Introduction to cultural studies: topics, concepts, issues
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
Berlin
Schmidt
2012
|
| Schriftenreihe: | Grundlagen der Anglistik und Amerikanistik
36 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis Klappentext |
| Beschreibung: | 248 S. graph. Darst. |
| ISBN: | 9783503137169 |
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Datensatz im Suchindex
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IMAGE 1
TABLE OF CONTENT
PREFACE 5
INTRODUCTION 11
THE PURPOSE AND STRUCTURE OF THIS BOOK 11
CONCEPTS OF CULTURE 12
WHY STUDY CULTURE? 17
CULTURAL STUDIES AND KULTURWISSENSCHAFTEN - TWO GENEALOGIES 19 CULTURAL
STUDIES 19
KULTURWISSENSCHAFTEN 23
1. SIGNS 29
1.1 THE USE OF SIGNS AS AN ANTHROPOLOGICAL BASIS 29
1.1.1 LANGUAGE SCEPTICISM AND'LINGUISTIC TURN'AROUND 1900 31
1.1.2 THE BASIC STRUCTURE OF THE SIGN: ALIQUID STAT PRO ALIQUO 33
1.1.3 FUNCTIONS OF SIGNS 35
1.2 PROBLEMS OF COMMUNICATION IN LITERATURE 39
1.3 TYPES OF SIGNS 42
1.3.1 PERFORMATIVE LANGUAGE 42
1.3.2 THREE TYPES OF SIGN: SYMBOLIC, ICONIC, INDEXICAL 43
1.4 LANGUAGE, CULTURE AND VIOLENCE 48
SUMMARY 53
2. MEDIA 55
2.1 MEDIA AS MEDIATORS? 55
2.1.1 COMPONENTS OFTHE COMPACT CONCEPT OF MEDIA 56
2.2 ORAL AND WRITTEN 58
2.2.1 ARTS OF MEMORY: FORMS OF REPETITION AND FORMS OF STORAGE 58 2.2.2
ORAL POETRY - WRITTEN LITERATURE 59
2.2.3 TEXT AS REPEATABLE COMMUNICATION 61
2.2.4 BEARERS OF WRITING AND BOOK FORMATS 63
2.3 WRITING AND AUTHORSHIP AS REFLECTED IN MEDIA HISTORY 65
2.3.1 STABILIZING TEXTS THROUGH WRITING AND PRINT 65
2.3.2 WEAK AUTHORSHIP 67
2.3.3 STRONG AUTHORSHIP 69
2.3.4 THE DEATH OFTHE AUTHOR AND THE TRIUMPH OF WRITING 73
2.4 TEXT AND IMAGE 75
2.4.1 THE'ICONIC TURN'AROUND 2000 77
7
HTTP://D-NB.INFO/1017295646
IMAGE 2
TABLE OF CONTENT
2.4.2 IMAGES IN THE TEXT 78
2.4.3 NEW MEDIA 80
SUMMARY 8 3
3. THE BODY 85
3.1 BODY DISCOURSE 85
3.1.1 THE HIERARCHY OFTHE SENSES 87
3.2 BODY, SEXUALITY AND GENDER 91
3.2.1 BODY, SOUL, MIND 91
3.2.2 BODILY TABOOS AND EXCESSES 93
3.2.3 SEXUALITY AS A LITERARY SUBJECT 95
3.2.4 GENDER 99
3.3 CONCEPTS OF MAN - HISTORICAL ANTHROPOLOGY 99
3.3.1 THE MATERIALITY OFTHE BODY 100
3.3.2 ARTIFICIAL AND SYMBOLIC BODIES 101
3.3.3 BODY TECHNIQUES, BODY HISTORIES, MODES OF CONDUCT 103
3.3.4 BODY WRITING 105
3.3.5 INCARNATE AND EXCARNATE CULTURE 108
3.4 BODY STAGINGS 110
SUMMARY I L L
4. TIME 113
4.1 CULTURAL BASES FOR THE EXPERIENCE OF TIME 113
4.1.1 THE AMBIVALENCE OF TIME 113
4.1.2 LIFETIME 115
4.1.3 'COLD'AND'HOT'CULTURES 118
4.1.4 RELATIONS BETWEEN GENERATIONS 119
4.1.5 THE ACCELERATION OF TIME 120
4.2 LITERARY STAGINGS OF THE PRESENT 124
4.2.1 FRAGMENTATION OF PERCEPTION 125
4.2.2 APOTHEOSES OF THE MOMENT 126
4.2.3 EPIPHANIES 128
4.3 THE NIGHTMARE OF HISTORY 131
4.3.1 TRANSCENDING TIME: ELIOT'S FOUR QUARTETS 132
4.3.2 IN THE TIME TRAIN 135
SUMMARY 136
5. SPACE , 139
5.1 LONDON - THE METROPOLITAN LABYRINTH 141
5.1.1 LONDON AS A SPACE OF EXPERIENCE- THOMAS DEQUINCEY 142 5.1.2 THE
ANONYMOUS CROWD IN THE CITY - JOHN GAY, EDGAR ALLAN POE AND VIRGINIA
WOOLF 146
8
IMAGE 3
TABLE OF CONTENT
5.2 CENTRE AND PERIPHERY - FREDERICK JACKSON TURNER AND JOSEPH CONRAD
149
5.2.1 COLONIZATION, CONQUEST, COLONIALISM 149
5.2.2 BORDER AND THRESHOLD - FREDERICK JACKSON TURNER'S MYTH
OFTHE'FRONTIER' 151
5.2.3 THE CRISIS OF THE EMPIRE - JOSEPH CONRAD'S HEART O F DARKNESS
(1902) 154
5.3 THE MYTHICAL LANDSCAPE - LESLIE MARMON SILKO'S CEREMONY (1977). 160
SUMMARY 164
6. MEMORY 167
6.1 BASIC CONCEPTS OF MEMORY RESEARCH 168
6.1.1 'GEDACHTNIS'AND'ERINNERUNG' 168
6.1.2 ACTIVE AND PASSIVE MEMORY 169
6.1.3 EPISODIC AND SEMANTIC MEMORY 170
6.1.4 EMBODIED AND DISEMBODIED MEMORY 172
6.1.5 INDIVIDUAL AND COLLECTIVE MEMORY 174
6.1.6 TRAUMA 175
6.2 FORMS OF MEMORY IN SHAKESPEARE'S HAMLET 177
6.2.1 HISTORICAL MEMORY - (INCOMPLETE) KNOWLEDGE OF THE PAST 178
6.2.2 REMEMBERING VERSUS FORGETTING-GRIEF AND MELANCHOLY 179 6.2.3
TRAUMATIC MEMORY-THE GHOST'S CONFUSING MESSAGES 180 6.2.4 SEMANTIC
MEMORY - MNEMONICS 183
6.2.5 EPISODIC MEMORY-THE LIGHTNING FLASH OF A CHILDHOOD MEMORY 184
6.2.6 MEMENTO MORI - THE EMBLEMATIC MEMORY OF DEATH 185
6.2.7 WITNESS MEMORY - ETHICS AND THERAPY 186
SUMMARY 189
7. IDENTITY 191
7.1 INDIVIDUAL IDENTITY 192
7.1.1 PERSON 192
7.1.2 SUBJECT 194
7.1.3 SEX AND GENDER 198
7.1.4 INCLUSIVE AND EXCLUSIVE IDENTITY 200
7.1.5 DOPPELGANGER AND MULTIPLE IDENTITIES 202
7.2 COLLECTIVE IDENTITY - RACE, NATION, CULTURE 204
7.3 CONTESTING THE CANON - IDENTITY POLITICS IN THE MEDIUM OF LITERATURE
207
7.3.1 CARIBBEAN EXPERIENCES WITH THE WESTERN CANON - JAMAICA KINCAID 208
7.4 WANDERERS BETWEEN CULTURES 210
7.4.1 MARYANTIN 210
9
IMAGE 4
TABLE OF CONTENT
7.4.2 JOSEPH CONRAD 211
7.4.3 SALMAN RUSHDIE 212
SUMMARY 216
REFERENCES 219
INDEX OF SUBJECTS 241
INDEX OF NAMES 245
10
Divided into seven themed chapters: signs, media, body,
time, space, memory and identity, this book aims to provide
a fresh approach to complex theoretical and historical
questions. Sparking the reader's interest in literature from
different genres and periods, this volume not only provides
a useful introduction, it is an important study tool which
supports the reader's own endeavours to get to grips with
the relationship between reading and major key questions
of culture. |
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| title_auth | Introduction to cultural studies topics, concepts, issues |
| title_exact_search | Introduction to cultural studies topics, concepts, issues |
| title_full | Introduction to cultural studies topics, concepts, issues Aleida Assmann |
| title_fullStr | Introduction to cultural studies topics, concepts, issues Aleida Assmann |
| title_full_unstemmed | Introduction to cultural studies topics, concepts, issues Aleida Assmann |
| title_short | Introduction to cultural studies |
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