Verfügbarkeit: Experience music

Experience music:

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Bibliographische Detailangaben
1. Verfasser:	Charlton, Katherine (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Boston, Mass. [u.a.] McGraw-Hill 2012
Ausgabe:	3. ed.
Schlagworte:	Geschichte Music appreciation > Textbooks Musiklehre Musikinstrument Musik Einführung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references and index
Beschreibung:	XXXI, 402 S. Ill. 3 CDs (12 cm)
ISBN:	9780078025136

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Datensatz im Suchindex

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adam_text	Brief Contents ——-—- List of Boxes xxi Preface xxiii Prelude: The Fundamentals of Music 2 1 Elements of Music: Sound, Rhythm, Melody, and Harmony 4 2 Elements that Structure Music: Key, Texture, and Form 12 3 Musical Instruments and Ensembles 17 Prelude: The Culture of Medieval Europe 28 4 Medieval Music 31 Prelude: The Renaissance: The Rebirth of Humanism 46 5 Renaissance Music 49 Prelude: The Triumph of Baroque Style 62 6 Baroque Opera 65 7 Cantata 74 8 Oratorio 81 9 Baroque Solo and Chamber Music 90 10 The Baroque Orchestra 99 Prelude: The Classical Era: Reason and Revolution 110 11 The Classical Symphony 114 12 The Classical Concerto 126 13 Classical Chamber Music 132 14 Classical Vocal Music 140 15 The Music of Beethoven 149 Prelude: Music of the Romantic Era 162 16 Romantic Songs 166 17 Romantic Piano Music 176 18 Romantic Program Music 182 19 Nationalism in the Romantic Era 189 20 The Concert Overture 194 21 The Romantic Concerto 201 22 Romantic Choral Music 207 23 The Late Romantic Symphonies 212 24 Romantic Opera in France and Italy 221 25 Romantic German Opera 233 vii Prelude: The Early Twentieth Century 242 26 Impressionism and Symbolism 247 27 Primitivism and Neoclassicism 253 28 Eastern European Nationalism 261 29 Germanic Expressionism and the Development of Serialism 266 Prelude: American Innovations in the Arts 274 30 American Music Before World War II 279 31; Early Jazz Styles 288 32 Developments in Jazz in the Late Twentieth Century 300 33 American Classical Music Influenced by Early Jazz 307 34 Twentieth-Century American Classical Styles 314 35 Musical Theater 323 36 Film Music 331 Note: The chapter on Rock Music is available for free download at www.mhhe/charltonexperienceSe. Prelude: New Ideas and Styles from Twentieth-Century Internationalism 340 37 World Musics 343 38 Post-World War II Innovations 353 39 Minimalism 365 Glossary 375 Credits 382 Performance Information for the 3-CD Set (Volume I) 384 Index 386 viii .Contents. List of Boxes xxi Preface xxiii Prelude: The Fundamentals of Music 1 Elements of Music: Sound, Rhythm, Melody, and Harmony 4 Sound 4 Rhythm 6 Melody б Harmony 9 2 Elements that Structure Music: Key, Texture, and Form 12 Key 12 Texture 13 Form 15 3 Musical Instruments and Ensembles 17 Voices and Vocal Ensembles 17 Stringed Instruments 18 Plucked Stringed Instruments 18 Bowed Stringed Instruments 19 Woodwinds 20 Brasses 21 Percussion Instruments 21 Definite Pitch 22 Indefinite Pitch 22 Keyboard Instruments 23 Electronic Instruments 24 Instruments in Non-Western Cultures 25 Instrumental Ensembles 25 Chamber Ensembles 25 The Orchestra 25 The Wind Ensemble 26 The Conductor 26 Prelude: The Culture of Medieval Europe 28 Medieval Music 31 Medieval Sacred Music 31 Gregorian Chant 32 Listening Guide: Dies ¡rae ( Day of Wrath ), beginning section, by Anonymous 33 Hildegard of Bingen 33 Listening Guide: O pastor animarum ( Shepherd of Souls ), by Hildegard of Bingen 34 MUSICURIOUS Medieval Nuns Daily Lives 35 The Mass 36 Polyphony and Measured Rhythm 36 Featured Listening: Viderunt omnes ( Al! Have Seen ), beginning section, by Léonin 37 Guillaume de Machaut 38 Listening Guide: Agnus Dei ( Lamb of God ) from Messe de Nostre Dame (Mass of Our Lady), by Guillaume de Machaut 38 Medieval Secular Music 39 HEARING THE DIFFERENCE Dies irne and Machaut s Agnus Dei 39 Improvised Accompaniment to Monophonie Songs 40 Listening Guide: Tant m abelis ( So Much I Love ), by Berenguier de Palou 40 The Motet 43 Characteristics of Medieval Music 45 Prelude: The Renaissance: The Rebirth of Humanism 46 Renaissance Music 49 Renaissance Sacred Music 49 Josquin des Prez 50 Featured Listening: Ave Maria ( Hail, Mary ), by Josquin des Prez Giovanni Pierluigi da Palestrina 52 Listening Guide: Kyrie ( Lord ) from Missa Papae Marcelii (Pope Marcellus Mass), by Giovanni Pierluigi da Palestrina 53 Renaissance Secular Music 53 HEARING THE DIFFERENCE Josquin s Ave Maria and Palestrina s Kyrie 54 The Madrigal in Italy 54 MUSICURIOUS Home Entertainment During the Renaissance 55 The Madrigal in England 55 Listening Guide: Fair Phyllis, by John Farmer 56 51 The Chanson ¡η France 56 The Lied in Germany 56 Lute Songs 57 Listening Guide: Flow My Tears, by John Dowland 57 Renaissance Instrumental Music 58 Listening Guide: Three Dances from Terpsichore, by Michael Praetorius 59 Characteristics of Renaissance Music 61 Prelude: The Triumph of Baroque Style 62 Baroque Opera 65 The Birth of Opera 65 Baroque Vocal Styles 67 Claudio Monteverdi 67 MUSICURIOUS How Opera Makes Singers into International Stars 68 Listening Guide: Tu se morta ( You Are Dead ) from Act Two of Orfeo, by Claudio Monteverdi 69 Opera Outside of Italy 70 Featured Listening: Thy Hand, Belinda and When I Am Laid in Earth from Act Three of Dido and Aeneas, by Henry Purceii 71 HEARING THE DIFFERENCE Dowland s Flow My Tears and Purcell s When I Am Laid in Earth 72 Cantata 74 The Secular Cantata 74 The Chorale 75 The Sacred Cantata 76 Listening Guide: Wachet auf ( Sleepers Awake ), Cantata no. 140, fourth movement, by Johann Sebastian Bach 76 Featured Listening: Wachet auf ( Sleepers Awake ), Cantata no. 140, seventh movement, by Johann Sebastian Bach 77 Johann Sebastian Bach 78 8 Oratorio 81 Oratorio 81 MUSICURIOUS Oratorio or Opera? Know the Difference 82 George Frideric Handel 82 Mess/ah 84 Listening Guide: Comfort Ye from Mess/ah, by George Frideric Handel 85 Featured Listening: Ev ry Vailey from Messiah, by George Frideric Handel 85 Listening Guide: Hallelujah from Messiah, by George Frideric Handel 86 xi The Passion 87 HEARING THE DIFFERENCE Bach s Wachet auf, Cantata no. 140, seventh movement, and Handel s Hallelujah Chorus 88 9 Baroque Solo and Chamber Music 90 Keyboard Music 90 Fugue 91 Featured Listening: The Little Fugue in G Minor, by Johann Sebastian Bach 92 Suite 93 MUSICURIOUS The King of Instruments 94 Listening Guide: Bourrée I from Cello Suite no. 3 in С Major, BWV 1009, by Johann Sebastian Bach 95 Baroque Sonata 95 Elisabeth-Claude Jacquet de la Guerre 96 Listening Guide: Aria ( Air ), sixth movement, from Sonata in D Minor for Violin and Basso Continuo, by Elisabeth-Claude Jacquet de ia Guerre 96 10 The Baroque Orchestra 99 The Orchestra 99 Listening Guide: Minuet from Water Musk, by George Frideric Handel 100 MUSICURIOUS How Baroque Performers Decorate Music 101 Concerto Grosso 101 Listening Guide: Brandenburg Concerto no. 5, first movement, by Johann Sebastian Bach 102 Solo Concerto 103 Antonio Vivaldi 103 Featured Listening: La Primavera ( Spring ), first movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi 104 Listening Guide: La Primavera ( Spring ), second movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi 105 MUSICURIOUS Attending а Concert 106 Listening Guide: La Primavera ( Spring ), third movement, from Le Quattro Stagione (The Four Seasons), by Antonio Vivaldi 107 Characteristics of Baroque Music 109 Prelude: The Classical Era: Reason and Revolution 110 xii 11 The Classical Symphony 114 The Form of Classical Multimovement Works 115 Single-Movement Sonata Form 116 Theme and Variations Form 117 Minuet and Trio Form 117 The Classical Orchestra 117 MUSICURIOUS Why Composers Write Boring Slow Movements 118 MUSICURIOUS What Does the Conductor Do? 119 Wolfgang Amadeus Mozart 120 Listening Guide: Symphony no. 40 in G Minor, first movement, by Wolfgang Amadeus Mozart 121 Featured Listening: Surprise, Symphony no. 94 in G Major, second movement, by Franz Joseph Haydn 122 Listening Guide: Symphony no. 40 in G Minor, third movement, by Wolfgang Amadeus Mozart 123 HEARING THE DIFFERENCE Vivaldi s La Primavera, first movement, and Mozart s Symphony no. 40 in G Minor, first movement 124 12 The Classical Concerto 126 Concerto Soloists 127 Double-Exposition Sonata Form 128 Featured Listening: Piano Concerto no. 23 in A Major, first movement, K. 488, by Wolfgang Amadeus Mozart 128 HEARING THE DIFFERENCE Bach s Brandenburg Concerto no. 5, first movement, and Mozart s Piano Concerto no. 23, first movement 130 13 Classical Chamber Music 132 Chamber Sonatas 132 Franz Joseph Haydn 133 MUSICURIOUS Chamber Music Concerts 134 Featured Listening: String Quartet op. 33, no. 3 ( The Bird ), fourth movement, by Franz Joseph Haydn 136 Rondo Form 137 A Sonata for Flute and Guitar 137 Listening Guide: Grande Sonata no. 85 for flute and guitar, third movement, Scherzo, by Mauro Giuliani 138 14 Classical Vocal Music 140 Haydn s Vocal Music 140 Classical Opera 141 The Marriage of Figaro 142 MUSICURIOUS Classical and Romantic Opera (The Castrato Bows Out) 143 The Characters 144 The Plot 144 Listening Guide: Non so più cosa son ( I Don t Know What I Am Anymore ) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart 145 xiii Featured Listening: Non più andrai ( No More Wil! You ) from Le Nozze di Figaro (The Marriage of Figaro), by Wolfgang Amadeus Mozart 146 15 The Music of Beethoven 149 Ludwig van Beethoven 149 Featured Listening: Symphony no. 5 in С Minor, first movement, by Ludwig van Beethoven 152 Listening Guide: Symphony no. 5 in С Minor, second movement, by Ludwig van Beethoven 154 Listening Guide: Symphony no. 5 ¡n C Minor, third movement, by Ludwig van Beethoven 155 Listening Guide: Symphony no. 5 in С Minor, fourth movement, by Ludwig van Beethoven 156 The Classical Piano 157 HEARING THE DIFFERENCE Haydn s Symphony no. 94, second movement, and Beethoven s Symphony no. 5, second movement 157 Listening Guide: Moonlight, Piano Sonata no. 14 in С -Sharp Minor, op. 27, no. 2, first movement, by Ludwig van Beethoven 159 Characteristics of Classical Music 161 Prelude: Music of the Romantic Era 162 16 Romantic Songs 166 The Salon 166 Art Song 167 MUSICURIOUS How Does a Composer Write a Piece of Music? 168 Franz Schubert 169 Featured Listening: Erlkönig ( King of the Elves ), by Franz Schubert 170 Robert and Clara Schumann 172 Listening Guide: Im wunderschönen Monat Mai ( In the Wonderfully Lovely Month of May ) from DichterJ/ebe (A Poet s Love), by Robert Schumann 173 Listening Guide: Leibst du um Schönheit ( If You Love for Beauty s Sake ), by Clara Wieck Schumann 173 17 Romantic Piano Music 176 Frédéric Chopin and Franz Liszt 177 Featured Listening: Nocturne, op, 9, no. 2, by Frederic Chopin 178 Listening Guide: Transcendental Étude no. 10 in F Minor, by Franz Liszt 179 XIV 18 Romantic Program Music 182 MUSICURIOUS Does the Listener Need to Know the Program in Program Music? 183 Hector Berlioz 184 Symphonie fantastique 184 Featured Listening: Symphonie fantastique, fifth movement, Dream of a Witches Sabbath, by Hector Berlioz 186 HEARING THE DIFFERENCE Beethoven s Symphony no. 5, first movement, and Berlioz s Symphonie fantastique, fifth movement 187 Other Program Music 187 19 Nationalism in the Romantic Era 189 Bedřich Smetana 190 Featured Listening: The Moldau, by Bedřich Smetana 191 20 The Concert Overture 194 Peter I lyich Tchaikovsky 195 Romeo and Juliet Overture 196 MUSICURIOUS Romeo and Juliet: The Alternate Endings 197 Featured Listening: Romeo and Juliet Overture, by Peter llyich Tchaikovsky 197 21 The Romantic Concerto 201 Felix Mendelssohn and Fanny Mendelssohn Hensel 202 Mendelssohn s Concerto 203 Featured Listening: Violin Concerto in E Minor, op. 64, first movement, by Felix Mendelssohn 204 HEARING THE DIFFERENCE Vivaldi s La Primavera, first movement, and Mendelssohn s Violin Concerto, first movement 205 22 Romantic Choral Music 207 Johannes Brahms 208 Brahms s Requiem 209 Featured Listening: Ein Deutsches Requiem (A German Requiem), op. 45, fourth movement, How Lovely Is Thy Dwelling Place, by Johannes Brahms 209 23 The Late Romantic Symphonies 212 The Romantic Symphony 213 Listening Guide: Symphony no. 4 in E Minor, fourth movement, by Johannes Brahms 213 г Antonín Dvořák 215 Featured Listening: From the New World, Symphony no. 9 in E Minor, fourth movement, by Antonín Dvořák 216 Other Late Romantics 217 Listening Guide: Symphony no. 1 in D Major, third movement, by Gustav Mahler 218 24 Romantic Opera in France and Italy 221 French Opera 221 Italian Opera 222 Giuseppe Verdi 223 MUSICURIOUS Attending an Opera 224 Featured Listening: O terra, addio ( Oh Earth, Goodbye ) from Aida, by Giuseppe Verdi 226 Giacomo Puccini 227 Listening Guide: Sì, mi chiamano Mimi ( Yes, They Call Me Mimi ) from La Bohème, by Giacomo Puccini 230 HEARING THE DIFFERENCE Mozart s Non più andrai and Puccini s Si, mi chiamano Mimi 231 25 Romantic German Opera 233 Richard Wagner 234 MUSICURIOUS Opera Productions 235 Featured Listening: Grane, mein Ross! ( Grane, My Horse! ) and finale to Die Götterdämmerung (The Twilight of the Gods) from Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner 238 Characteristics of Romantic Music 241 Prelude: The Early Twentieth Century 242 26 Impressionism and Symbolism 247 Claude Debussy 248 Featured Listening: Prelude à L après-midi d un faune (Prelude to The Afternoon of a Faun), by Claude Debussy 249 Maurice Ravel 250 HEARING THE DIFFERENCE Smetana s The Moldau and Debussy s Prelude à L après-midi d un faune 251 xvi 27 Primitivism and Neoclassicism 253 Primitivism 253 Igor Stravinsky 254 MUSICURIOUS Music for Ballet 256 Featured Listening: Le Sacre du printemps (The Rite of Spring), Introduction, Auguries of Spring — Dances of the Young Girls, and The Ritual of Abduction, by Igor Stravinsky 257 Neoclassicism 258 Listening Guide: Concerto in Е -Flat Major, the Dumbarton Oaks Concerto, first movement, by Igor Stravinsky 259 28 Eastern European Nationalism 261 Béla Bartók 262 Featured Listening: Concerto for Orchestra, fourth movement, Interrupted Intermezzo, by Béla Bartók 263 29 Germanic Expressionism and the Development of Serialism 266 MUSICURIOUS How Can Art Be Great If It Is Ugly? 267 Arnold Schoenberg 267 Featured Listening: Der Mondfleck ( Moonfleck ), no. 18, from Pierrot Lunaire (Moonstruck Pierrot), by Arnold Schoenberg 268 Other Serial Composers 270 Listening Guide: Five Pieces for Orchestra, op. 10, third movement, by Anton Webern 271 Characteristics of Twentieth-Century Music (to World War II) 273 Prelude: American Innovations in the Arts 274 30 American Music Before World War II 279 The Seventeenth Century 279 The Eighteenth Century 280 Featured Listening: When Jesus Wept, by William Billings 281 The Nineteenth Century 281 Listening Guide: Jeanie with the Light Brown Hair, by Stephen Foster 282 After the Civil War 283 Listening Guide: Ah, Love, but a Day, by Amy Beach 284 Canadian Music 286 xvii 31 Early Jazz Styles 288 Origins of Jazz 288 Listening Guide: Village Celebration, by Mende Tribe of Sierra Leone 290 Ragtime 290 Listening Guide: Maple Leaf Rag, by Scott Joplin 291 The Blues 291 MUSICURIOUS Improvisation 292 Featured Listening: Lost Your Head Blues, by Bessie Smith 293 Jazz Styles 294 HEARING THE DIFFERENCE Foster s Jeanie with the Light Brown Hair and Smith s Lost Your Head Blues 295 Listening Guide: It Don t Mean a Thing (If It Ain t Got That Swing), by Duke Ellington 297 32 Developments in Jazz in the Late Twentieth-Century 300 Bebop 300 Featured Listening: Ko Ko, by Charlie Parker 301 Cool Jazz 302 MUSICURIOUS Attending a Jazz Concert 303 New Styles in the 1960s 304 Fusion 304 Listening Guide: Miles Runs the Voodoo Down (beginning), by Miles Davis 304 HEARING THE DIFFERENCE Parker s Ko Ko and Davis s Miles Runs the Voodoo Down 305 33 American Classical Music Influenced by Early Jazz 307 George Gershwin 308 Listening Guide: Rhapsody in Blue, by George Gershwin 309 William Grant Still 310 Featured Listening: Afro-American Symphony, first movement, by William Grant Still 311 34 Twentieth-Century American Classical Styles 314 Charles Ives 314 Listening Guide: The Unanswered Question, by Charles Ives 316 Aaron Copland 317 Featured Listening: Fanfare for the Common Man, by Aaron Copland 318 xviii Ellen Taaf fe Zwilich 319 Listening Guide: Symphony no. 1, first movement, by Ellen Taaff e Zwilich 319 HEARING THE DIFFERENCE Mozart s Symphony no. 40, first movement, and Zwilich s Symphony no. 1, first movement 321 35 Musical Theater 323 Broadway Musicals 323 Leonard Bernstein 324 Featured Listening: America from West Side Story, by Leonard Bernstein 325 Later Musicals 327 MUSICURIOUS Musicals and Operas: Similar, but Different 328 36 Film Music 331 The Earliest Film Music 331 Early Sound Films 332 Later Film Scoring Practices 334 Featured Listening: Main Theme from Star Wars, by John Williams 335 Trends in Movie Music 336 Characteristics of Music in America 339 Note: The chapter on Rock Music is available for free download at www.mhhe.com/charltonexperienceSe. Prelude: New Ideas and Styles from Twentieth-Century Internationalism 340 37 World Musics 343 Musical Elements in Non-Western Musics 344 Pitch and Scale Systems 344 Harmony 344 Rhythm 344 Instruments 344 Music from Indonesia 345 Featured Listening: Srepegan (slendro nim}, by Wayang kulit and dance repertoire 345 Music from China 346 Listening Guide: Moonlight on the Ching Yang River, by Yo Su-Nan 347 xix Music from India 348 Listening Guide: Folk Melody Based on Raga Des, by Baluji Shrivastav 349 Music from Africa 349 Ewe Drum Ensembles 350 Listening Guide: Gadzo ( Kayiboe, the Child Is Not Matured ), by Ewe of Ghana 351 38 Post-World War II Innovations 353 Henry Cowell 353 Featured Listening: The Banshee, by Henry Cowell 354 John Cage 355 Listening Guide: Sonata V from Sonatas and Interludes for Prepared Piano, by John Cage 356 HEARING THE DIFFERENCE Wayang kulit gamelan ensemble s Srepegan (slendro nim) and Cage s Sonata V 358 Electronic Music 358 Edgard Várese 359 Listening Guide: Poème électronique ( Electronic Poem ), by Edgard Várese 360 Terry Riley 361 Listening Guide: in C, by Terry Riley 361 MUSICURIOUS Performing an Aleatorie Work 362 39 Minimalism 365 Philip Glass 366 Featured Listening: Company, second movement, by Philip Glass 367 HEARING THE DIFFERENCE Haydn s String Quartet, fourth movement, and Glass s Company, second movement 368 Steve Reich 369 Listening Guide: Electric Counterpoint, third movement, by Steve Reich 369 John Adams 370 Listening Guide: Short Ride in a Fast Machine, by John Adams 371 Characteristics of Non-Western-lnfluenced Music 373 Glossary 375 Credits 382 Performance Information for the 3-CD Set (Volume i) 384 Index 386
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genre_facet	Einführung
id	DE-604.BV039669721
illustrated	Illustrated
indexdate	2024-07-10T00:08:42Z
institution	BVB
isbn	9780078025136
language	English
lccn	2011564818
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-024518900
oclc_num	760155575
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	XXXI, 402 S. Ill. 3 CDs (12 cm)
publishDate	2012
publishDateSearch	2012
publishDateSort	2012
publisher	McGraw-Hill
record_format	marc
spelling	Charlton, Katherine Verfasser aut Experience music Katherine Charlton 3. ed. Boston, Mass. [u.a.] McGraw-Hill 2012 XXXI, 402 S. Ill. 3 CDs (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Music appreciation Textbooks Musiklehre (DE-588)4123808-4 gnd rswk-swf Musikinstrument (DE-588)4040851-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musiklehre (DE-588)4123808-4 s DE-604 Musikinstrument (DE-588)4040851-6 s Musik (DE-588)4040802-4 s Geschichte z Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024518900&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Charlton, Katherine Experience music Music appreciation Textbooks Musiklehre (DE-588)4123808-4 gnd Musikinstrument (DE-588)4040851-6 gnd Musik (DE-588)4040802-4 gnd
subject_GND	(DE-588)4123808-4 (DE-588)4040851-6 (DE-588)4040802-4 (DE-588)4151278-9
title	Experience music
title_auth	Experience music
title_exact_search	Experience music
title_full	Experience music Katherine Charlton
title_fullStr	Experience music Katherine Charlton
title_full_unstemmed	Experience music Katherine Charlton
title_short	Experience music
title_sort	experience music
topic	Music appreciation Textbooks Musiklehre (DE-588)4123808-4 gnd Musikinstrument (DE-588)4040851-6 gnd Musik (DE-588)4040802-4 gnd
topic_facet	Music appreciation Textbooks Musiklehre Musikinstrument Musik Einführung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024518900&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT charltonkatherine experiencemusic

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