The Freischütz phenomenon: opera as cultural mirror
Der Freischütz, a German opera composed by Carl Maria von Weber, premiered to great acclaim in 1821. It eventually became a "national treasure" in its homeland as well as an enduring fixture in the international repertory. Wilhelm Furtwängler, a renowned conductor of the twentieth century,...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Bloomington, Ind.]
Xlibris
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Der Freischütz, a German opera composed by Carl Maria von Weber, premiered to great acclaim in 1821. It eventually became a "national treasure" in its homeland as well as an enduring fixture in the international repertory. Wilhelm Furtwängler, a renowned conductor of the twentieth century, proclaimed it to be an utterly unique opera and one of the greatest masterworks of world literature. The story is deeply rooted in German folklore. It involves rustic life in the forest, threatening supernatural machinations, strong communal bonds, and the triumph of love and simple faith over dark power. Der Freischütz is not a typical opera. There are two reasons for considering it to be a singular cultural phenomenon: (1) an extraordinary charisma in the Germanic sphere, and (2) a fateful vulnerability to alteration and exploitation in its long performance history, which undermined the opera's integrity while refl ecting a wide range of ideas and attitudes in Western culture. The ultimate goal of this book is to restore the integrity of the original Freischütz and its depth of reference as well. (Klappentext) |
| Beschreibung: | Includes bibliographical references (p. 197-203) and index |
| Beschreibung: | 208 S. Notenbeisp. |
| ISBN: | 9781462867882 9781462867899 |
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| 500 | |a Includes bibliographical references (p. 197-203) and index | ||
| 520 | |a Der Freischütz, a German opera composed by Carl Maria von Weber, premiered to great acclaim in 1821. It eventually became a "national treasure" in its homeland as well as an enduring fixture in the international repertory. Wilhelm Furtwängler, a renowned conductor of the twentieth century, proclaimed it to be an utterly unique opera and one of the greatest masterworks of world literature. The story is deeply rooted in German folklore. It involves rustic life in the forest, threatening supernatural machinations, strong communal bonds, and the triumph of love and simple faith over dark power. Der Freischütz is not a typical opera. There are two reasons for considering it to be a singular cultural phenomenon: (1) an extraordinary charisma in the Germanic sphere, and (2) a fateful vulnerability to alteration and exploitation in its long performance history, which undermined the opera's integrity while refl ecting a wide range of ideas and attitudes in Western culture. The ultimate goal of this book is to restore the integrity of the original Freischütz and its depth of reference as well. (Klappentext) | ||
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Datensatz im Suchindex
| _version_ | 1804148593335992320 |
|---|---|
| adam_text | Contents
Preface
...........................................................................................................................9
Introduction
................................................................................................................1 ]
Chapter One
Der Freischütz:
Phenomenal but Problematic
..............................
ІЗ
Chapter Two Weber s Path to
Der Freischütz......................................................22
Chapter Three
Friedrich
Kind s Path to the Libretto
.............................................46
Chapter Four The Holistic
Freischütz: An
Opera
Sui
Generis
............................59
Chapter Five The Phenomenal Rise of
Der Freischütz in
Its Homeland
...........84
Chapter Six
Der Freischütz in
Paris and London: Innocence Abroad
and Death in London
....................................................................103
Chapter Seven
Der Freischütz
As German National Treasure
.............................123
Chapter Eight Decline and Ideological Subjugation of
Der Freischütz.............147
Chapter Nine
Der Freischütz
Adrift: Innocence in a Disenchanted World
......165
Chapter Ten Restoration and Renewal:
A
Freischütz
for Posterity
..................184
Bibliography
..............................................................................................................197
Index
..........................................................................................................................205
|
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| spelling | Henderson, Donald G. Verfasser aut The Freischütz phenomenon opera as cultural mirror Donald G. Henderson [Bloomington, Ind.] Xlibris 2011 208 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 197-203) and index Der Freischütz, a German opera composed by Carl Maria von Weber, premiered to great acclaim in 1821. It eventually became a "national treasure" in its homeland as well as an enduring fixture in the international repertory. Wilhelm Furtwängler, a renowned conductor of the twentieth century, proclaimed it to be an utterly unique opera and one of the greatest masterworks of world literature. The story is deeply rooted in German folklore. It involves rustic life in the forest, threatening supernatural machinations, strong communal bonds, and the triumph of love and simple faith over dark power. Der Freischütz is not a typical opera. There are two reasons for considering it to be a singular cultural phenomenon: (1) an extraordinary charisma in the Germanic sphere, and (2) a fateful vulnerability to alteration and exploitation in its long performance history, which undermined the opera's integrity while refl ecting a wide range of ideas and attitudes in Western culture. The ultimate goal of this book is to restore the integrity of the original Freischütz and its depth of reference as well. (Klappentext) Weber, Carl Maria von 1786-1826 Freischütz Weber, Carl Maria von 1786-1826 Der Freischütz (DE-588)30017148X gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Weber, Carl Maria von 1786-1826 Der Freischütz (DE-588)30017148X u DE-604 Rezeption (DE-588)4049716-1 s Erscheint auch als Online-Ausgabe 978-1-462-86790-5 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024564620&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Henderson, Donald G. The Freischütz phenomenon opera as cultural mirror Weber, Carl Maria von 1786-1826 Freischütz Weber, Carl Maria von 1786-1826 Der Freischütz (DE-588)30017148X gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)30017148X (DE-588)4049716-1 |
| title | The Freischütz phenomenon opera as cultural mirror |
| title_auth | The Freischütz phenomenon opera as cultural mirror |
| title_exact_search | The Freischütz phenomenon opera as cultural mirror |
| title_full | The Freischütz phenomenon opera as cultural mirror Donald G. Henderson |
| title_fullStr | The Freischütz phenomenon opera as cultural mirror Donald G. Henderson |
| title_full_unstemmed | The Freischütz phenomenon opera as cultural mirror Donald G. Henderson |
| title_short | The Freischütz phenomenon |
| title_sort | the freischutz phenomenon opera as cultural mirror |
| title_sub | opera as cultural mirror |
| topic | Weber, Carl Maria von 1786-1826 Freischütz Weber, Carl Maria von 1786-1826 Der Freischütz (DE-588)30017148X gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Weber, Carl Maria von 1786-1826 Freischütz Weber, Carl Maria von 1786-1826 Der Freischütz Rezeption |
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