That's all folks?: ecocritical readings of American animated features
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Lincoln [u.a.]
Univ. of Nebraska Press
2011
|
Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Beschreibung: | "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"-- Provided by publisher. -- "Examines animated films in the cultural and historical context of environmental movements"-- Provided by publisher. Includes bibliographical references and index |
Beschreibung: | IX, 283 S. Ill. |
ISBN: | 9780803235120 |
Internformat
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500 | |a "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"-- Provided by publisher. -- "Examines animated films in the cultural and historical context of environmental movements"-- Provided by publisher. | ||
500 | |a Includes bibliographical references and index | ||
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Datensatz im Suchindex
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adam_text | ALTHOUGH SOME CREDIT THE ENVIRONMENTAL
movement of the 1970s, with its profound
impact on children’s television programs and
movies, for paving the way for later eco-films,
the history of environmental expression in
animated film reaches much further back in
American history, as FhaFs All Folks? makes
clear.
Countering the view that the contemporary
environmental movement----and the cartoons
it influenced-came to life in the 1960s,
Robin L. IVLurray and Joseph KL. Heumann
reveal how environmentalism was already
a growing concern in animated films of the
1930s, 1940S, and 1950S. From Felix the
Cat cartoons to Disney’s beloved JB rrtbi to
Pixar’s Wrall-E and James Cameron’s Avatar^
this volume shows how animated features
with environmental themes are moneymakers
on multiple levels-particularly as broad-
based family entertainment and conveyors
of consumer products- Only Ralph
Bakshi’s X-rated Fritz, the Cat and R-rated
JHLeatsy Traffic: and Coonskirr^ with their
violent, dystopic representation of urban
environments, avoid this total immersion in
an anti-environmental consumer market.
Showing us enviro-toons in their cultural
and historical contexts, this book offers
fresh insights into the changing perceptions
of the relationship between humans and the
environment and a new understanding of
environmental and animated cinema.
Contents
List of Illustrations vii
Acknowledgments ix
Introduction: A Foundation for
Contemporary Enviro-toons x
i Bambi and Mr. Bug Goes to Town:
Nature with or without Us Z9
z Animal Liberation in the
1940s and 1950s: What Disney
Does for the Animal Rights Movement 49
3 The upa and the Environment:
A Modernist Look at Urban Nature 79
4 Animation and Live Action:
A Demonstration of Interdependence? 91
5 Rankin/Bass Studios, Nature, and the
Supernatural: Where Technology
Serves and Destroys 115
6 Disney in the 1960s and 1970s:
Blurring Boundaries between
Human and Nonhuman Nature
135
7 Dinosaurs Return: Evolution
Outplays Disney’s Binaries 161
8 DreamWorks and Human and Nonhuman
Ecology: Escape or Interdependence
in Over the Hedge and Bee Movie 183
9 Pixar and the Case of wall-e:
Moving between Environmental
Adaptation and Sentimental Nostalgia 201
10 The Simpsons Movie, Happy Feet,
and Avatar: The Continuing Influence
1 of Human, Organismic, Economic,
and Chaotic Approaches to Ecology 229
Conclusion: Animation’s
Movement to Green? 241
Filmography 251
Works Cited 265
Index 277
|
any_adam_object | 1 |
author | Murray, Robin L. Heumann, Joseph K. |
author_facet | Murray, Robin L. Heumann, Joseph K. |
author_role | aut aut |
author_sort | Murray, Robin L. |
author_variant | r l m rl rlm j k h jk jkh |
building | Verbundindex |
bvnumber | BV039735111 |
callnumber-first | N - Fine Arts |
callnumber-label | NC1766 |
callnumber-raw | NC1766.5.E58 |
callnumber-search | NC1766.5.E58 |
callnumber-sort | NC 41766.5 E58 |
callnumber-subject | NC - Drawing, Design, Illustration |
classification_rvk | AP 48600 |
ctrlnum | (OCoLC)712115633 (DE-599)BVBBV039735111 |
dewey-full | 791.4334 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4334 |
dewey-search | 791.4334 |
dewey-sort | 3791.4334 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | Geschichte 1930-2011 gnd |
era_facet | Geschichte 1930-2011 |
format | Book |
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spelling | Murray, Robin L. Verfasser aut That's all folks? ecocritical readings of American animated features Robin L. Murray and Joseph K. Heumann Lincoln [u.a.] Univ. of Nebraska Press 2011 IX, 283 S. Ill. txt rdacontent n rdamedia nc rdacarrier "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"-- Provided by publisher. -- "Examines animated films in the cultural and historical context of environmental movements"-- Provided by publisher. Includes bibliographical references and index Geschichte 1930-2011 gnd rswk-swf Environmentalism in motion pictures Animated films PERFORMING ARTS / Film & Video / History & Criticism bisacsh Zeichentrickfilm (DE-588)4190578-7 gnd rswk-swf Umwelt Motiv (DE-588)4121809-7 gnd rswk-swf Ökologische Bewegung (DE-588)4115439-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Zeichentrickfilm (DE-588)4190578-7 s Umwelt Motiv (DE-588)4121809-7 s Ökologische Bewegung (DE-588)4115439-3 s Geschichte 1930-2011 z DE-604 Heumann, Joseph K. Verfasser aut Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024582909&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024582909&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Murray, Robin L. Heumann, Joseph K. That's all folks? ecocritical readings of American animated features Environmentalism in motion pictures Animated films PERFORMING ARTS / Film & Video / History & Criticism bisacsh Zeichentrickfilm (DE-588)4190578-7 gnd Umwelt Motiv (DE-588)4121809-7 gnd Ökologische Bewegung (DE-588)4115439-3 gnd |
subject_GND | (DE-588)4190578-7 (DE-588)4121809-7 (DE-588)4115439-3 (DE-588)4078704-7 |
title | That's all folks? ecocritical readings of American animated features |
title_auth | That's all folks? ecocritical readings of American animated features |
title_exact_search | That's all folks? ecocritical readings of American animated features |
title_full | That's all folks? ecocritical readings of American animated features Robin L. Murray and Joseph K. Heumann |
title_fullStr | That's all folks? ecocritical readings of American animated features Robin L. Murray and Joseph K. Heumann |
title_full_unstemmed | That's all folks? ecocritical readings of American animated features Robin L. Murray and Joseph K. Heumann |
title_short | That's all folks? |
title_sort | that s all folks ecocritical readings of american animated features |
title_sub | ecocritical readings of American animated features |
topic | Environmentalism in motion pictures Animated films PERFORMING ARTS / Film & Video / History & Criticism bisacsh Zeichentrickfilm (DE-588)4190578-7 gnd Umwelt Motiv (DE-588)4121809-7 gnd Ökologische Bewegung (DE-588)4115439-3 gnd |
topic_facet | Environmentalism in motion pictures Animated films PERFORMING ARTS / Film & Video / History & Criticism Zeichentrickfilm Umwelt Motiv Ökologische Bewegung USA |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024582909&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024582909&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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