She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Farnham ; Burlington, Vt.
Ashgate Publ.
2011
|
Schriftenreihe: | Ashgate popular and folk music series
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Literaturverz. 239 - 249 |
Beschreibung: | XIV, 266 S. Ill., Notenbeisp. 24 cm |
ISBN: | 9781409400516 9781409436652 1409400514 1409436659 |
Internformat
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245 | 1 | 0 | |a She's so fine |b reflections on whiteness, femininity, adolescence and class in 1960s music |c ed. by Laurie Stras |
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490 | 0 | |a Ashgate popular and folk music series | |
500 | |a Literaturverz. 239 - 249 | ||
505 | 0 | |a Introduction: she's so fine, or why girl singers (still) matter, Laurie Stras; Part I 'Now that I'm Not a Kid Anymore': American Girls' Voices in the 50s and 60s: Voice of the beehive: vocal technique at the turn of the 1960s, Laurie Stras; Vocal decorum: voice, body, and knowledge in the prodigious singer, Brenda Lee, Robynne J. Stilwell; 'He hit me and I was glad': violence, masochism, and anger in girl group music, Jacqueline Warwick.; Part II 'Everything's Coming Up Roses': British Girls in the Mid-60s: Dusty's hair, Annie J. Randall; Brit girls: Sandie Shaw and the women of the British invasion, Patricia Juliana Smith; Mary Hopkin and the deep throat of culture, Sarah Hill.; Part III Girls on Top: Rock Chicks and Resistance at the End of the 60s: Whose tears go by? Marianne Faithfull at the dawn and twilight of rock culture, Norma Coates; Bold soul trickster: the 60s Tina signifies, Susan Fast; Response, Martha Mockus; Bibliography; Index. | |
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Datensatz im Suchindex
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adam_text | Contents
List of Figures and Tables
ix
List of Music Examples
xi
Notes on Contributors
xiii
General Editor s Preface
xv
Acknowledgments
xvii
Introduction: She s So Fine, or Why Girl Singers (Still) Matter
1
Laurie
Stras
PART I NOW THAT I M NOT A KID ANYMORE :
AMERICAN GIRLS VOICES IN THE 50s AND
60s
1
Voice of the Beehive: Vocal Technique at the Turn of the
1960s 33
Laurie
Stras
2
Vocal Decorum: Voice, Body, and Knowledge in the Prodigious
Singer, Brenda Lee
57
Robynn J.
Stilwell
3
He Hit Me, and I was Glad : Violence, Masochism, and
Anger in Girl Group Music
89
Jacqueline Warwick
PART II EVERYTHING S COMING UP ROSES :
BRITISH GIRLS IN THE
МГО-бОѕ
4
Dusty
s
Hair
113
Annie J. Randall
5
Brit Girls: Sandie Shaw and the Women of the British Invasion
137
Patricia Juliana Smith
6
Mary Hopkin and the Deep Throat of Culture
163
Sarah Hill
viii
SHE S SO FINE
PART HI GIRLS ON TOP:
ROCK CHICKS AND RESISTANCE AT THE END OF THE
60s
7
Whose Tears Go By? Marianne Faithful
1
at the Dawn and
Twilight of Rock Culture
183
Norma Coates
8
Bold Soul Trickster: The
60s
Tina Signifies
203
Susan Fast
Response
235
Martha Mockus
Select Bibliography
239
Song Title Index
251
Subject and Name Index
255
|
any_adam_object | 1 |
author2 | Stras, Laurie |
author2_role | edt |
author2_variant | l s ls |
author_facet | Stras, Laurie |
building | Verbundindex |
bvnumber | BV039620717 |
classification_rvk | LR 56600 LR 56610 LS 48015 |
contents | Introduction: she's so fine, or why girl singers (still) matter, Laurie Stras; Part I 'Now that I'm Not a Kid Anymore': American Girls' Voices in the 50s and 60s: Voice of the beehive: vocal technique at the turn of the 1960s, Laurie Stras; Vocal decorum: voice, body, and knowledge in the prodigious singer, Brenda Lee, Robynne J. Stilwell; 'He hit me and I was glad': violence, masochism, and anger in girl group music, Jacqueline Warwick.; Part II 'Everything's Coming Up Roses': British Girls in the Mid-60s: Dusty's hair, Annie J. Randall; Brit girls: Sandie Shaw and the women of the British invasion, Patricia Juliana Smith; Mary Hopkin and the deep throat of culture, Sarah Hill.; Part III Girls on Top: Rock Chicks and Resistance at the End of the 60s: Whose tears go by? Marianne Faithfull at the dawn and twilight of rock culture, Norma Coates; Bold soul trickster: the 60s Tina signifies, Susan Fast; Response, Martha Mockus; Bibliography; Index. |
ctrlnum | (OCoLC)760120540 (DE-599)BVBBV039620717 |
discipline | Musikwissenschaft |
era | Geschichte 1960-1970 gnd |
era_facet | Geschichte 1960-1970 |
format | Book |
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spelling | She's so fine reflections on whiteness, femininity, adolescence and class in 1960s music ed. by Laurie Stras Farnham ; Burlington, Vt. Ashgate Publ. 2011 XIV, 266 S. Ill., Notenbeisp. 24 cm txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series Literaturverz. 239 - 249 Introduction: she's so fine, or why girl singers (still) matter, Laurie Stras; Part I 'Now that I'm Not a Kid Anymore': American Girls' Voices in the 50s and 60s: Voice of the beehive: vocal technique at the turn of the 1960s, Laurie Stras; Vocal decorum: voice, body, and knowledge in the prodigious singer, Brenda Lee, Robynne J. Stilwell; 'He hit me and I was glad': violence, masochism, and anger in girl group music, Jacqueline Warwick.; Part II 'Everything's Coming Up Roses': British Girls in the Mid-60s: Dusty's hair, Annie J. Randall; Brit girls: Sandie Shaw and the women of the British invasion, Patricia Juliana Smith; Mary Hopkin and the deep throat of culture, Sarah Hill.; Part III Girls on Top: Rock Chicks and Resistance at the End of the 60s: Whose tears go by? Marianne Faithfull at the dawn and twilight of rock culture, Norma Coates; Bold soul trickster: the 60s Tina signifies, Susan Fast; Response, Martha Mockus; Bibliography; Index. Geschichte 1960-1970 gnd rswk-swf Popular music United States 1961-1970 History and criticism Popular music Great Britain 1961-1970 History and criticism Women singers United States Women singers Great Britain Sex role in music Femininity in music Girl groups (Musical groups) Weiblichkeit (DE-588)4079101-4 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Sängerin (DE-588)4051246-0 gnd rswk-swf Großbritannien USA USA (DE-588)4078704-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Großbritannien (DE-588)4022153-2 g Popmusik (DE-588)4046781-8 s Sängerin (DE-588)4051246-0 s Geschichte 1960-1970 z DE-604 Weiblichkeit (DE-588)4079101-4 s Geschlechterrolle (DE-588)4071776-8 s Stras, Laurie edt Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024471130&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | She's so fine reflections on whiteness, femininity, adolescence and class in 1960s music Introduction: she's so fine, or why girl singers (still) matter, Laurie Stras; Part I 'Now that I'm Not a Kid Anymore': American Girls' Voices in the 50s and 60s: Voice of the beehive: vocal technique at the turn of the 1960s, Laurie Stras; Vocal decorum: voice, body, and knowledge in the prodigious singer, Brenda Lee, Robynne J. Stilwell; 'He hit me and I was glad': violence, masochism, and anger in girl group music, Jacqueline Warwick.; Part II 'Everything's Coming Up Roses': British Girls in the Mid-60s: Dusty's hair, Annie J. Randall; Brit girls: Sandie Shaw and the women of the British invasion, Patricia Juliana Smith; Mary Hopkin and the deep throat of culture, Sarah Hill.; Part III Girls on Top: Rock Chicks and Resistance at the End of the 60s: Whose tears go by? Marianne Faithfull at the dawn and twilight of rock culture, Norma Coates; Bold soul trickster: the 60s Tina signifies, Susan Fast; Response, Martha Mockus; Bibliography; Index. Popular music United States 1961-1970 History and criticism Popular music Great Britain 1961-1970 History and criticism Women singers United States Women singers Great Britain Sex role in music Femininity in music Girl groups (Musical groups) Weiblichkeit (DE-588)4079101-4 gnd Popmusik (DE-588)4046781-8 gnd Geschlechterrolle (DE-588)4071776-8 gnd Sängerin (DE-588)4051246-0 gnd |
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title | She's so fine reflections on whiteness, femininity, adolescence and class in 1960s music |
title_auth | She's so fine reflections on whiteness, femininity, adolescence and class in 1960s music |
title_exact_search | She's so fine reflections on whiteness, femininity, adolescence and class in 1960s music |
title_full | She's so fine reflections on whiteness, femininity, adolescence and class in 1960s music ed. by Laurie Stras |
title_fullStr | She's so fine reflections on whiteness, femininity, adolescence and class in 1960s music ed. by Laurie Stras |
title_full_unstemmed | She's so fine reflections on whiteness, femininity, adolescence and class in 1960s music ed. by Laurie Stras |
title_short | She's so fine |
title_sort | she s so fine reflections on whiteness femininity adolescence and class in 1960s music |
title_sub | reflections on whiteness, femininity, adolescence and class in 1960s music |
topic | Popular music United States 1961-1970 History and criticism Popular music Great Britain 1961-1970 History and criticism Women singers United States Women singers Great Britain Sex role in music Femininity in music Girl groups (Musical groups) Weiblichkeit (DE-588)4079101-4 gnd Popmusik (DE-588)4046781-8 gnd Geschlechterrolle (DE-588)4071776-8 gnd Sängerin (DE-588)4051246-0 gnd |
topic_facet | Popular music United States 1961-1970 History and criticism Popular music Great Britain 1961-1970 History and criticism Women singers United States Women singers Great Britain Sex role in music Femininity in music Girl groups (Musical groups) Weiblichkeit Popmusik Geschlechterrolle Sängerin Großbritannien USA Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024471130&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT straslaurie shessofinereflectionsonwhitenessfemininityadolescenceandclassin1960smusic |