|a 9,2 \|2 ssgn
100	1		\|a Gallagher, Mitch \|e Verfasser \|4 aut
245	1	0	\|a Guitar tone \|b pursuing the ultimate guitar sound \|c Mitch Gallagher
264		1	\|a Boston \|b Course Technology \|c 2011
300			\|a XXII, 362 S.
336			\|b txt \|2 rdacontent
337			\|b n \|2 rdamedia
338			\|b nc \|2 rdacarrier
650		4	\|a Guitar
650		4	\|a Tone color (Music)
650	0	7	\|a Gitarre \|0 (DE-588)4124933-1 \|2 gnd \|9 rswk-swf
650	0	7	\|a Klangerzeugung \|0 (DE-588)4204777-8 \|2 gnd \|9 rswk-swf
655		7	\|0 (DE-588)4151278-9 \|a Einführung \|2 gnd-content
689	0	0	\|a Gitarre \|0 (DE-588)4124933-1 \|D s
689	0	1	\|a Klangerzeugung \|0 (DE-588)4204777-8 \|D s
689	0		\|5 DE-604
856	4	2	\|m Digitalisierung BSB Muenchen 4 \|q application/pdf \|u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024635138&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA \|3 Inhaltsverzeichnis
999			\|a oai:aleph.bib-bvb.de:BVB01-024635138
942	1	1	\|c 780.2 \|e 22/bsb
942	1	1	\|c 784.19 \|e 22/bsb

Datensatz im Suchindex

_version_	1804148691519406080
adam_text	Table of Contents Introduction ................................................................xx Parti The Tools of Tone 1 Chapter 1 Guitar Types and Construction 3 Hollow-Body .................................................................4 Solid-Body ...................................................................5 Carved versus Flat Tops .......................................................6 Solid-Body Construction ......................................................7 Set Necks ................................................................7 Bolt-On Necks ............................................................8 Neck Through ............................................................9 Necks and Tone .........................................................10 Semi-Hollow-Body ...........................................................10 Neck Construction ..........................................................12 Neck Carve and Size .....................................................12 Truss Rod ...............................................................13 Scale Length ............................................................13 Synthetics and Other Materials ...............................................13 Pickup Placement and Routing ...............................................14 Other Design Considerations .................................................14 Chapter 2 Wood 17 Types of Wood ..............................................................18 Cutting Wood ...............................................................27 Weight .....................................................................28 Finish ......................................................................29 vu Chapter 3 Hardware 33 String Nut ..................................................................33 Frets .......................................................................34 Bridges and Tailpieces .......................................................35 Hollow-Body Bridges and Tailpieces .......................................35 Solid-Body and Semi-Hollow-Body Bridges .................................35 Tailpieces ...............................................................40 Wraparound Bridge ......................................................40 Tuning Machines ............................................................41 String Trees .................................................................41 Chapter 4 Pickups 43 Types of Pickups ............................................................44 Passive Pickups ..........................................................44 Active Pickups ..........................................................44 Passive/Active Hybrids ...................................................44 Single-Coil Pickups ..........................................................45 Fender Single-Coils ......................................................45 P-90/Soapbar ...........................................................47 Humbucking Pickups ........................................................47 Other Humbuckers ......................................................48 Wire and Coils ..............................................................49 Wire and Windings ......................................................50 Hand Winding/Scatter Winding/Machine Winding ..........................51 Coil Height and Width ...................................................51 Resistance and Output ...................................................52 Resonance ..............................................................53 Potting .................................................................53 Magnets ....................................................................54 Alnico ..................................................................54 Ceramic ................................................................55 Samarium Cobalt ........................................................56 Cobalt ................................................................. 5g Magnet Strength ....................................................... 55 Pole Pieces .................................................................57 Fender Single-Coil Pole Pieces ............................................59 Flat versus Staggered Pole Pieces .......................................... 5g Humbucking Pole Pieces ................................................ 59 Pole Piece Spacing .................................................. gO Slug Side toward Neck or toward Bridge? ................................ 50 Polarity ..................................................................... 61 VIII Table of Contents Wiring Options .............................................................62 Coil Tap ................................................................62 Coil Split ...............................................................62 Series/Parallel Coil Wiring ................................................63 Pickup Covers ...............................................................64 Pickup Calibration ..........................................................64 Pickup Height and Tone ......................................................66 Matching the Best Pickups to a Guitar .........................................67 Chapter 5 Guitar Electronics 69 Passive and Active Electronics ................................................70 Active Electronics .......................................................70 Volume Controls ............................................................71 Tolerance ...............................................................71 Treble Bleed ............................................................72 Pot Taper ...............................................................73 Tone Controls ...............................................................73 Tone Capacitor Values ....................................................74 Capacitor Voltage Rating .................................................74 Types of Capacitors ......................................................75 Other Tone Controls .....................................................75 Switching ..................................................................77 Phase Switching .........................................................77 Series/Parallel Pickup Switching ..........................................78 Other Functions .........................................................78 Switch Types and Tone ...................................................78 Shielding and Grounding ....................................................79 String Grounding ........................................................79 Shielding ...............................................................79 The Big Three Guitar Circuits .................................................80 Telecaster ...............................................................80 Stratocaster .............................................................80 Les Paul ................................................................81 Chapter 6 Amplifiers 83 Combo versus Head .........................................................84 Solid-State versus Tube versus Hybrid ..........................................84 Tube ...................................................................85 Solid-State ..............................................................85 Hybrid .................................................................86 Preamp versus Power Amp ...................................................86 IX Preamp ....................................................................87 Gain ...................................................................87 EQand Tone Control ........................................................89 EQ Bands ...............................................................89 Other Tone-Shaping Controls .............................................90 Tone Stack Bypass .......................................................91 EQ Placement ...........................................................91 Built-in Reverb, Tremolo, and Vibrato ..........................................91 Effects Loops ...............................................................92 Series/Parallel Loops .....................................................93 Channel Switching ..........................................................93 Power Amp .................................................................94 Master Volume versus Non-Master Volume .................................94 Power Attenuators ..........................................................95 Power Scaling ...............................................................96 Output Transformer .........................................................97 Power Transformer ..........................................................97 Rectifier ....................................................................98 Choke ......................................................................98 Chapter 7 Vacuum Tubes 101 Bias .......................................................................102 Amplifier Class .............................................................102 Class A ................................................................103 Class В ................................................................103 Class AB...............................................................104 Class D ................................................................104 Negative Feedback .........................................................104 Sag .......................................................................105 Preamp Tubes .............................................................105 Phase Inverter .........................................................107 Gain Factor ............................................................107 Noise and Microphonics ................................................108 Power Tubes ...............................................................110 Types of Power Tubes ...................................................112 Matching Power Tubes ..................................................113 Chapters Speakers 117 Speaker 101...............................................................117 Speaker Parts ..............................................................119 Magnet ................................................................119 Table of Contents Magnet Size ...........................................................121 Cone ..................................................................121 Surround ..............................................................121 Doping ................................................................122 Voice Coil .............................................................123 Former ................................................................123 Spider .................................................................123 Dust Cap ..............................................................124 Speaker Characteristics .....................................................124 Size ...................................................................124 Impedance ............................................................125 Resonant Frequency ....................................................127 Power Rating ..........................................................128 Efficiency ..............................................................129 Sensitivity .............................................................129 Speaker Breakup .......................................................129 Classic Speakers ............................................................130 Celestion G12M Greenback & G12H 30..................................131 Celestion Vintage 30....................................................131 Celestion Blue and Gold .................................................131 Electro-Voice SRO and EVM12L ..........................................132 JBL D120F and E120 ....................................................133 Jensen P12 and C12 ....................................................134 Chapter 9 Cabinets and Enclosures 137 Types of Speaker Enclosures .................................................138 Ports ..................................................................140 Enclosure Size .........................................................140 Woods ................................................................141 Baffle .................................................................141 Front-Loaded versus Rear-Loaded Cabinets ................................142 Cabinet Coverings ......................................................142 Grille Cloth ............................................................143 Multi-Speaker Cabinets .....................................................143 Polarity ...............................................................143 Power Rating ..........................................................144 Impedance ............................................................144 Stereo Wiring ..........................................................148 Mixing Drivers .........................................................148 xi Chapter 10 Volume 151 Power and Volume .........................................................152 Watts and Volume ......................................................154 Volume and Tone ..........................................................154 Volume-Control Strategies ..................................................156 Chapter 11 Effects 159 Gain ......................................................................160 Overdrive ..............................................................160 Fuzz ..................................................................161 Clean Boost ............................................................162 Treble Booster .........................................................163 Stacking Gain Pedals ....................................................163 Choosing the Best Dirt ..................................................164 Modulation ................................................................164 Leslie/Rotating Speaker .................................................165 Tremolo ...............................................................165 Vibrato ................................................................166 Chorus ................................................................166 Flänger ................................................................167 Phase Shifter ...........................................................168 Ring Modulator ........................................................168 Stereo versus Mono ...................................................169 Filter/EQ .................................................................. 169 Equalizers .......................................................... 159 Wah Wah .............................................................. 169 Envelope Filter/Auto-Wah .............................................171 Delay/Echo ............................................................. -¡ 73 Tape Echo ......................................................... 173 Analog Delay ....................................................... ^ 74 Digital Delay ...................................................... -j 75 Modulated Delays .......................................... j 75 Stereo versus Mono Delays ......................................... 176 Tap Tempo .......................................... -j 7g Reverb ......................................................... 177 Spring Reverb ........................................... 177 Digital Reverb ................................. 170 Pitch .............................................. . . .. .. . . . . . . . . . . . . . . . . . . 178 Octave Divider ...................................... Pitch Shifter .......................................... 179 Doubling/Chorus Effects ................................. 179 Pitch Bend ................................. xii Table of Contents Mono versus Polyphonic ................................................180 Other Effects ..............................................................180 Compressors ...........................................................180 Noise Gate/Noise Reduction .............................................181 Volume Pedal ..........................................................181 Buffer .................................................................182 Multi-Effects Processors .....................................................182 Pedal Order and Signal Routing ..............................................184 Effects Loops ..........................................................186 4-wire Rigs ............................................................187 Stereo Rigs ............................................................187 Wet/Dry Rigs ..........................................................187 Wet/Dry/Wet Rigs ......................................................188 Loop Switchers .........................................................188 Pedalboards versus Racks ................................................189 Chapter 12 The Little Things 191 Picks ......................................................................191 Shape .................................................................192 Pick Materials ..........................................................192 Thickness ..............................................................194 Texture ................................................................195 Strings ....................................................................197 String Type ............................................................197 Alloys and Metals ......................................................199 Cryogenic Strings ......................................................199 Coated Strings .........................................................200 String Gauge ..........................................................200 String Action and Tone ..................................................201 Cables ....................................................................202 Wireless ...................................................................204 Chapter 13 Modeling and Software 205 What It Is .................................................................206 Guitars ................................................................207 Effects ................................................................207 Amps .................................................................208 Form Factor ...............................................................208 Hardware .............................................................208 Software ..............................................................209 The Sound .................................................................210 XIII Chapter 14 Iconic Guitars 213 Fender Telecaster ...........................................................213 Gibson Les Paul Standard ...................................................216 Fender Stratocaster .........................................................219 Gibson ES-335 .............................................................223 Gibson Explorer and Flying V ................................................225 Gibson Firebird ............................................................227 Gibson SG .................................................................229 Gibson L-5 CES ............................................................230 Gibson ES-175D ............................................................231 Gretsch G6120 .............................................................233 Rickenbacker 360/12.......................................................234 Chapter 15 Iconic Amplifiers 237 Fender ....................................................................238 Tweed .................................................................239 Blonde/Brownface .....................................................241 Blackface ..............................................................242 Silverface ..............................................................243 Modern Fenders .......................................................244 Marshall ..................................................................245 JTM45 and Bluesbreaker ................................................245 Plexi Amps ............................................................246 Metal Panels and the ЈСМбОО ...........................................247 Modern Marshalls ......................................................248 Vox AC30 .................................................................248 Roland Jazz Chorus .........................................................249 Mesa/Boogie ..............................................................251 Mark 1 .................................................................251 Mark II ................................................................251 Mark III ...............................................................252 Mark IV ...............................................................252 Mark V ................................................................252 Dumble Overdrive Special ...................................................253 Chapter 16 Iconic Effects 255 BOSS CE-1 Chorus Ensemble ................................................255 BOSS DD-2 ................................................................256 B.K. Butler Tube Driver .....................................................256 Dallas Arbiter Fuzz Face ....................................................257 Dallas Rangemaster........................................................258 xiv Table of Contents Ibanez TS-808 Tube Screamer Overdrive Pro ...................................259 Maestro Echoplex ..........................................................260 MXR Dyna Comp........................................................... 260 MXR Phase 90.............................................................261 Roger Mayer Octavia ........................................................261 Roland RE-201 Space Echo ..................................................262 TC Electronic TC 2290 Dynamic Digital Delay .................................263 Thomas Organ Company Crybaby, Vox Clyde McCoy, and Vox V846 ..............263 Univox Uni-Vibe ...........................................................264 Part II The Icons of Tone __________________________265 Chapter 17 Jeff Beck 269 Guitars ....................................................................270 Gibson Les Paul ........................................................270 Tele-Gib ...............................................................270 Fender Jeff Beck Signature Stratocaster ...................................270 Amps .....................................................................271 Effects ....................................................................271 Benchmark Recordings .....................................................271 Getting the Sound .........................................................272 Chapter 18 Larry Carlton 273 Guitars ....................................................................273 Amps .....................................................................274 Effects ....................................................................274 Studio Tricks ...............................................................274 Benchmark Recordings .....................................................275 Getting the Sound .........................................................275 Chapter^ Eric Clapton 277 Bluesbreakers .............................................................277 Guitars ................................................................277 Amps .................................................................278 Effects ................................................................278 Cream ....................................................................278 Guitars ................................................................279 Amps .................................................................279 Effects ................................................................280 xv 1970 to 1985: Blackie and Brownie ..........................................280 Brownie ...............................................................280 Blackie ................................................................281 Amps .................................................................281 Effects ................................................................281 Mid- eOs to Mid-^Os ........................................................281 Guitars ................................................................282 Amps .................................................................282 Effects ................................................................282 The New Millennium .......................................................283 Guitars ................................................................283 Amps .................................................................283 Effects ................................................................283 Benchmark Recordings .....................................................283 Getting the Sound .........................................................284 Chapter 20 The Edge 285 Guitars ....................................................................285 Amps .....................................................................286 Effects ....................................................................286 Benchmark Recordings .....................................................287 Getting the Sound .........................................................287 Chapter 21 Robben Ford 289 Guitars ....................................................................289 Amps .....................................................................290 Effects ....................................................................290 Benchmark Recordings .....................................................290 Getting the Sound .........................................................291 Chapter 22 David Gilmour 293 Guitars ....................................................................293 The Black Strat .........................................................293 The Red Strat ..........................................................294 Other Guitars ..........................................................294 AmPs .....................................................................295 Effects ....................................................................295 Benchmark Recordings .....................................................297 Getting the Sound .........................................................297 XVI Table of Contents Chapter 23 Warren Haynes 299 Guitars ....................................................................299 Amps .....................................................................300 Effects ....................................................................301 Benchmark Recordings .....................................................301 Getting the Sound .........................................................302 Chapter 24 Jimi Hendrix 303 Guitars ....................................................................303 Amps .....................................................................305 Effects ....................................................................305 Studio Tricks ..............................................................306 Benchmark Recordings .....................................................306 Getting the Sound .........................................................306 Chapter 25 Allan Holdsworth 309 Guitars ....................................................................310 Modded Stråts .........................................................310 Headless ..............................................................310 Fatboy ................................................................311 Strings and Picks .......................................................311 Amps .....................................................................311 Effects ....................................................................312 Benchmark Recordings .....................................................312 Getting the Sound ..........................................................313 Chapter 26 Eric Johnson 315 Guitars ....................................................................315 Amps .....................................................................316 Clean Amps ............................................................316 Crunch/Rhythm Amp ...................................................316 Lead Amp .............................................................317 Effects ....................................................................317 Clean Effects ...........................................................317 Crunch/Rhythm Effects .................................................317 Lead Effects ............................................................317 Post Effects ............................................................318 Benchmark Recordings .....................................................318 Getting the Sound ..........................................................318 XVII Chapter 27 Brian May 319 Guitars ....................................................................319 Amps .....................................................................320 Deacy .................................................................321 Effects ....................................................................321 Benchmark Recordings .....................................................322 Getting the Sound .........................................................322 Chapter 28 Jimmy Page 323 Guitars ....................................................................323 The Session Years .......................................................324 The Yardbirds ..........................................................324 Led Zeppelin ..........................................................324 Les Pauls ..............................................................325 Strings and Picks .......................................................326 Amps .....................................................................326 Supro .................................................................326 Marshall ..............................................................327 Other Amps ...........................................................327 Cabinets and Speakers ..................................................327 Effects ....................................................................328 Studio Tricks ..............................................................328 Benchmark Recordings .....................................................328 Getting the Sound .........................................................329 Chapter 29 Brad Paisley 331 Guitars ....................................................................331 Amps .....................................................................332 Effects ....................................................................332 Fly Rack ...............................................................332 Concert Rack ..........................................................333 Studio Tricks ..............................................................333 Benchmark Recordings .....................................................333 Getting the Sound .........................................................333 Chapter 30 Eddie Van Halen 335 Guitars ....................................................................335 Ibanez Destroyer .......................................................335 VH II and Later ......................................................... 336 Signature Guitars ......................................................337 XVIII Table of Contents Amps .....................................................................337 Effects ....................................................................338 Studio Tricks ..............................................................339 Benchmark Recordings .....................................................339 Getting the Sound .........................................................339 Chapter 31 Stevie Ray Vaughan 341 Guitars ....................................................................341 Number One ...........................................................341 Lenny .................................................................342 Other Guitars ..........................................................342 Amps .....................................................................343 Effects ....................................................................343 Benchmark Recordings .....................................................344 Getting the Sound .........................................................344 Appendix A Tonal Resources 345 Magazines .................................................................345 Selected Books .............................................................345 Discussion Forums .........................................................346 General Guitar Forums ..................................................346 Non-Manufacturer Forums for Specific Guitars ............................347 Amplifiers and Effects Forums ...........................................347 Index 349 XIX
any_adam_object	1
author	Gallagher, Mitch
author_facet	Gallagher, Mitch
author_role	aut
author_sort	Gallagher, Mitch
author_variant	m g mg
building	Verbundindex
bvnumber	BV039774214
ctrlnum	(OCoLC)665138003 (DE-599)BVBBV039774214
format	Book
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01452nam a2200409 c 4500</leader><controlfield tag="001">BV039774214</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20120213 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">111222s2011 \|\|\|\| 00\|\|\| eng d</controlfield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB0B4258</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781435456150</subfield><subfield code="9">978-1-4354-5615-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)665138003</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV039774214</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gallagher, Mitch</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Guitar tone</subfield><subfield code="b">pursuing the ultimate guitar sound</subfield><subfield code="c">Mitch Gallagher</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Boston</subfield><subfield code="b">Course Technology</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XXII, 362 S.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Guitar</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Tone color (Music)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gitarre</subfield><subfield code="0">(DE-588)4124933-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Klangerzeugung</subfield><subfield code="0">(DE-588)4204777-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4151278-9</subfield><subfield code="a">Einführung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Gitarre</subfield><subfield code="0">(DE-588)4124933-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Klangerzeugung</subfield><subfield code="0">(DE-588)4204777-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 4</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024635138&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-024635138</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">784.19</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection>
genre	(DE-588)4151278-9 Einführung gnd-content
genre_facet	Einführung
id	DE-604.BV039774214
illustrated	Not Illustrated
indexdate	2024-07-10T00:11:10Z
institution	BVB
isbn	9781435456150
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-024635138
oclc_num	665138003
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	XXII, 362 S.
publishDate	2011
publishDateSearch	2011
publishDateSort	2011
publisher	Course Technology
record_format	marc
spelling	Gallagher, Mitch Verfasser aut Guitar tone pursuing the ultimate guitar sound Mitch Gallagher Boston Course Technology 2011 XXII, 362 S. txt rdacontent n rdamedia nc rdacarrier Guitar Tone color (Music) Gitarre (DE-588)4124933-1 gnd rswk-swf Klangerzeugung (DE-588)4204777-8 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Gitarre (DE-588)4124933-1 s Klangerzeugung (DE-588)4204777-8 s DE-604 Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024635138&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Gallagher, Mitch Guitar tone pursuing the ultimate guitar sound Guitar Tone color (Music) Gitarre (DE-588)4124933-1 gnd Klangerzeugung (DE-588)4204777-8 gnd
subject_GND	(DE-588)4124933-1 (DE-588)4204777-8 (DE-588)4151278-9
title	Guitar tone pursuing the ultimate guitar sound
title_auth	Guitar tone pursuing the ultimate guitar sound
title_exact_search	Guitar tone pursuing the ultimate guitar sound
title_full	Guitar tone pursuing the ultimate guitar sound Mitch Gallagher
title_fullStr	Guitar tone pursuing the ultimate guitar sound Mitch Gallagher
title_full_unstemmed	Guitar tone pursuing the ultimate guitar sound Mitch Gallagher
title_short	Guitar tone
title_sort	guitar tone pursuing the ultimate guitar sound
title_sub	pursuing the ultimate guitar sound
topic	Guitar Tone color (Music) Gitarre (DE-588)4124933-1 gnd Klangerzeugung (DE-588)4204777-8 gnd
topic_facet	Guitar Tone color (Music) Gitarre Klangerzeugung Einführung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024635138&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT gallaghermitch guitartonepursuingtheultimateguitarsound

Verfügbarkeit

Es ist kein Print-Exemplar vorhanden.

Fernleihe Bestellen Achtung: Nicht im THWS-Bestand! Inhaltsverzeichnis

MARC

Datensatz im Suchindex

Es ist kein Print-Exemplar vorhanden.

Ähnliche Einträge