Jacob van Eyck and the others: Dutch solo repertoire for recorder in the golden age
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Utrecht
Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis
2011
|
| Schriftenreihe: | Muziekhistorische monografieën
21 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Aus dem Niederländ. übers. |
| Beschreibung: | 753 S. Ill., zahlr. Notenbeisp. 25 cm |
| ISBN: | 9789063752194 |
Internformat
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| 264 | 1 | |a Utrecht |b Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis |c 2011 | |
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| 490 | 1 | |a Muziekhistorische monografieën |v 21 | |
| 500 | |a Aus dem Niederländ. übers. | ||
| 502 | |a Teilw. zugl.: Utrecht, Univ., Diss., 2006 | ||
| 600 | 1 | 4 | |a Eyck, Jacob van / Criticism and interpretation |
| 600 | 1 | 7 | |a Eyck, Jacob van |d 1590-1657 |0 (DE-588)118860801 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Abbreviations
14
Foreword
15
Introduction
19
1.
The repertoire ]9
2.
Overview
19
3.
Definitions and terminology
21
ľ
Η
ľ. R
К С С)
R D I· R I N
Г
111.
(,
O I D I N
Л
li
I
1.
Lovers of the Recorder
25
1.1.
Music in the Dutch Republic 2S
1.2. 1
he editions or
Paulus
Matthijsz
26
1.3.
The recorder in word and image
29
1.4.
Consort and solo
44
1.5.
An instrument tor young and old
46
1.6.
An instrument for all social classes
49
I. . An instrument for both sexes
52
1.8.
An instrument for all levels
53
1.9.
Lovers of the recorder
: Paulus
Matthijsz clientele
54
J A C O B
Y A
X E Y C K
2.
Jacob
van Eyck: his life
59
2.1.
Janskerkhof
59
2.2.
Up to
1625:
Heusden
6!
2.?).
Utrecht: the beginning
^3
2.4.
A sumptuous paradise ^~
2.5.
Persons of Art
80
2.6.
Director of the BelKvorks in Utrecht. &c.
82
2.~. Carillonneur of the
Janskerk
8^
2.8.
Bell expertise: the true art
88
2.9.
Special events
91
2.10.
Inspector of organs
9^
2.11.
[an Baptist Verrijt and other pupils
94
2.12.
Some of
mv
inventions on the recorder
96
2.13.
Conscmtijn Huvgens: My honored Sir and Cousin
98
2.14.
Hemony plays heavenly beli-music!
100
2.15.
Carillonneur of the Jacobikerk and
city hall
102
2.16.
Final travels
ЮЗ
2.17.
The end of a life:
Ό
Orpheus of Utrecht!
106
3.
Sources: Euterpe and
Der Fluyten
Lust-hof
113
3.1.
In the Stoof-steegh, in t Muzyk-boek
113
3.2.
Euterpe oft Speel-goddinne
7(1644) 115
3.3. Der
Fluyten Lust-hof II
(4646) 126
3
A
. Der
Fluyten Lust-hof I (2
1649) 132
3.5. Der
Fluyten Lust-hof II
(4654) 135
3.6. Der
Fluyten Lust-hof I
Pc.
1656) 136
3.7.
Excursion: the Onderwyzinge by
Gerbrand
van Blanckenburgh
136
4.
The art of variation: Themes, forms and techniques
139
4.1.
Artfully and charmingly embellished, with many variations
139
4.2.
Historical orientation
143
4.2.1.
Melodic variation as ornamentation technique
143
4.2.2.
Variation as a formal principle
147
4.3.
Monophony: explanations
150
4.4.
The themes
151
4.4.1.
Dutch song culture
151
4.4.2.
Psalms and hymns
152
4.4.3.
Other sacred songs
155
4.4.4.
French melodies
157
4.4.5.
British melodies
160
4.4.6.
Italian melodies
162
4.4.7.
German melodies
164
4.4.8.
Spanish melodies
165
4.4.9.
Dutch melodies?
166
4.5.
Forms
167
4.5.1.
The variations: part of a larger whole?
167
4.5.2.
Classifying according to form and type
170
4.5.3.
The congruent type
170
4.5.4.
The
incongruent
type
172
4.5.4.1.
Theme with ornamented repeats
172
4.5.4.2.
Theme with through-composed
modo
2 173
4.5.4.3.
Through-composed variations
174
4.5.4.4.
Linked variations (integral and partial)
175
4.5.4.5.
Other cases of incongruence
179
4.5.5.
The mixed type
180
4.5.6.
Variation series: open or closed?
182
4.6.
Techniques
185
4.6.1.
Establishing the theme
185
4.6.2.
Examining the theme
189
4.6.3.
Figuration
195
4.6.4.
Constructing the first variation
198
4.6.5.
Expansion techniques
201
4.6.6.
Cumulation versus parataxis
205
4.6.7.
Linear harmony and quasi-polyphony
208
4.6.8.
Echo
213
4.6.9.
Forma
formans
217
4.6.10.
Standard patterns
221
4.7.
New questions
227
5.
Bells and recorder: The secret of the psalm variations
229
5.1.
Recorder and carillon playing
229
5.2.
The psalm variations: a distinct category?
230
5.3.
Psalm variations: the corpus
234
5.4.
The variation sets of
1644 236
5.4.1.
Onse
Vader
in Hemelryck
237
5.4.2.
Psalm
118
(first version)
240
5.4.3.
Psalm
140
ofte tien Geboden
242
5.4.4.
d Lof-zangh Marie
243
5.4.5.
Psalm
68 244
5.4.6.
Psalm
103 245
5.5.
First evaluation
247
5.6.
The first sets of
1646 249
5.6.1.
Psalm
ť
249
5.6.2.
Psalm
9 250
5.6.3.
Psalm
33 252
5.6.4.
Psalm
119 254
5.6.5.
Psalm
133 254
5.7.
Second evaluation
255
5.8.
The last sets of
1646 255
5.8.1.
Psalm
15 255
5.8.2.
Psalm
116 258
5.8.3.
Psalm
101 258
5.8.4.
Psalm
134 259
5.9.
Third evaluation
261
5.10.
The variation sets of
1649 262
5.10.1.
Psalm
118
(new version)
262
5.10.2.
Psalm
150 264
5.11.
Fourth evaluation
266
5.12.
The carillon as
point
of departure
268
5.13.
Carillon traits
270
5.14.
Harmonically oriented psalm variations: carillon music?
274
5.15·
Further exploration
277
6.
Interpreting the art of variation
289
6.1.
Improvisation and composition
289
6.2.
Beyond technique
296
6.2.1.
The through-composed
modo
2 296
6.2.2.
Transmutation
300
6.2.3.
Program music
306
6.3.
Dating and stylistic development
308
6.4.
Tickling the ears
318
6.5.
Affects
320
6.6.
Other rhetorical aspects
338
6.7.
Homo ludens
341
7.
Preludes, Fantasias,
Batali 351
7.1.
The repertoire
351
7.2.
Preludes
351
7.3.
Fantasias
355
7.4. Batali 377
7.5.
Evaluation
384
8.
Transmission and authenticity
385
8.1.
Reliability of the sources
385
8.1.1.
From creation to printed editions:
processes of communication
385
8.1.2.
The composer
386
8.1.3.
The dictation
387
8.1.4.
Thescribe(s)
389
8.1.5.
The notation
390
8.1.6.
The manuscripts
396
8.1.7.
The editor
398
8.1.8.
Music printing
400
8.1.9.
The typesetter
402
8.1.10.
Revisions
403
8.2.
Accidentals
407
8.3.
Repeats in extended final variations
422
8.4.
Questions of form
426
8.4.1.
Doen
Daphne
426
8.4.2.
Amarilli
mia bella
432
8.4.3.
De eerste
licke-poť
433
8.5.
Stil, stil een
reys :
a reconstruction
8.6.
Duets
by Jacob van Eyck?
8.6.1.
Inquiry
8.6.2.
Comagain
8.6.3.
Philis
schoon
Herderinne
8.6.4.
Engels
liedť
8.6.5.
More
palatino
8.6.6.
Amarilli
mia bella
8.6.7.
Prins Robbert
Masco
8.6.8.
Paulus Matthiisz, duetsmith
THE OTHERS
435
440
440
441
443
446
446
447
448
449
9.
Sources:
Der Goden Fluit-hemel and t Uitnemend Kabinet
455
9.1.
Many celebrated musicians
455
9.2.
Der Goden
Fluit-hemel (1644) 456
9.3.
t Uitnemend Kabinet
/ ( 1646) 463
9.4.
t Uitnemend Kabinet
// ( 1649) 467
9.5·
Excursion:
Vertoninge
en ondenvyzinge op de hand-fluit
471
9.6.
t Uitnemend Kabinet
1(-[1654])
A7A
9.7.
t Uitnemend Kabinet
II
(-cl
656) 475
9.8.
A third
volume of t Uitnemend
Kabineti
476
10.
The other
composers
and their work
477
10.1. Paulus Matthijsz 477
10.1.1. Life 477
10.1.2.
Solo
works
479
10.2.
Jacob van Noordt
486
10.2.1.
Life
486
10.2.2.
Solo works
492
10.3.
Johan
Dicx
504
10.3.1.
Life
504
10.3.2.
Solo works
508
10.4.
Pieter
de Vois
514
10.4.1.
Life
514
10.4.2.
Solo works
522
10.5·
Je ne puis éviter : a
pasticcio
539
10.6.
The anonymous
variation
works
in
Der Goden Fluit-hemel
54^
10.7.
Ranking
Van Evek in
relation
to the others
558
PERFORMANCE
PRACTICE
11.
The instrument
563
11.1.
If it sounds good...
(1)
563
11.2.
The early Baroque recorder
564
11.3.
Three contemporary fingering charts
/
tutors
566
11.4.
Surviving instruments
569
11.5.
What the notes tell us
571
11.6.
Tuning pitch
578
11.7.
The introduction of the Baroque recorder
585
11.8.
If it sounds good...
(2)
594
12.
Musical time: tempo and rhythm
597
12.1.
Tempo
597
12.1.1.
The importance of a suitable tempo
597
12.1.2.
Fixed tempo?
598
12.1.3.
Notation and tempo
600
12.1.4.
Speed restrictions
601
12.1.5.
Dance types and their characteristics
605
12.1.5.1.
A prefatory word of caution
605
12.1.5.2.
Pavan
605
12.1.5.3.
Al(le)mande
606
12.1.5.4.
Branle
608
12.1.5.5.
Bourrée
609
12.1.5.6.
Courante
609
12.1.5.7.
Galliard
611
12.1.5.8.
Sarabande
612
12.1.6.
Psalms
613
12.
ł
.7.
Other variation works: criteria for tempo choice
615
12.1.8.
A complex of factors
617
12.2.
Rhythm
618
12.2.1.
Van Eyck: a mechanic?
618
1 2.2.2.
Rhythmic alteration
618
12.2.3.
Upbcats in a dotted setting
621
12.2.4.
Inequality
622
13.
Ornamentation
627
13.1.
Kvo categories of ornaments
627
13.2.
Improvised diminutions
627
13.3.
C í
races
634
13.3.1.
drappo
and tremolo
634
13.3.2.
Application or the
groppo
634
13.3.3.
The tirinolo
638
13.3.4.
Flattemait
644
14.
Delivery
651
14.1.
Musical performance
651
14.2.
Delivery and rhetoric
653
14.3.
Pronuntiatio according to classical rhetoric
655
14.4.
Deliver} in relation to Van Eyck: technical facility
657
14.5.
Pleasure Garden or battlefield?
658
14.6.
Sprezzatimi
659
14.7.
Sprezzatimi
and maintaining tempo
663
14.8.
Homo
ludem
665
Appendices
667
A. Sources and editions
667
1.
Sources: Original editions and then location
669
2. Der Fluyten
Lust-hof: I able of contents 6~5
3.
Modern editions of
Der
hluytcn Lust-hof: Concordances
680
4.
The others: Modern editions
682
B.
Der·
Fluyten Lust-hof: Titles translated
684
C. Fingering charts
687
1.
Three fingering charts (Matthiisz, Van
Blanckenbureh, Chr.
Huvgensj
688
2. Gerbrand
van Blanckenburgh: Graces
[
Ί
rammelanteiĄ
692
3.
Christiaan Huvgens, Ions
de ma
flute
694
D. Odes,
elegies and epitaphs
697
1.
Jacob van Eyck
69Я
2.
Jacob van Xoordt ~0~
Bibliography
709
Index of Van Eyck s works
733
General Index
739
|
| any_adam_object | 1 |
| author | Wind, Thiemo 1961- |
| author_GND | (DE-588)135047382 |
| author_facet | Wind, Thiemo 1961- |
| author_role | aut |
| author_sort | Wind, Thiemo 1961- |
| author_variant | t w tw |
| building | Verbundindex |
| bvnumber | BV039754329 |
| ctrlnum | (OCoLC)746131713 (DE-599)BVBBV039754329 |
| era | Geschichte 1600-1700 Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Thesis Book |
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| genre | (DE-588)4006804-3 Biografie gnd-content (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4163417-2 Katalog gnd-content |
| genre_facet | Biografie Hochschulschrift Katalog |
| geographic | Niederlande (DE-588)4042203-3 gnd |
| geographic_facet | Niederlande |
| id | DE-604.BV039754329 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:10:43Z |
| institution | BVB |
| isbn | 9789063752194 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024615661 |
| oclc_num | 746131713 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 753 S. Ill., zahlr. Notenbeisp. 25 cm |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis |
| record_format | marc |
| series | Muziekhistorische monografieën |
| series2 | Muziekhistorische monografieën |
| spelling | Wind, Thiemo 1961- Verfasser (DE-588)135047382 aut Jacob van Eyck and the others Dutch solo repertoire for recorder in the golden age Thiemo Wind Utrecht Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 2011 753 S. Ill., zahlr. Notenbeisp. 25 cm txt rdacontent n rdamedia nc rdacarrier Muziekhistorische monografieën 21 Aus dem Niederländ. übers. Teilw. zugl.: Utrecht, Univ., Diss., 2006 Eyck, Jacob van / Criticism and interpretation Eyck, Jacob van 1590-1657 (DE-588)118860801 gnd rswk-swf Geschichte 1600-1700 Geschichte 1600-1700 gnd rswk-swf Recorder music / 17th century / History and criticism Recorder (Musical instrument) / Performance Performance practice (Music) / History / 17th century Geschichte Blockflötenmusik (DE-588)4007181-9 gnd rswk-swf Quelle (DE-588)4135952-5 gnd rswk-swf Blockflöte (DE-588)4146029-7 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4163417-2 Katalog gnd-content Niederlande (DE-588)4042203-3 g Blockflöte (DE-588)4146029-7 s Blockflötenmusik (DE-588)4007181-9 s Historische Musikpraxis (DE-588)4197967-9 s Quelle (DE-588)4135952-5 s Geschichte 1600-1700 z DE-604 Eyck, Jacob van 1590-1657 (DE-588)118860801 p Muziekhistorische monografieën 21 (DE-604)BV000005800 21 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024615661&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wind, Thiemo 1961- Jacob van Eyck and the others Dutch solo repertoire for recorder in the golden age Muziekhistorische monografieën Eyck, Jacob van / Criticism and interpretation Eyck, Jacob van 1590-1657 (DE-588)118860801 gnd Recorder music / 17th century / History and criticism Recorder (Musical instrument) / Performance Performance practice (Music) / History / 17th century Geschichte Blockflötenmusik (DE-588)4007181-9 gnd Quelle (DE-588)4135952-5 gnd Blockflöte (DE-588)4146029-7 gnd Historische Musikpraxis (DE-588)4197967-9 gnd |
| subject_GND | (DE-588)118860801 (DE-588)4007181-9 (DE-588)4135952-5 (DE-588)4146029-7 (DE-588)4197967-9 (DE-588)4042203-3 (DE-588)4006804-3 (DE-588)4113937-9 (DE-588)4163417-2 |
| title | Jacob van Eyck and the others Dutch solo repertoire for recorder in the golden age |
| title_auth | Jacob van Eyck and the others Dutch solo repertoire for recorder in the golden age |
| title_exact_search | Jacob van Eyck and the others Dutch solo repertoire for recorder in the golden age |
| title_full | Jacob van Eyck and the others Dutch solo repertoire for recorder in the golden age Thiemo Wind |
| title_fullStr | Jacob van Eyck and the others Dutch solo repertoire for recorder in the golden age Thiemo Wind |
| title_full_unstemmed | Jacob van Eyck and the others Dutch solo repertoire for recorder in the golden age Thiemo Wind |
| title_short | Jacob van Eyck and the others |
| title_sort | jacob van eyck and the others dutch solo repertoire for recorder in the golden age |
| title_sub | Dutch solo repertoire for recorder in the golden age |
| topic | Eyck, Jacob van / Criticism and interpretation Eyck, Jacob van 1590-1657 (DE-588)118860801 gnd Recorder music / 17th century / History and criticism Recorder (Musical instrument) / Performance Performance practice (Music) / History / 17th century Geschichte Blockflötenmusik (DE-588)4007181-9 gnd Quelle (DE-588)4135952-5 gnd Blockflöte (DE-588)4146029-7 gnd Historische Musikpraxis (DE-588)4197967-9 gnd |
| topic_facet | Eyck, Jacob van / Criticism and interpretation Eyck, Jacob van 1590-1657 Recorder music / 17th century / History and criticism Recorder (Musical instrument) / Performance Performance practice (Music) / History / 17th century Geschichte Blockflötenmusik Quelle Blockflöte Historische Musikpraxis Niederlande Biografie Hochschulschrift Katalog |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024615661&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000005800 |
| work_keys_str_mv | AT windthiemo jacobvaneyckandtheothersdutchsolorepertoireforrecorderinthegoldenage |