The Wiley-Blackwell history of American film: 4 1976 to the present
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Malden
Wiley-Blackwell
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XXIII, 612 S. Ill. |
| ISBN: | 9781405179843 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
OF VOLUME
IV
1976
to the Present
Full table of contents
ix
Preface
xv
Acknowledgments
xviii
Contributors to Volume IV
xix
Part I Setting the Stage
1
Introduction to Volume IV: American Film,
1976
to the Present
3
67
Seismic Shifts in the American Film Industry
32
Thomas
Schatz
68
Independent Film:
1980s
to the Present
53
Geoff King
Partii
1976-1988 75
69
Reclaiming the Black Family: Charles Burnett, Julie Dash,
and the L.A. Rebellion
77
Janet K. Cutler
70
Feminism, Cinema, and Film Criticism
103
Lucy Fischer
71
American
Avant-Garde
Cinema from
1970
to the Present
128
Scott MacDonald
72
A Reintroduction
to the American Horror Film
154
Adam Lowenstein
73
Charting the Middle Course: The Star Trek Films and
1980s
Science Fiction Cinema
177
Ina
Rae
Hark
74
Back to the Future: Hollywood and Reagan s America
195
Susanjeffords
vi
Contents
of Volume IV
75
Eros and Thanatos: Hollywood and the Teenage Marketplace
210
Thomas Doherty
Part III
1989-1998 233
76
Oliver Stone: Hollywood Historian
235
Robert A. Rosenstone
77
Black Crossover Cinema
255
Krìth
Harris
78
The Queer
1990s:
The Challenge and Failure of Radical Change
272
Michael Bronski
79 24/7:
Cable Television, Hollywood, and the Narrative
Feature Film
296
Barbara Klinger
80
Plasmatics and Prisons: The Morph and the Spectacular
Emergence of CGI
318
Kristen
Whüsel
Part IV 1999-Present
339
81
Mainstream Documentary since
1999 341
Patricia Aufderheide
82
Truthiness Is Stranger than Fictition: The New Biopic
365
Michael Sicinski
83
The
Coen
Brothers and the Post-Hollywood Studio Era
386
William Luhr
84
Asia as Global Hollywood Commodity
406
Kenneth Chan
85
The Blockbuster Superhero
427
Bart
Beaty
86
Computer Animation: Margins to Mainstream
448
Paul Wells
87
Limited Engagement: The Iraq War on Film
472
Susan L. Carruthers
88
American Film after
9/11 495
Stephen Prince
Contents
of
Volume
IV
vii
Part V Film and Culture: Summary Essays
515
89
The Biggest independent Pictures Ever Made:
Industrial
Reflexivity
Today
517
J. D. Connor
90
The End of Cinema (As We Know It): American Movies and
Movie Business,
1995-2009 542
Jon Lewis
Index
562
A tremendous double achievement: both a definitive collation of American
cinema s history and a presentation of the personal perspectives of the top
scholars working productively on that history. A research must-have!
Dana
Polan,
New York University
The editors have assembled a rich collection that provides authoritative,
scholarly coverage of the key industrial, social, and aesthetic elements of
American film history.
Brian Neve, University of Bath
The Wiley-Blackwell History of American Film is the first multi-volume reference
of its kind, assembling the work of a diverse group of scholars who interrogate
the entirety of American cinema. Unabashedly ambitious, deeply historical, and
unprecedented in its multi-faceted examination of
fílm
history, this is the most
striking and authoritative collection of fresh investigations available in one state-
of-the-art resource.
These volumes offer essays on a number of specialized topics that, taken as a
whole, represent a comprehensive and nuanced overview of American
fílm
history
from the intersecting perspectives of industry, audiences, aesthetics, culture,
politics, issues, and ideology.
The contributions investigate: the industrial and institutional component of
fílm,
including studio production, distribution, and marketing; larger political,
social, and economic factors, such as the Great Depression and World War II that
informed industrial change and framed the reception of films; and individual
artists, writers, directors, producers, and stars.
Volume IV:
1976
to the Present
In the post-Vietnam, New Right era, America and its cinema shifted toward
family values and a new love affair with consumption that extended to advances
in media technology. Volume Four examines the period from
1976 -
when black
independent, avant-garde, and feminist filmmakers were producing challenging
and unconventional works
-
to the present, when digital imaging is redefining the
very concept of cinema. Essays explore the convergence of
fílm
with new media
such as cable television and the application of CGI, IMAX, and
3D.
The volume
also treats such current concerns as black crossover and queer cinema, the
documentary as an emerging mainstream form, and
fílm
in the shadow of
9/11.
Online edition available on Wiley Online Library at www.historyofamencanfitm.com
Cover image:
lohn
Turturro and Spike Lee in Do the Right Thing,
1989 (dir.
Spike Lee).
Photo: Universal The Kobal Collection.
Cover design: www.simonlevyassodates.co.uk
ISBN
978-1-4051-7984-3
-
BLACKWELL
9 781
40511
17 8 3
|
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| spelling | The Wiley-Blackwell history of American film 4 1976 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon 1. publ. Malden Wiley-Blackwell 2012 XXIII, 612 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte Anfänge-1928 gnd rswk-swf Geschichte 1977-2011 gnd rswk-swf Geschichte 1946-1975 gnd rswk-swf Geschichte 1929-1945 gnd rswk-swf Geschichte gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Geschichte 1977-2011 z DE-604 Geschichte 1929-1945 z Geschichte Anfänge-1928 z Geschichte 1946-1975 z Geschichte z Lucia, Cynthia Sonstige (DE-588)159031117 oth Grundmann, Roy 1963- Sonstige (DE-588)174374127 oth Simon, Art Sonstige oth (DE-604)BV039618837 4 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024469304&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024469304&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | The Wiley-Blackwell history of American film |
| title_auth | The Wiley-Blackwell history of American film |
| title_exact_search | The Wiley-Blackwell history of American film |
| title_full | The Wiley-Blackwell history of American film 4 1976 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_fullStr | The Wiley-Blackwell history of American film 4 1976 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_full_unstemmed | The Wiley-Blackwell history of American film 4 1976 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_short | The Wiley-Blackwell history of American film |
| title_sort | the wiley blackwell history of american film 1976 to the present |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film USA |
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