Jewry in music: entry to the profession from the Enlightenment to Richard Wagner
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge Univ. Press
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Rez.: The Wagner Journal 7 (2013),1, S. 86-89 (Jonas Karlsson) |
| Beschreibung: | XIV, 341 S. Ill., Notenbeisp. 25 cm |
| ISBN: | 9781107015388 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of illustrations [page
viii]
List of
m usical
examples [x]
Acknowledgements
[xi]
A note on translations and text
[xiii]
List of abbreviations
[xiv]
1
Whatever the reasons
[1]
2
Eppes
rores:
can a Jew be an artist?
[15]
3
In the midst of many people
[55]
Musical Europe
[55]
The Netherlands
[58]
England
[64]
Austria
[120]
Germany
[143]
France
[203]
4
Jewry in music
[257]
Notes
[267]
Bibliography
[304]
Index
[323]
VII
David Conway
analyses
why and how Jews,
virtually absent from western art music until
the end of the eighteenth century, came to be
represented in all branches of the profession
within fifty years as leading figures
-
not only
as composers and performers, but as publishers.
impresarios and critics. His study places this
process in the context of dynamic economic,
political, sociological and technological
changes, and also of developments in Jewish
communities and the Jewish religion itself, in
the major cultural centres of western Europe.
Beginning with a reviewofattitudes to Jews in
the arts, and an assessment of Jewish music and
musical skills, in the age of the Enlightenment.
Comvay traces the story ofgrowing Jewish
involvement with music through the biographies
of the famous, the neglected and the forgotten.
leading to a new and radical contextualisation
of Wagner s infamous Judaism in Music .
DAVID
CONWAY is an Honorary Research
Fellow at the Department of Hebrew and Jewish
Studies, University College London. He has
published articles in Slavonic and East European
Studies, European Judaism and Jewish Historical
Studies, and is a contributor to The Wagner
Journal. He is the founder and director of the
international music festival
Levočské babie leto
(Indian Summer in
Levoča),
Slovakia.
Jacket illustrations: front
-
Mendelssohn Plavs before
Goetlieat Weimar.
1830
detail·.
Moritz Oppenheim,
1364 lüdisches
Museum
Frankfurt
am Main: loan
of Alexander Tesler, Frankfurt am Main); back-
and Gipsy Bauds Fla
tiecriiituiT.
malohontské múzeu
Slovakia
lacket
designed by Hart McLeod Ltd
PRINTED IN THE UNITED KINGDOM
|
| any_adam_object | 1 |
| author | Conway, David 1963- |
| author_GND | (DE-588)134350162 |
| author_facet | Conway, David 1963- |
| author_role | aut |
| author_sort | Conway, David 1963- |
| author_variant | d c dc |
| building | Verbundindex |
| bvnumber | BV039624663 |
| classification_rvk | LS 33120 |
| ctrlnum | (OCoLC)760123620 (DE-599)HBZHT016982896 |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| title | Jewry in music entry to the profession from the Enlightenment to Richard Wagner |
| title_auth | Jewry in music entry to the profession from the Enlightenment to Richard Wagner |
| title_exact_search | Jewry in music entry to the profession from the Enlightenment to Richard Wagner |
| title_full | Jewry in music entry to the profession from the Enlightenment to Richard Wagner David Conway |
| title_fullStr | Jewry in music entry to the profession from the Enlightenment to Richard Wagner David Conway |
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