Musical theatre, realism and entertainment:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham ; Burlington, Vt.
Ashgate Publ.
2012
|
| Schriftenreihe: | Ashgate interdisciplinary studies in opera
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 173 - 185 |
| Beschreibung: | VIII, 194 S. 24 cm |
| ISBN: | 0754666700 9780754666707 |
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| 648 | 7 | |a Geschichte 1900-2012 |2 gnd |9 rswk-swf | |
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| 650 | 4 | |a Musical theater / History | |
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Datensatz im Suchindex
| _version_ | 1804148515014705152 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Introduction
1
1
Musical
Characterisation
in
HMS
Pinafore and
The Rocky Horror Show
15
2
Encoding the Voice: Show Boat, Guys and Dolls, and
Musical Theatre Post-
1960 33
3
Integration and Distance in Musical Theatre:
The Case of Sweeney Todd
55
4
Layers of Representation and the Creation of Irony:
Aufstieg und Fall der Stadt Mahagonny,
Merrily We Roll Along and
The Last
5
Years
73
5
Alternatives to Linearity: Cabaret, Kiss of the Spider Woman and
Assassins
91
6
Illusions of Realism in West Side Story and
Actor-Musician Performances
111
7
Experiencing Live Musical Theatre Performance:
La Cage
Aux Folles
and Priscilla, Queen of the Desert
129
8
I ve Heard that Song Before:
The Jukebox Musical and Entertainment in Jersey Boys,
Rock of Ages, Mamma Mia and We Will Rock You
149
Conclusion
167
Bibliography
1
?3
Index
187
ASHGATE
INTERDISCIPLINARY
STUDIES IN
OPERA
What is it about musical theatre that audiences find entertaining? What are the
features that lead to its ability to stimulate emotional attachment, to move and
to give pleasure? Beginning from the passion musical theatre performances
arouse and their ubiquity in London s West End and on Broadway this book
explores the ways in which musical theatre reaches out to and involves its
audiences. It investigates how pleasure is stimulated by vocal, musical and
spectacular performances.
Early discussions centre on the construction of the composed text, but then
attention is given to performance and audience response. Musical theatre
contains disruptions and dissonances in its multiple texts, it allows gaps for
audiences to read playfully. This combines with the voluptuous sensations of
embodied emotion, contagiously and viscerally shared between audience and
stage, and augmented through the presence of voice and music. A number of
features are discovered in the construction of musical theatre performance
texts that allow them to engage the intense emotional attachment of their
audiences and so achieve enormous popularity.
In doing this, the book challenges the conception of musical theatre as
only entertainment
.
Entertainment instead becomes a desirable, ephemeral
and playful concept.
Cover image: Kiss of the Spider Woman musical (original Broadway run) I
Photofest
ASHGATE
Ashgate Publishing Limited
Wey Court East. Union Road.
Farnham. Surrey.
GU9 7PT. England
www.ashgate.com
ISBN
978-0-7546-6670-7
9 780754 666707
|
| any_adam_object | 1 |
| author | Taylor, Millie 19XX- |
| author_GND | (DE-588)143959549 |
| author_facet | Taylor, Millie 19XX- |
| author_role | aut |
| author_sort | Taylor, Millie 19XX- |
| author_variant | m t mt |
| building | Verbundindex |
| bvnumber | BV039654490 |
| classification_rvk | AP 72800 LR 54130 |
| contents | Musical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in The Jersey boys, Rock of ages, Mamma mia and We will rock you |
| ctrlnum | (OCoLC)731009784 (DE-599)BVBBV039654490 |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1900-2012 gnd |
| era_facet | Geschichte 1900-2012 |
| format | Book |
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| spelling | Taylor, Millie 19XX- Verfasser (DE-588)143959549 aut Musical theatre, realism and entertainment Millie Taylor Farnham ; Burlington, Vt. Ashgate Publ. 2012 VIII, 194 S. 24 cm txt rdacontent n rdamedia nc rdacarrier Ashgate interdisciplinary studies in opera Literaturverz. S. 173 - 185 Musical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in The Jersey boys, Rock of ages, Mamma mia and We will rock you Geschichte 1900-2012 gnd rswk-swf Musicals / History and criticism Musicals / Characters Musical theater / History Music and language Geschichte Musiktheater (DE-588)4040874-7 gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf Unterhaltungskunst (DE-588)4209007-6 gnd rswk-swf Musical (DE-588)4040801-2 s Musiktheater (DE-588)4040874-7 s Unterhaltungskunst (DE-588)4209007-6 s Geschichte 1900-2012 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4094-3832-8 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024504085&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024504085&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Taylor, Millie 19XX- Musical theatre, realism and entertainment Musical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in The Jersey boys, Rock of ages, Mamma mia and We will rock you Musicals / History and criticism Musicals / Characters Musical theater / History Music and language Geschichte Musiktheater (DE-588)4040874-7 gnd Musical (DE-588)4040801-2 gnd Unterhaltungskunst (DE-588)4209007-6 gnd |
| subject_GND | (DE-588)4040874-7 (DE-588)4040801-2 (DE-588)4209007-6 |
| title | Musical theatre, realism and entertainment |
| title_auth | Musical theatre, realism and entertainment |
| title_exact_search | Musical theatre, realism and entertainment |
| title_full | Musical theatre, realism and entertainment Millie Taylor |
| title_fullStr | Musical theatre, realism and entertainment Millie Taylor |
| title_full_unstemmed | Musical theatre, realism and entertainment Millie Taylor |
| title_short | Musical theatre, realism and entertainment |
| title_sort | musical theatre realism and entertainment |
| topic | Musicals / History and criticism Musicals / Characters Musical theater / History Music and language Geschichte Musiktheater (DE-588)4040874-7 gnd Musical (DE-588)4040801-2 gnd Unterhaltungskunst (DE-588)4209007-6 gnd |
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