The Wiley-Blackwell history of American film: 1 Origins to 1928
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Malden
Wiley-Blackwell
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | XX, 532 S. Ill. |
| ISBN: | 9781405179843 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
OF VOLUME
I
Origins to
1928
Full Table of Contents
vii
Preface
xiii
Acknowledgments
xvi
Contributors to Volume I
xvii
Part I Setting the Stage
1
Introduction to Volume I: American Film, Origins to
1928 3
1
Writing American Film History
19
Robert Sklar
Part II Origins to
1914 37
2
The Early Cinema of Edwin S. Porter
39
Charles Musser
3
From Peep Show to Picture Palace: The Early Exhibition
of Motion Pictures
87
Richard Abel
4
The Imagined Audience in the Nickelodeon Era
109
Richard Butsch
5
D. W. Griffith and the Development of American
Narrative Cinema 13°
Charlie
Keil
6
Pink-Slipped: What Happened to the Women
in the Silent Film Industry? 155
Jane M.
Gaines
Part III
1915-1928 179
7
Women and the Silent Screen 181
Shelley Stamp
8
The Poor Little Rich Girl : Class and Embodiment
in the Films of
Mary Pickford 207
Victoria Sturtevant
vi
Contents
of Volume I
9
African-Americans and Silent Films
228
Paula J. Massood
10
Chaplin and Silent Film Comedy
251
Charles J. Mahnd
11
The Devil in the Details: Thomas
Ince, Intertitles,
and the Institutionalization of Writing in American Cinema
271
Torey
Liepa
12
Erich
von
Stroheim and Cecil B.
DeMille:
Early Hollywood
and the Discourse of Directorial Genius
293
Gaylyn
Studiar
13
In the Trenches, On the Screen: World War I on Film
313
Andrew Kelly
14
American Modern: King Vidor s The Crowd
332
David A.
Gerstner
15
The Star System
349
Mark Lynn Anderson
16
Immigrant Stardom in Imperial America:
Pola
Negri
and the Problem of Typology
371
Diane
Negra
17
Unsophisticated Lady: The Vicissitudes
of the Maternal Melodrama in Hollywood
397
Leajacobs
18
Two or Three Things We Thought We Knew
about Silent Film Sound
417
Rick
Altman
19
Synchronized Sound Comes to the Cinema
438
Paul Young
Part IV Film and Culture: Summary Essays
461
20
Helios and the Apocalypse: Visions of American History
in Films by Griffith, Ford, and Stroheim
463
Nicholas Baer
21
Self-Reflection in American Silent Film
483
Charles Warren
Index 502
cinema s
history and a presentation of the personal perspectives of the top
scholars working productively on that history. A research must-have!
Dana
Polan,
New York University
The editors have assembled a rich collection that provides authoritative,
scholarly coverage of the key industrial, social, and aesthetic elements of
American film history.
Brian Neve, University of Bath
The Wiley-Blackwell History of American Film is the first multi-volume reference
of its kind, assembling the work of a diverse group of scholars who interrogate
the entirety of American cinema. Unabashedly ambitious, deeply historical, and
unprecedented in its multi-faceted examination of
fílm
history, this is the most
striking and authoritative collection of fresh investigations available in one state-
of-the-art resource.
These volumes offer essays on a number of specialized topics that, taken as a
whole, represent a comprehensive and nuanced overview of American
fílm
history
from the intersecting perspectives of industry, audiences, aesthetics, culture,
politics, issues, and ideology.
The contributions investigate: the industrial and institutional component of
fílm,
including studio production, distribution, and marketing; larger political,
social, and economic factors, such as the Great Depression and World War II that
informed industrial change and framed the reception of films; and individual
artists, writers, directors, producers, and stars.
Volume I: Origins to
1928
The essays in Volume One concentrate on early cinema pioneers like Griffith,
Porter, Chaplin, and formative events and practices such as the industry s move to
the West and the coming of sound in
fílm.
The essays trace American cinema from
its chaotic early years to a stabilized commercial industry that would go on to
dominate world screens.
Online edition available on Wiley Online Library at www.historyofamericanfilm.com
Cover ¡mage: Intolerance .
1916.
Photo: Wark Production Company Album akg-images
Cover design: www.simonlevyassociates.co.uk
ISBN
978-1-4051-7984-3
^WILEY-BLACKWELL
www. wiley.
coni
wi
9
vei
405 179843
|
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| title | The Wiley-Blackwell history of American film |
| title_auth | The Wiley-Blackwell history of American film |
| title_exact_search | The Wiley-Blackwell history of American film |
| title_full | The Wiley-Blackwell history of American film 1 Origins to 1928 edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_fullStr | The Wiley-Blackwell history of American film 1 Origins to 1928 edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_full_unstemmed | The Wiley-Blackwell history of American film 1 Origins to 1928 edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_short | The Wiley-Blackwell history of American film |
| title_sort | the wiley blackwell history of american film origins to 1928 |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film USA |
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