The best years of our lives:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
BFI
2011
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| Schriftenreihe: | BFI Film Classics
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| Schlagworte: | |
| Online-Zugang: | Cover image Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | 110 Seiten Illustrationen |
| ISBN: | 9781844573264 |
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Datensatz im Suchindex
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| adam_text | THE BEST YEARS OF OUR LIVES
/ KOZLOFF, SARAH
: 2011
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
HISTORICAL CONTEXT
PRODUCTION HISTORY
RECEPTION
AESTHETICS
BEST YEARS THEMATIC CONNOTATIONS
AFTERWORD.
DUE TO ITS POPULARITY AND THE CONTROVERSY IT ENGENDERED, THE BEST YEARS
OF OUR LIVES STANDS AS ONE OF THE MOST IMPORTANT CULTURAL DOCUMENTS OF
THE POST-WWII ERA. MOREOVER, WITH ITS EMPHASIS ON SOLDIERS RETURNING
FROM WAR WITH POST-TRAUMATIC STRESS SYNDROME, FACING AN UNCERTAIN
ECONOMIC CLIMATE, AND STRAINED DOMESTIC LIVES, THE FILM SPEAKS WITH
EMOTIONAL POWER DIRECTLY TO CONTEMPORARY ISSUES, INCLUDING THE
DEVASTATING INJURIES AND INSECURITES FACED BY SOLDIERS RETURNING HOME
FROM COMBAT IN AFGHANISTAN AND IRAQ TODAY. AMONG THE TOPICS DISCUSSED
ARE AMERICAN NEOREALISM, AESTHETICS, WAR AND HOMECOMING, AND MORE
PROVIDED BY PUBLISHER.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
The Best Years of Our Lives William Wyler’s The Best Years of Our Liues (1946) tells the story of three veterans returning from World War II and adjusting to civilian life in a manner unusual for classical Hollywood cinema, with melodrama leavened by authentic detail, personal memories and a fierce desire to capture its historical moment. Sarah Kozloff s illuminating study of the film traces the contribution of Wyler (himself injured while serving in the US Air Force), Robert Sherwood’s screenplay, Gregg Toland’s deep-focus cinematography, Hugo Friedhofer’s award-winning score, and the ensemble cast of Myrna Loy, Fredric March, Dana Andrews, Teresa Wright and Harold Russell. The film’s poignant message spoke to American audiences reeling from the end of the conflict and the bumpy transition to peace: producer Samuel Goldwyn received hundreds of letters from ex-servicemen about how accurately his production had captured their experiences. Despite winning nine Academy Awards, Best Years was soon engulfed in political conflict from both the right and the left. Disagreements about the film’s politics foreshadowed HUAC’s anti-Communist investigations and the fracturing of the Hollywood community that culminated in the collapse of the studio system. Sarah Kozloffs discussion of the film s development, production and reception history draws on archival research to shed new light on our understanding of this much-loved movie, and to bring The Best Years of Our Liues back where it belongs: in our collections, in our libraries, and in՝ our hearts. SARAH KOZLOFF is Professor in the
Department of Film, on the William R. Kenan, Jr. Chair, at Vassar College, Poughkeepsie, NY, USA. She is the author of a number of books, including Overhearing Film Dialogue (2000) and Invisible Storytellers: Voice-Over Narration in American Fiction Film (1988).
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