Fictions of cognition: representing (un)consciousness and cognitive science in contemporary English and American fiction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Trier
WVT, Wiss. Verl. Trier
2011
|
| Schriftenreihe: | ELCH
49 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 250 S. |
| ISBN: | 9783868213362 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804148595642859520 |
|---|---|
| adam_text | Table of Contents
I. Introduction: Cognitive Science versus Narrative Fiction?
.....................1
1.
Aims and Outline of the Study
.....................................................................12
2.
State of Research
..........................................................................................16
II. Modelling the Relationship between Cognitive Science and
Fictions of Cognition
........................................................................................23
1.
Ways of Forming Knowledge in Fictions of Cognition
...............................24
1.1
Intertextual Relationships between Cognitive Science and
Fictions of Cognition: Propositional Knowledge
.........................................25
1.2
Forming Knowledge of Cognition between the Lines: Implicit Knowledge
.. 30
1.3
Constructing Knowledge of Cognition in the Act of Narrating:
Narrative Knowledge
...................................................................................35
2.
Modes for the Representation of (Unconsciousness and
Cognitive Science in Narrative Fiction
........................................................45
2.1
Representing (Unconsciousness and Cognitive Science through the
Narrative Structure: Basic Narrative Techniques, Mind-Style,
Narrative as Cognitive Instrument
...............................................................46
2.1.1
Basic Narrative Techniques for Representing Mental Processes
................47
2.1.2
Mind-Style as a Mode for Representing (Unconsciousness
......................62
2.1.3
Narrative as a Cognitive Instrument
............................................................66
2.2
Staging Consciousness and Cognitive Science:
Explicitly Mentioning Cognition
.................................................................71
2.3
Approaching Characters Cognitions through Their Behaviour
..................74
2.4
Representing (Unconsciousness and Cognitive Science in the
Discursive Macro-Structure
.........................................................................79
3.
Approaching Brain and Mind through Fiction:
A Distinctive-Feature-Matrix of Fictions of Cognition
...............................83
III. Cognition in Fiction-Fictional Cognition
.................................................87
1.
The Modernist Point of Departure
:
Three Examples of Stream of Consciousness Narration
..............................87
2.
Competing Perspectives on Consciousness: David Lodge s
Thinks...
(2001)
and Richard Powers Galatea
2.2 (1995)........................101
2.1
Understanding Consciousness from the Outside
-
David Lodge s ThinL·...
102
2.1.1
Discussing Basic Aspects of Consciousness Research
..............................104
2.1.2
The Fictionalisation of Thought Experiments:
Narrative as an Instrument of Knowledge Formation
................................109
2.1.3
An Account of Consciousness at once Subjective and Objective
...........
Ill
2.1.4
Different Representations of Consciousness: Two Ways of Introspection
.. 113
2.1.5
Two Perspectives on Cognition
-
Two Personal
Phénoménologies
..........118
2.2
Artificial
Intelligence
and Consciousness
-
Richard Powers Galatea
2.2 ..123
2.2.1
The Premises of the Experiment in Artificial Intelligence
........................124
2.2.2
Machine Intelligence versus Human Intelligence
......................................127
2.2.3
The Failure of the Experiment: Different Ways of Embodiment
..............137
2.2.4
The Novel as a Cognitive Artefact
.............................................................142
2.3
Comparative Conclusion
............................................................................147
3.
The Production of Cognitive Coherence: Mark
Haddon s
The Curious Incident of the Dog in the Night-Time
(2003)
and
Richard Powers The Echo Maker
(2006)..................................................148
3.1
Narrative as a Cognitive Instrument for Coping with Autistic Experience
-
Mark Haddon s The Curious Incident of the Dog in the Night-Time
........150
3.1.1
Autism Theories and Narrative Thinking
..................................................151
3.1.2
Christopher s Personal Phenomenology
....................................................156
3.1.3
Reacting to Events: Narrative versus Scripts
.............................................164
3.1.4
The Social Dimension of Storytelling: A Prerequisite for
Cognitive Coherence
..................................................................................167
3.2
The Evolution of Cognitive Coherence
-
Richard Powers The Echo Maker
.............................................................171
3.2.1
Capgras Syndrome Introduced
...................................................................173
3.2.2
Cognitive Coherence as Narrative Coherence:
Conspiracy Theories and Social Storytelling
.............................................175
3.2.3
Cognitive Coherence as a Result of Evolution
..........................................182
3.2.4
Constructivism and the System of the Brain
..............................................187
3.3
Comparative Conclusion
............................................................................191
4.
Cognition and the Body: Ian McEwan s Saturday
(2005)
and
Mark Haddon
s
A Spot of Bother
(2006) ...................................................192
4.1
Cognition and Its Embedding in the Environment through the Body
-
Ian McEwan s Saturday
.............................................................................194
4.1.1
Narrative Transmission and the Reality Continuum
..................................195
4.1.2
The Body in the Reality Continuum
..........................................................199
4.1.3
Drawing Boundaries as a Basis of Cognition
............................................205
4.1.4
Imbalance of Connectivity as a Threat to Cognitive Boundaries
..............208
4.2
Portrait of a Mind Suffering from Dementia
-
Mark Haddon s A Spot of Bother
...............................................................212
4.2.1
The Narrative Representation of George s Delusional Fits
.......................214
4.2.2
Representing Dementia in Narrative Fiction
.............................................217
4.2.3
Understanding Dementia from an Inside Perspective
................................222
4.3
Comparative Conclusion
............................................................................225
IV. Conclusion: Cognitive Science in Narrative Fiction
..............................227
V. References
........................................................................................................237
1.
Primary Literature
..........................................................................................237
2.
Secondary Literature
......................................................................................237
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| spelling | Freißmann, Stephan Verfasser aut Fictions of cognition representing (un)consciousness and cognitive science in contemporary English and American fiction Stephan Freißmann Trier WVT, Wiss. Verl. Trier 2011 250 S. txt rdacontent n rdamedia nc rdacarrier ELCH 49 Zugl.: Gießen, Univ., Diss., 2009 Geschichte 1995-2006 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Wahrnehmung Motiv (DE-588)4259404-2 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Bewusstsein Motiv (DE-588)4145190-9 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Erzähltechnik (DE-588)4124854-5 s Wahrnehmung Motiv (DE-588)4259404-2 s Bewusstsein Motiv (DE-588)4145190-9 s Geschichte 1995-2006 z DE-604 ELCH 49 (DE-604)BV013959706 49 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024566254&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Freißmann, Stephan Fictions of cognition representing (un)consciousness and cognitive science in contemporary English and American fiction ELCH Englisch (DE-588)4014777-0 gnd Wahrnehmung Motiv (DE-588)4259404-2 gnd Roman (DE-588)4050479-7 gnd Bewusstsein Motiv (DE-588)4145190-9 gnd Erzähltechnik (DE-588)4124854-5 gnd |
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| title | Fictions of cognition representing (un)consciousness and cognitive science in contemporary English and American fiction |
| title_auth | Fictions of cognition representing (un)consciousness and cognitive science in contemporary English and American fiction |
| title_exact_search | Fictions of cognition representing (un)consciousness and cognitive science in contemporary English and American fiction |
| title_full | Fictions of cognition representing (un)consciousness and cognitive science in contemporary English and American fiction Stephan Freißmann |
| title_fullStr | Fictions of cognition representing (un)consciousness and cognitive science in contemporary English and American fiction Stephan Freißmann |
| title_full_unstemmed | Fictions of cognition representing (un)consciousness and cognitive science in contemporary English and American fiction Stephan Freißmann |
| title_short | Fictions of cognition |
| title_sort | fictions of cognition representing un consciousness and cognitive science in contemporary english and american fiction |
| title_sub | representing (un)consciousness and cognitive science in contemporary English and American fiction |
| topic | Englisch (DE-588)4014777-0 gnd Wahrnehmung Motiv (DE-588)4259404-2 gnd Roman (DE-588)4050479-7 gnd Bewusstsein Motiv (DE-588)4145190-9 gnd Erzähltechnik (DE-588)4124854-5 gnd |
| topic_facet | Englisch Wahrnehmung Motiv Roman Bewusstsein Motiv Erzähltechnik Hochschulschrift |
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