Victim:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Houndmills
Palgrave Macmillan
2011
|
| Schriftenreihe: | BFI Film Classics
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 115 S. zahlr. Ill. |
| ISBN: | 9781844574278 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgments 6 Introduction 7 1 The Backstory 11 2 The Story 22 3 Action 39 4 Reaction 85 5 Reverberation 103 Notes 109 Credits 113 Select Bibliography 115
Vletím Victim (1961) was a landmark in the history both of the cinema and of British society. TÜs modest Ыаск-and-white thriller, produced by Michael Relph and directed by Basil Dearden, tackled explicitly the existing law governing homosexual offences, and in doing so eased the path towards partial décriminalisation in 1967. It was also a key moment in the life of its star, Dirk Bogarde, who, despite the risk to his box-office appeal, seized upon the role of a compromised barrister. In doing so, he shed the mantle of matinée idol and soon afterwards embarked on a more fulfilling career in the intellectual cinema. John Coldstream’s intimate study of Victim examines in detail the background to the production, focusing especially on the relationship between the film makers, the screenwriters and the censor, John Trevelyan, whose participation at the script stage was crucial to its development. Half a century after its original release, one looks in vain to find Victim in the spasmodic surveys dedicated to identifying the greatest films of all time. However, as Coldstream argues, its recognition as a classic is more than justified by the vital contribution it made to gay cultural history and by its status as ‘a movie that mattered’. JOHN COLDSTREAM is a freelance writer and former Literary Editor of The Daily Telegraph. He is the author of Dirk Bogarde: The Authorised Biography (2004) and the editor of Euer, Dirk:.,The Bogarde Letters (2008). He also collaborated with Dirk Bogarde on a collection of the latter’s journalism, For the Time Being (1998).
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