Sound foundations: a source of reference and a guide for aspiring composers ; [with CD]
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Vienna [u.a.]
Universal-Ed.
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 208 |
| Beschreibung: | 220 S. Ill., graph. Darst., zahlr. Notenbeisp. 24 cm CD (12 cm) |
| ISBN: | 9783702467319 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV039722564 | ||
| 003 | DE-604 | ||
| 005 | 20120124 | ||
| 007 | t | ||
| 008 | 111124s2009 adglf |||| 00||| eng d | ||
| 020 | |a 9783702467319 |c kart. : EUR 29,50 + Versandkosten |9 978-3-7024-6731-9 | ||
| 024 | 2 | |a 9790008080920 |9 979-0-008-08092-0 | |
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| 245 | 1 | 0 | |a Sound foundations |b a source of reference and a guide for aspiring composers ; [with CD] |c James Rae & Mike Cornick |
| 264 | 1 | |a Vienna [u.a.] |b Universal-Ed. |c 2009 | |
| 300 | |a 220 S. |b Ill., graph. Darst., zahlr. Notenbeisp. |c 24 cm |e CD (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturverz. S. 208 | ||
| 650 | 0 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |2 gnd |9 rswk-swf |
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| 700 | 1 | |a Cornick, Mike |d 1947- |e Verfasser |0 (DE-588)134846613 |4 aut | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024570624&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1804148601812680704 |
|---|---|
| adam_text | Introduction
.............
Acknowledgements
Preface
8
11
12
Section
1
Notation -the Basics
.......................................................................13
1.1
Introduction
.....................................................................................13
1.2
Duration
..........................................................................................13
1.3
The notation of pitch
.......................................................................15
1.4
A few tips
........................................................................................17
Section
2
Composition: Getting Started
.........................................................19
2.1
Introduction
.....................................................................................19
2.2
Placing your melody within a scale
..................................................20
2.3
The importance of rhythm in a melody
...........................................20
2.4
Melodic structure
.............................................................................21
2.5
Using sequence in a melody
............................................................22
2.6
Phrase and answer-call and response
............................................23
2.7
Improvisation
...................................................................................24
2.8
Making some important decisions
...................................................25
2.9
Where to look for help
2.10
Conclusion
.....................
26
...........27
Section
3
3.1
3.2
3.3
3.4
3.5
3.6
3.7
3.8
3.9
Understanding Pulse, Time Signatures and Rhythm
.......................28
Introduction
.....................................................................................28
Writing a rhythm and using software
..............................................29
To begin with the basics
-
notating
a regular pulse
........................29
Simple time signatures
.....................................................................30
The metronome
...............................................
Table of common simple time signatures
........
Dividing the beat in simple time
.....................
Compound time signatures
.............................
Table of common compound time signatures
.
32
33
33
36
39
Section
4
Understanding Key Signatures
........................................................40
4.1
Introduction
.....................................................................................40
4.2
Major keys
.......................................................................................41
4.3
Minor keys
.......................................................................................43
4.4
Choosing a key
................................................................................46
4.5
Some other scales
............................................................................48
4.6
The chromatic scale
.........................................................................48
4.7
Modes
..............................................................................................49
4.8
The whole-tone scale
.......................................................................51
4.9
The pentatonic scale
........................................................................52
4.10
The blues scale
.................................................................................53
4.11
The diminished or octatonic scale
....................................................54
Section
5
Understanding Harmony
56
5.1
Introduction
.....................................................................................56
5.2
Historical background
......................................................................56
5.3
The nuts and bolts of tonal harmony
.............................................58
5.4
Harmonising a melody
.....................................................................60
5.5
Chord inversions
..............................................................................63
5.6
Cadences
..........................................................................................64
Section
6
The Composer s Tool Kit
..................................................................68
6.1
Introduction
.....................................................................................68
6.2
The physical tool kit
.........................................................................68
6.3
The mental tool kit
..........................................................................71
6.4
Some ana
logies
................................................................................72
6.5
Some common musical forms
..........................................................73
6.6
Other approaches to form
...............................................................74
6.7
Development
...................................................................................77
6.8
Conclusion
.......................................................................................79
Section
7
Thinking Horizontally
......................................................................80
7.1
Introduction
.....................................................................................80
7.2
Towardsa horizontal approach
.......................................................81
7.3
A two-part invention
.......................................................................85
7.4
Descants and countermelodies
........................................................87
7.5
Counterpoint in jazz and jazzy styles
..............................................90
7.6
Conclusion
.......................................................................................95
Section
8
Instruments and their Characteristics
..............................................97
8.1
Introduction
.....................................................................................97
8.2
The woodwind family:
.....................................................................98
The recorder family
.............................................................99
The
f
lute family
.................................................................100
The oboe family
................................................................102
The clarinet family
.............................................................103
The bassoon family
............................................................105
The saxophone family
.......................................................106
8.3
The brass family:
............................................................................109
The trumpet
......................................................................110
The french horn
.................................................................111
The tenor trombone
..........................................................111
The bass trombone
............................................................112
The tuba
............................................................................112
8.4
The string family:
...........................................................................113
The violin
...........................................................................113
The viola
............................................................................114
The cello
............................................................................114
The double bass
.................................................................115
8.5
Plucked stringed instruments:
.......................................................115
The harp
............................................................................116
The acoustic guitar
............................................................116
The electric guitar
.............................................................117
The bass guitar
..................................................................117
8.6
The percussion family:
...................................................................118
Pitched percussion: The timpani I kettledrums
..........118
The xylophone
............................118
The glockenspiel
.........................119
The marimba
...............................119
The vibraphone
...........................120
Theceleste
..................................120
Tubularbells
...............................120
Steel pans
...................................121
Unpitched/pitched percussion: Metal
..........................................121
Wood
..........................................122
Skin
.............................................122
The drum kit
...............................122
8.7
Keyboard instruments:
...................................................................123
Acoustic: The acoustic piano
......................123
The harpsichord
124
The pipe organ
...........................124
The accordion
.............................124
Electric: The electric piano
125
The electronic keyboard
125
The synthesizer
...........................125
The electronic organ
...................125
8.8
The Scottish Highland bagpipes
....................................................126
|
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| bvnumber | BV039722564 |
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| id | DE-604.BV039722564 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:09:44Z |
| institution | BVB |
| isbn | 9783702467319 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024570624 |
| oclc_num | 767792159 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 220 S. Ill., graph. Darst., zahlr. Notenbeisp. 24 cm CD (12 cm) |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Universal-Ed. |
| record_format | marc |
| spelling | Rae, James 1957- Verfasser (DE-588)134625455 aut Sound foundations a source of reference and a guide for aspiring composers ; [with CD] James Rae & Mike Cornick Vienna [u.a.] Universal-Ed. 2009 220 S. Ill., graph. Darst., zahlr. Notenbeisp. 24 cm CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 208 Komposition Musik (DE-588)4133320-2 gnd rswk-swf Musiklehre (DE-588)4123808-4 gnd rswk-swf Musikinstrumentenkunde (DE-588)4170831-3 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musikinstrumentenkunde (DE-588)4170831-3 s Musiklehre (DE-588)4123808-4 s DE-604 Komposition Musik (DE-588)4133320-2 s Cornick, Mike 1947- Verfasser (DE-588)134846613 aut Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024570624&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rae, James 1957- Cornick, Mike 1947- Sound foundations a source of reference and a guide for aspiring composers ; [with CD] Komposition Musik (DE-588)4133320-2 gnd Musiklehre (DE-588)4123808-4 gnd Musikinstrumentenkunde (DE-588)4170831-3 gnd |
| subject_GND | (DE-588)4133320-2 (DE-588)4123808-4 (DE-588)4170831-3 (DE-588)4151278-9 |
| title | Sound foundations a source of reference and a guide for aspiring composers ; [with CD] |
| title_auth | Sound foundations a source of reference and a guide for aspiring composers ; [with CD] |
| title_exact_search | Sound foundations a source of reference and a guide for aspiring composers ; [with CD] |
| title_full | Sound foundations a source of reference and a guide for aspiring composers ; [with CD] James Rae & Mike Cornick |
| title_fullStr | Sound foundations a source of reference and a guide for aspiring composers ; [with CD] James Rae & Mike Cornick |
| title_full_unstemmed | Sound foundations a source of reference and a guide for aspiring composers ; [with CD] James Rae & Mike Cornick |
| title_short | Sound foundations |
| title_sort | sound foundations a source of reference and a guide for aspiring composers with cd |
| title_sub | a source of reference and a guide for aspiring composers ; [with CD] |
| topic | Komposition Musik (DE-588)4133320-2 gnd Musiklehre (DE-588)4123808-4 gnd Musikinstrumentenkunde (DE-588)4170831-3 gnd |
| topic_facet | Komposition Musik Musiklehre Musikinstrumentenkunde Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024570624&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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