The seven basic plots: why we tell stories
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Continuum
2011
|
| Ausgabe: | 1. publ., repr. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 728 S. |
| ISBN: | 0826480373 9780826480378 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction
and historical notes
........................................................................................ 1
PART ONE: THE SEVEN GATEWAYS TO THE UNDERWORLD
Prologue to Part One
.......................................................................................................... 17
Chapter
1
Overcoming the Monster
.............................................................................. 21
2
The Monster (II) and the Thrilling Escape From Death
............................ 31
3
Rags to Riches
................................................................................................ 51
4
The Quest
...................................................................................................... 69
5
Voyage and Return
........................................................................................ 87
6
Comedy
..........................................................................................................107
7
Comedy
(11):
The Plot Disguised
..................................................................131
8
Tragedy (I): The Five Stages
..........................................................................153
9
Tragedy (II): The Divided Self
......................................................................173
10
Tragedy (III): The Hero as Monster
..............................................................181
11
Rebirth
............................................................................................................193
12
The Dark Power: From Shadow into Light
..................................................215
Epilogue to Part One: The Rule of Three (the role played in stories by numbers)
........229
PART TWO: THE COMPLETE HAPPY ENDING
Prologue to Part Two
..........................................................................................................239
Chapter
13
The Dark Figures
............................................................................................241
14
Seeing Whole: The Feminine and Masculine Values
....................................253
15
The Perfect Balance
......................................................................................267
16
The Unrealised Value
....................................................................................277
17
The Archetypal Family Drama (Continued)
................................................289
18
The Light Figures
..........................................................................................297
19
Reaching the Goal
........................................................................................311
20
The Fatal Flaw
................................................................................................329
THE SEVEN BASIC PLOTS
PART THREE: MISSING THE MARK
Chapter
21
The Ego Takes Over (I): Enter the Dark Inversion
......................................347
22
The Ego Takes Over (II): The Dark and Sentimental Versions
..................367
23
The Ego Takes Over (III): Quest, Voyage and Return, Comedy
................385
24
The Ego Takes Over (IV): Tragedy and Rebirth
..........................................399
25
Losing the Plot: Thomas Hardy-A Case History
......................................413
26
Going Nowhere: The Passive Ego. The Twentieth-Century Dead
End
-
From Chekhov to Close Encounters
............................................425
27
Why Sex and Violence? The Active Ego. The Twentieth-Century
Obsession: From
de Sade
to The Terminator
..........................................455
28
Rebellion Against The One : From Job to Nineteen Eighty-Four
............495
29
The Mystery
..................................................................................................505
30
The Riddle of the Sphinx: Oedipus and Hamlet
........................................517
PART FOUR: WHY WE TELL STORIES
Chapter
31
Telling Us Who We Are: Ego versus Instinct
..............................................543
32
Into the Real World: The Ruling Consciousness
........................................571
33
Of Gods and Men: Reconnecting with The One
......................................593
34
The Age of
Loki:
The Dismantling of the Self
............................................645
Epilogue: The Light and the Shadows on the Wall
..........................................................699
Author s Personal Note
........................................................................................................703
Glossary of Terms
................................................................................................................707
Bibliography
........................................................................................................................711
Index of Stories Cited
..........................................................................................................715
General Index
......................................................................................................................720
This reprint includes corrections of various factual or typographical errors which appeared
in earlier printings of this book. If readers spot any further mistakes, the author would be
grateful if these could be passed on to him for correction in future editions.
I This remarkable and monumental book at last provides a comprehensive answer to the
age-old riddle of whether there are only a small number of basic stories in the world.
Using a wealth of examples, from ancient myths and folk tales via the plays and novels
of great literature to the popular movies and TV soap operas of today, it shows that
•
there are sevenarchetypal themes which recur throughout every kind of storytelling.
|
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| id | DE-604.BV039643689 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T00:08:07Z |
| institution | BVB |
| isbn | 0826480373 9780826480378 |
| language | English |
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| physical | VIII, 728 S. |
| publishDate | 2011 |
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| publisher | Continuum |
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| spelling | Booker, Christopher Verfasser aut The seven basic plots why we tell stories by Christopher Booker 1. publ., repr. London [u.a.] Continuum 2011 VIII, 728 S. txt rdacontent n rdamedia nc rdacarrier Handlung Literatur (DE-588)4159031-4 gnd rswk-swf Typologie (DE-588)4061321-5 gnd rswk-swf Handlung Literatur (DE-588)4159031-4 s Typologie (DE-588)4061321-5 s DE-604 Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024493549&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024493549&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Booker, Christopher The seven basic plots why we tell stories Handlung Literatur (DE-588)4159031-4 gnd Typologie (DE-588)4061321-5 gnd |
| subject_GND | (DE-588)4159031-4 (DE-588)4061321-5 |
| title | The seven basic plots why we tell stories |
| title_auth | The seven basic plots why we tell stories |
| title_exact_search | The seven basic plots why we tell stories |
| title_full | The seven basic plots why we tell stories by Christopher Booker |
| title_fullStr | The seven basic plots why we tell stories by Christopher Booker |
| title_full_unstemmed | The seven basic plots why we tell stories by Christopher Booker |
| title_short | The seven basic plots |
| title_sort | the seven basic plots why we tell stories |
| title_sub | why we tell stories |
| topic | Handlung Literatur (DE-588)4159031-4 gnd Typologie (DE-588)4061321-5 gnd |
| topic_facet | Handlung Literatur Typologie |
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