Singing for dummies:
This practical guide gives singers step-by-step instructions and lots of helpful tips, hints, vocal exercises, and reminders. The updated CD features new tracks and musical exercises, as well as demonstrations of popular technique, scales and pitch drills, and practice songs
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Hoboken, N.J.
Wiley
2011
|
Ausgabe: | 2. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This practical guide gives singers step-by-step instructions and lots of helpful tips, hints, vocal exercises, and reminders. The updated CD features new tracks and musical exercises, as well as demonstrations of popular technique, scales and pitch drills, and practice songs |
Beschreibung: | Includes index Exploring singing basics -- Improving your singing -- Advanced techniques to improve your voice -- Preparing to perform -- Part of ten |
Beschreibung: | XVIII, 340 S. Ill., Notenbeisp. CD (12 cm) |
Internformat
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100 | 1 | |a Phillips, Pamelia Sue |e Verfasser |0 (DE-588)132830523 |4 aut | |
245 | 1 | 0 | |a Singing for dummies |c by Pamelia S. Phillips |
250 | |a 2. ed. | ||
264 | 1 | |a Hoboken, N.J. |b Wiley |c 2011 | |
300 | |a XVIII, 340 S. |b Ill., Notenbeisp. |e CD (12 cm) | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes index | ||
500 | |a Exploring singing basics -- Improving your singing -- Advanced techniques to improve your voice -- Preparing to perform -- Part of ten | ||
520 | |a This practical guide gives singers step-by-step instructions and lots of helpful tips, hints, vocal exercises, and reminders. The updated CD features new tracks and musical exercises, as well as demonstrations of popular technique, scales and pitch drills, and practice songs | ||
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Datensatz im Suchindex
_version_ | 1804148470421913601 |
---|---|
adam_text | Table
of
Contents
Introduction.
................................................................ /
About This Book
..............................................................................................1
Conventions Used in This Book
.....................................................................2
What You re Not to Read
................................................................................3
Foolish Assumptions
.......................................................................................3
How This Book Is Organized
..........................................................................3
Part I: Exploring Singing Basics
............................................................4
Part II: Improving Your Singing
............................................................4
Part III: Advanced Techniques to Improve Your Voice
.....................4
Part IV: Preparing to Perform
...............................................................5
Part V: The Part of Tens
........................................................................5
Part VI: Appendixes
...............................................................................5
Icons Used in This Book
.................................................................................6
Where to Go from Here
...................................................................................6
Part
1:
Exploring
Sinąiną
Basics
....................................7
Chapter
1:
Preparing to Sing
....................................9
What You Want to Know Right from the Beginning
....................................9
Determining your voice type
..............................................................10
Locating the notes on the staff
...........................................................10
Considering posture, breath, and tone
.............................................12
Developing Your Singing Voice
....................................................................12
Working the Different Parts of Your Voice
.................................................13
Applying Your Technique
.............................................................................14
Having Fun
......................................................................................................15
Chapter
2:
Determining Your Voice Type
.........................17
Sifting through the Ingredients to Determine Your Voice Type
..............17
Identifying the Fab Four
................................................................................19
Highest range of the dames: Soprano
...............................................21
How low can she go: Mezzo
................................................................22
Highest range of the dudes: Tenor
....................................................24
He s so low: Bass
..................................................................................25
Singing
For Dummies,
2nd
Edition
Chapter
3:
Aligning Your Body for Great Singing
..................27
Evaluating Your Posture
...............................................................................27
Creating Correct Posture
..............................................................................29
Feeling grounded on your feet
...........................................................29
Engaging your legs
...............................................................................31
Releasing your hips
.............................................................................32
Lengthening your spine
......................................................................33
Balancing your head and shoulders
..................................................33
Releasing Tension
..........................................................................................34
Letting go of tension in your upper body
.........................................34
Opening space in the head
.................................................................35
Walking with ease
................................................................................36
Projecting confidence through posture
............................................37
Chapter
4:
Breathing for Singing
................................39
Breathing Basics
............................................................................................39
Inhaling to sing
.....................................................................................40
Exhaling to sing
....................................................................................40
Posturing yourself for breathing
........................................................42
Practicing Inhalation
.....................................................................................42
Opening your body
..............................................................................43
Breathing, slow and steady
................................................................47
Catching a quick breath
......................................................................48
Practicing Exhalation
....................................................................................49
Blowing in the wind
.............................................................................50
Trilling for exhalation
..........................................................................50
Recognizing resistance and suspending the breath
........................52
Testing Your Breath Control
........................................................................53
Releasing abs and then ribs
................................................................54
Singing slowly
.......................................................................................55
Chapter
5:
Toning Up the Voice
.................................57
Defining Tone
.................................................................................................57
Creating unique tone
...........................................................................57
Identifying factors that affect tone
....................................................58
Considering tone, pitches, and notes
................................................59
Flexing Your Singing Muscles
......................................................................59
Discovering your own bands
..............................................................60
Making the first sound
.........................................................................60
Dropping the jaw
..................................................................................61
Putting your larynx into position
.......................................................62
Matching Pitch
...............................................................................................64
Sliding up and down on pitch
.............................................................65
Developing muscle memory
...............................................................66
Recording yourself and singing along
...............................................67
Releasing Tension for Better Tone
..............................................................68
Checking for neck or jaw tension
.......................................................68
Bouncing the tongue and jaw
.............................................................69
Table
of Contents
Partii:
Improving
Џоиг
Sinąiną....
............................... 71
Chapter
6:
Acquiring Beautiful Tone
............................73
Creating Tone
.................................................................................................73
Starting the tone
..................................................................................74
Creating back space
............................................................................74
Coordinating air with tone
..................................................................75
Sighing your way to clarity
.................................................................76
Releasing Tone
...............................................................................................77
Inhaling to release tone
.......................................................................77
Letting your throat go
.........................................................................77
Sustaining Tone
.............................................................................................78
Connecting the dots with legato
........................................................78
Trilling the lips or tongue
...................................................................78
Working your breath control
.............................................................79
Finding Your Vibrato
.....................................................................................80
Moving from straight tone to vibrato
................................................80
Imitating another singer s vibrato
.....................................................81
Chapter
7:
Exploring Resonance
................................83
Good Vibrations
.............................................................................................83
Exploring your resonators
..................................................................85
Ringing it out
........................................................................................86
Eliminating Nasality
.......................................................................................87
Getting the feel for soft palate work
..................................................87
Coordinating your soft palate and tongue
........................................88
Moving air through the nose
..............................................................89
Debunking Common Misconceptions
.........................................................90
Misconception: Tone resonates in your sinuses
.............................90
Misconception: You have to place every
tone in the same location
................................................................90
Misconception: You re supposed to
keep your tongue completely flat
..................................................91
Misconception: You need to open your
mouth as wide as possible
..............................................................91
Misconception: The more forward the sound, the better
..............92
Misconception: You have to smile to stay on pitch
........................92
Chapter
8:
Shaping Your Vowels for Clarity
......................93
Getting Your Backside into Shape
—
Back Vowels, That Is
.....................94
Exploring the shape of back vowels
..................................................94
Lipping around your back vowels
.....................................................96
Singing the back vowels
......................................................................97
Mastering the Front Vowels
.........................................................................97
Exploring the shape of front vowels
..................................................98
Speaking the front vowels
...................................................................99
Singing the front vowels
....................................................................100
Xli
Singing
For Dummies,
2nd
Edition
Chapter
9:
Exercising Consonants for Articulation
...............103
Saying Voiced and Unvoiced Consonants
................................................104
Making Tip Consonants
..............................................................................105
Shaping tip consonants
.....................................................................105
Singing tip consonants
......................................................................107
Making Soft Palate Consonants
..................................................................108
Shaping soft palate consonants
.......................................................108
Singing soft palate consonants
........................................................109
Working Lip Consonants
............................................................................109
Shaping lip consonants
.....................................................................110
Singing lip consonants
......................................................................
Ill
Working Combination Consonants
...........................................................112
Shaping combination consonants
...................................................112
Singing combination consonants
.....................................................113
Chapter
10:
Crafting a Practice Routine
.........................115
Knuckling Down to a Practice Plan
...........................................................115
Getting Answers to Your Practicing Questions
.......................................116
Where should I practice?
..................................................................116
What s the best time to practice?
....................................................117
How long should I practice?
.............................................................117
What do I need besides my voice?
..................................................118
Warming Up
..................................................................................................119
Stretching to warm up your body
....................................................119
Warming up your voice
.....................................................................121
Exercising Your Voice
.................................................................................122
Picking exercises that work for you
................................................122
Breaking it down
................................................................................123
Practicing Correctly
....................................................................................124
Recording yourself
.............................................................................125
Applying information and exercises
................................................125
Using the CD to practice exercises
..................................................126
Part 111: Advanced Techniques to Improve ¡/our Voice
.....727
Chapter
11:
Developing the Parts of Your Singing Voice
..........129
Finding Your Middle Voice
.........................................................................130
Noting your middle voice range
.......................................................130
Singing in middle voice
.....................................................................131
Checking Out Your Chest Voice
................................................................134
Zeroing in on your chest voice range
..............................................134
Feeling your chest voice
...................................................................135
Aiming High with Head Voice
.....................................................................136
Finding your head voice range
.........................................................137
Feeling head voice
.............................................................................138
Table
of Contents
Let s Hear It for the Boys: Figuring Out Falsetto
.....................................139
Discovering your falsetto
..................................................................140
Experiencing your falsetto
................................................................141
Making a Smooth Transition
......................................................................144
Maneuvering in and out of chest voice
...........................................144
Transitioning in and out of head voice
...........................................146
Mixing It Up
..................................................................................................148
Make the most of your mix, man
.....................................................148
Get into the mix, gals
.........................................................................149
Chapter
12:
Expanding Your Vocal Flexibility and Range
.........153
Tactics for Tackling Register Transitions
................................................154
Working On Your Range
.............................................................................155
Taking your range higher
..................................................................155
Varying the dynamics
........................................................................156
Moving between registers
.................................................................157
Taking Your Agility to New Levels
............................................................158
Moving along the scale
......................................................................158
Picking up the pace
...........................................................................159
Skipping through the intervals
.........................................................160
Improvising for a Better Pop Sound
..........................................................161
Mastering patterns in pop music
.....................................................162
Singing pop riffs with chords
...........................................................162
Chapter
13:
It s a Cinch: Belting Out Your Song
..................165
Playing around with Pitch
..........................................................................166
Talking to yourself
.............................................................................167
Chanting and speaking
......................................................................167
Finding your optimum speaking pitch
............................................168
Increasing your speaking range
.......................................................169
Using body energy to find clarity of tone
.......................................170
Defining Healthy Belting
.............................................................................171
Comparing belt and chest voice
......................................................172
Knowing your limits as a beginner belter
.......................................173
Noting the difference between the sexes
........................................173
Coordinating breath and energy
......................................................175
Preparing for Belting
...................................................................................175
Speaking in a mix
...............................................................................175
Calling out to a friend
........................................................................176
Moving Resonance to the Front
.................................................................177
Exploring vibrations of resonance
...................................................177
Being bratty to feel resonance
.........................................................178
Combining Resonance and Registration
...................................................178
Increasing your belt range
................................................................179
Belting up the scale
...........................................................................180
Advancing Your Belt
...................................................................................180
Sustaining belt sounds
......................................................................181
Exploring different vowels
................................................................182
Singing
For Dummies,
2nd
Edition
Belters and Belt Songs You Should Hear
..................................................183
Male belters
........................................................................................183
Female belters
....................................................................................184
Belt songs
............................................................................................184
Chapter
14:
Training for Singing
...............................187
Defining Training Requirements
................................................................187
Crooning as a country singer
...........................................................187
Jazzing it up
........................................................................................188
Making your mark in musical theater
.............................................189
Performing pop-rock
.........................................................................190
Opting for opera
.................................................................................191
Snowing your range with R&B
..........................................................192
Training to Sing at Any Age
........................................................................192
Recognizing differences between young singers and teens
.........193
Developing long-term technique in teenagers
...............................194
Understanding that voices change with age
..................................194
Training with a Choir
..................................................................................195
Enjoying the benefits of singing in the choir
..................................196
Singing in the choir versus going solo
............................................197
Chapter
15:
Finding the Right Voice Teacher
....................199
Searching for the Best Voice Teacher
.......................................................199
Finding a prospective voice teacher
...............................................199
Identifying what you want
................................................................200
Interviewing a prospective teacher
.................................................201
Knowing What to Expect from a Teacher
.................................................205
Feeling good when you leave the lesson
........................................205
Working with imagery and other tools
...........................................206
Applying tried-and-true singing methods
.......................................206
Knowing What to Expect from Yourself
...................................................207
Developing your own practice process
..........................................207
Avoiding overworking your flaws
....................................................207
Making Your First Lesson a Success
.........................................................208
Part IV:
Preparína
to Perform
....................................209
Chapter
16:
Selecting Your Music Material
.....................211
Choosing the Song
.......................................................................................211
Finding songs at your level
...............................................................211
Determining the appropriate key for you
.......................................216
Selecting a suitable song style
.........................................................217
Singing to your strengths
..................................................................217
Table
of Contents
Shopping for Sheet Music
...........................................................................218
Finding retail outlets
.........................................................................218
Downloading sheet music
.................................................................219
Flipping through compilation books
...............................................220
Checking out music at your local library
........................................220
Chapter
17:
Mastering a New Song
............................221
Tackling a Song in Steps
.............................................................................221
Memorizing the lyrics as text
...........................................................222
Tapping out the rhythm
....................................................................223
Singing the melody (without the words)
........................................226
Putting words and music together
..................................................227
Using Vocal Technique in Your New Song
...............................................228
Giving voice to vowels
......................................................................228
Backing into phrases
.........................................................................229
Breathing heavy: Fogging up the windows
.....................................230
Changing the tone for each section
.................................................232
Using Musical Elements to Create Your Arrangement
...........................233
Comparing songs
...............................................................................234
Articulation
.........................................................................................235
Dynamics
.............................................................................................235
Tempo
.................................................................................................235
Using vocal variety
............................................................................236
Style
.....................................................................................................236
Accompanist
.......................................................................................237
Chapter
18:
Acting the Song
...................................239
Seeing the Song As a Story
.........................................................................239
Chatting it up before you sing
..........................................................239
Musical responses
.............................................................................240
Accounting for interludes
.................................................................241
Exploring Character
....................................................................................241
Characterizing your character
.........................................................242
Discovering your character s motivation
.......................................243
Planning actions to get something done
.........................................244
Getting Physical
...........................................................................................244
Figuring out where to focus
..............................................................245
Gesturing appropriately
....................................................................246
Movin and groovin with your song
................................................248
Chapter
19:
Confronting Your Fear of Performing
.................249
Facing the Symptoms
..................................................................................249
Alleviating Anxiety through Preparation
..................................................250
Practicing well
....................................................................................251
Playing to your strengths
..................................................................252
Singing For Dummies,
2nd
Edition
Managing your thoughts
...................................................................252
Getting up the nerve
..........................................................................253
Building performance focus
.............................................................253
Performing to Build Confidence
................................................................255
Devising a game plan
.........................................................................256
Evaluating your performance
...........................................................257
Chapter
20:
Auditioning a Song
................................259
Tailoring Your Audition for Any Venue and Any Style of Music
...........260
At the opera
........................................................................................260
Onstage at the theater
.......................................................................261
In the club
...........................................................................................261
On television
.......................................................................................262
Choosing Audition Songs to Highlight Your Strengths
...........................263
Showing versatility
............................................................................263
Connecting with the lyrics
................................................................264
Avoiding the wrong audition song
...................................................265
Preparing the Music
....................................................................................266
Choosing the key
................................................................................267
Making the cut
....................................................................................268
Marking the music
.............................................................................269
Rehearsing with an accompanist
.....................................................270
Bringing a recording
..........................................................................271
Nailing the Audition
....................................................................................272
Doing your prep work
.......................................................................272
Dressing in the right outfit
................................................................273
Knowing who will attend the audition
............................................274
Greeting the audition accompanist
.................................................274
Acting at the audition
........................................................................275
Preparing mentally
............................................................................276
Part
(/:
The Part of Tens
............................................277
Chapter
21:
Ten Performers with Good Technique
...............279
Kristin Chenoweth
.......................................................................................279
Linda
Eder
....................................................................................................280
Renée
Fleming
..............................................................................................280
Faith Hill
........................................................................................................280
Michael Jackson
...........................................................................................280
Toby Keith
..............................................................................
Ζ .! .! .
.........281
Beyoncé
Knowles
.........................................................................................281
Elvis Presley
.................................................................................................281
Anthony Warlow
..........................................................................................282
Stevie Wonder
..............................................................................................282
Table
of Contents
JCÍ
/И
Chapter
22:
Ten Frequently Asked Questions about Singing
.......283
Is Belting Bad?
..............................................................................................283
What Should I Do If My Voice Feels Off?
...................................................283
How are an Accompanist, a Coach, and a Voice Teacher Different?
.... 284
If My Voice Is Scratchy, Do I Have Nodes?
...............................................285
Do I Have to Be Big to Have a Big Voice?
..................................................285
What s the Best Singing Method?
..............................................................286
Do I Have to Speak Italian to Sing Well?
....................................................286
Can I Have a Few Drinks Before the Performance to Calm My Nerves?
.....286
Why Can t I Eat Ice Cream Before I Sing?
..................................................287
How Long Will It Take Me to Learn to Sing?
.............................................287
Chapter
23:
Ten Tips for Maintaining Vocal Health
...............289
Identifying Everyday Abuses
......................................................................289
Incorporating Healthy Speech into Your Singing
....................................290
Knowing When to Seek Help
......................................................................291
Staying
Hydrated.........................................................................................292
Getting Plenty of Shut-Eye
..........................................................................292
Making Sure That You re Well Nourished
................................................293
Preventing a Sore Throat or Infection
......................................................293
Medicating a Sore Throat
...........................................................................294
Protecting a Sore Throat
............................................................................295
Keeping Your Emotional Life in Check
.....................................................296
Chapter
24:
Ten Tips for Performing Like a Pro
..................297
Rehearsing to Beat the Band
......................................................................297
Wearing the Right Ensemble
......................................................................298
Finding Your Stance
....................................................................................299
Singing with a Piano, Organ, or Band
........................................................299
Making Your Entrance
................................................................................300
Roping in Your Audience
............................................................................300
Ignoring That Mosquito
..............................................................................301
Handling Those Hands
................................................................................302
Using the
Mic
................................................................................................302
Taking Your Bow and Leaving the Stage
..................................................303
Part
VÎ:
Appendixes
..................................................305
Appendix A: Suggested Songs to Advance Your Singing Technique.
. .307
Classical: Ten Songs for Soprano
..............................................................307
Classical: Ten Songs for Mezzo
..................................................................308
Classical: Ten Songs for Tenor
..................................................................308
Classical: Ten Songs for Baritone or Bass
................................................309
Singing
For Dummies,
2nd
Edition
Musical Theater: Ten Songs for Soprano
.................................................309
Musical Theater: Ten Songs for Mezzo
.....................................................310
Musical Theater: Ten Belt Songs for Women
...........................................311
Musical Theater: Ten Songs for Tenor
......................................................312
Musical Theater: Ten Songs for
Baritenor...............................................312
Musical Theater: Ten Belt Songs for Men
.................................................313
Country: Ten Songs for Women
.................................................................314
Country: Ten Songs for Men
.......................................................................314
Pop-Rock: Ten Songs for Women
...............................................................315
Pop-Rock: Ten Songs for Men
....................................................................315
Appendix B: About the CD
....................................317
System Requirements
.................................................................................317
Track Listings
...............................................................................................318
Troubleshooting
..........................................................................................322
Index
.......................................................................323
|
any_adam_object | 1 |
author | Phillips, Pamelia Sue |
author_GND | (DE-588)132830523 |
author_facet | Phillips, Pamelia Sue |
author_role | aut |
author_sort | Phillips, Pamelia Sue |
author_variant | p s p ps psp |
building | Verbundindex |
bvnumber | BV039623010 |
ctrlnum | (OCoLC)610833334 (DE-599)BVBBV039623010 |
edition | 2. ed. |
format | Book |
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genre | (DE-588)4151278-9 Einführung gnd-content |
genre_facet | Einführung |
id | DE-604.BV039623010 |
illustrated | Illustrated |
indexdate | 2024-07-10T00:07:39Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024473371 |
oclc_num | 610833334 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | XVIII, 340 S. Ill., Notenbeisp. CD (12 cm) |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | Wiley |
record_format | marc |
spelling | Phillips, Pamelia Sue Verfasser (DE-588)132830523 aut Singing for dummies by Pamelia S. Phillips 2. ed. Hoboken, N.J. Wiley 2011 XVIII, 340 S. Ill., Notenbeisp. CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes index Exploring singing basics -- Improving your singing -- Advanced techniques to improve your voice -- Preparing to perform -- Part of ten This practical guide gives singers step-by-step instructions and lots of helpful tips, hints, vocal exercises, and reminders. The updated CD features new tracks and musical exercises, as well as demonstrations of popular technique, scales and pitch drills, and practice songs Singing / Methods / Self-instruction Singing sears Singen (DE-588)4124195-2 gnd rswk-swf Gesangstechnik (DE-588)4156939-8 gnd rswk-swf Stimmbildung (DE-588)4057583-4 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Gesangstechnik (DE-588)4156939-8 s Stimmbildung (DE-588)4057583-4 s DE-604 Singen (DE-588)4124195-2 s 1\p DE-604 Gesang (DE-588)4020470-4 s 2\p DE-604 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024473371&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Phillips, Pamelia Sue Singing for dummies Singing / Methods / Self-instruction Singing sears Singen (DE-588)4124195-2 gnd Gesangstechnik (DE-588)4156939-8 gnd Stimmbildung (DE-588)4057583-4 gnd Gesang (DE-588)4020470-4 gnd |
subject_GND | (DE-588)4124195-2 (DE-588)4156939-8 (DE-588)4057583-4 (DE-588)4020470-4 (DE-588)4151278-9 |
title | Singing for dummies |
title_auth | Singing for dummies |
title_exact_search | Singing for dummies |
title_full | Singing for dummies by Pamelia S. Phillips |
title_fullStr | Singing for dummies by Pamelia S. Phillips |
title_full_unstemmed | Singing for dummies by Pamelia S. Phillips |
title_short | Singing for dummies |
title_sort | singing for dummies |
topic | Singing / Methods / Self-instruction Singing sears Singen (DE-588)4124195-2 gnd Gesangstechnik (DE-588)4156939-8 gnd Stimmbildung (DE-588)4057583-4 gnd Gesang (DE-588)4020470-4 gnd |
topic_facet | Singing / Methods / Self-instruction Singing Singen Gesangstechnik Stimmbildung Gesang Einführung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024473371&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT phillipspameliasue singingfordummies |