The Oxford handbook of sound studies:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York, NY
Oxford University Press
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 593 Seiten Illustrationen, Diagramme 25 cm |
| ISBN: | 9780195388947 0195388941 9780199995813 0199995818 |
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| 245 | 1 | 0 | |a The Oxford handbook of sound studies |c edited by Trevor Pinch and Karin Bijsterveld |
| 246 | 1 | 3 | |a Sound studies |
| 264 | 1 | |a Oxford ; New York, NY |b Oxford University Press |c 2012 | |
| 300 | |a XII, 593 Seiten |b Illustrationen, Diagramme |c 25 cm | ||
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| 505 | 8 | |a Contributors ; List of Figures ; Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld ; SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES ; 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith ; 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun ; 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs ; 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld ; SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD ; 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx ; 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich ; 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell ; SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB ; 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson ; 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody ; 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper ; SECTION IV: SPEAKING FOR THE BODY: THE CLINIC ; 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz ; 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice ; 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills ; SECTION V: EDITING SOUND: THE DESIGN STUDIO ; 14. Sound and Player Immersion in Digital Games - Mark Grimshaw ; 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington ; | |
| 505 | 8 | |a 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor ; SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND ; 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers ; 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora ; 19.The Amateur in the Age of Mechanical Music - Mark Katz ; 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades ; SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE ; 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche ; 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull ; 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama ; Index | |
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Datensatz im Suchindex
| _version_ | 1804148454191005696 |
|---|---|
| adam_text | CONTENTS
CONTRIBUTORS
XI
ABOUT
THE
COMPANION
WEBSITE
XIII
NEW KEYS
TO THE
WORLD
OF
SOUND
3
TREVOR
PINCH
AND
KARIN
BIJSTERVELD
SECTION
I
REWORKING MACHINE
SOUND:
SHOP FLOORS AND TEST
SITES
I.
THE
GARDEN
IN
THE
MACHINE:
LISTENING
TO
EARLY AMERICAN
INDUSTRIALIZATION
39
MARK
M.
SMITH
2.
TURNING
A
DEAF
EAR? INDUSTRIAL
NOISE
AND
NOISE
CONTROL
IN
GERMANY
SINCE
THE
19205
58
HANS-JOACHIM
BRAUN
3.
SOBBING,
WHINING,
RUMBLING :
LISTENING
TO
AUTOMOBILES
AS
SOCIAL
PRACTICE
79
STEFAN
KREBS
4.
SELLING
SOUND:
TESTING, DESIGNING,
AND
MARKETING
SOUND
IN
THE
EUROPEAN
CAR INDUSTRY
102
EEFJE
CLEOPHAS
AND
KARIN BIJSTERVELD
SECTION
II STAGING
SOUND FOR
SCIENCE AND ART: THE
FIELD
5.
SOUND
STERILE:
MAKING
SCIENTIFIC
FIELD
RECORDINGS
IN ORNITHOLOGY
127
JOERI
BRUYNINCKX
6.
UNDERWATER MUSIC:
TUNING
COMPOSITION
TO THE
SOUNDS
OF
SCIENCE
151
STEFAN
HELMREICH
7.
A
GRAY BOX:
THE PHONOGRAPH
IN
LABORATORY
EXPERIMENTS
AND
FIELDWORK,
1900-1920
176
JULIA
KURSELL
SECTION
III STAGING
SOUND FOR
SCIENCE AND ART: THE
LAB
8.
FROM
SCIENTIFIC INSTRUMENTS
TO
MUSICAL
INSTRUMENTS:
THE TUNING FORK,
THE
METRONOME,
AND
THE
SIREN
201
MYLES
W. JACKSON
9.
CONVERSIONS:
SOUND
AND
SIGHT,
MILITARY
AND
CIVILIAN
224
CYRUS
C.
M. MODY
VIII
CONTENTS
IO.
THE SEARCH
FOR
THE
KILLER
APPLICATION :
DRAWING
THE
BOUNDARIES
AROUND
THE
SONIFICATION
OF
SCIENTIFIC
DATA
249
ALEXANDRA SUPPER
SECTION
IV
SPEAKING FOR
THE
BODY: THE CLINIC
II.
INNER
AND
OUTER SANCTA:
EARPLUGS
AND
HOSPITALS
273
HILLEL
SCHWARTZ
12.
SOUNDING
BODIES:
MEDICAL
STUDENTS
AND
THE
ACQUISITION
OF
STETHOSCOPIC
PERSPECTIVES
298
TOM
RICE
13.
DO SIGNALS
HAVE
POLITICS?
INSCRIBING
ABILITIES IN
COCHLEAR IMPLANTS
320
MARA MILLS
SECTION
V EDITING SOUND: THE DESIGN STUDIO
14.
SOUND
AND
PLAYER
IMMERSION
IN
DIGITAL
GAMES
347
MARK GRIMSHAW
15.
THE SONIC
PLAYPEN:
SOUND
DESIGN
AND
TECHNOLOGY
IN
PIXAR S
ANIMATED SHORTS
367
WILLIAM WHITTINGTON
I6.
THE
AVANT-GARDE
IN
THE
FAMILY ROOM: AMERICAN
ADVERTISING
AND
THE
DOMESTICATION
OF
ELECTRONIC MUSIC
IN
THE
I96OS
AND
19706 387
TIMOTHY D.
TAYLOR
SECTION
VI
CONSUMING SOUND AND
MUSIC:
THE
HOME AND
BEYOND
17.
VISIBLY AUDIBLE:
THE
RADIO DIAL
AS
MEDIATING INTERFACE
411
ANDREAS
FICKERS
18.
FROM
LISTENING
TO
DISTRIBUTION: NONOFFICIAL
MUSIC
PRACTICES IN HUNGARY
AND
CZECHOSLOVAKIA
FROM
THE
196OS
TO THE
198OS
440
TREVER HAGEN
WITH
TIA DENORA
19.
THE
AMATEUR
IN
THE
AGE
OF
MECHANICAL MUSIC
459
MARK KATZ
20.
ONLINE
MUSIC
SITES
AS
SONIC
SOCIOTECHNICAL
COMMUNITIES:
IDENTITY, REPUTATION,
AND
TECHNOLOGY
AT
ACIDPLANET.
COM 480
TREVOR
PINCH
AND
KATHERINE
ATHANASIADES
SECTION VII MOVING SOUND
AND
MUSIC:
DIGITAL
STORAGE
21.
ANALOG
TURNS
DIGITAL:
HIP-HOP,
TECHNOLOGY,
AND
THE
MAINTENANCE
OF
RACIAL AUTHENTICITY
505
RAYVON FOUCHG
CONTENTS
IX
22.
IPOD
CULTURE: THE TOXIC
PLEASURES
OF
AUDIOTOPIA
526
MICHAEL
BULL
23.
THE
RECORDING
THAT
NEVER
WANTED
TO
BE HEARD
AND
OTHER
STORIES
OF
SONIFICATION
544
JONATHAN
STERNE
AND
MITCHELL AKIYAMA
INDEX
561
|
| any_adam_object | 1 |
| author2 | Pinch, Trevor J. 1952-2021 |
| author2_role | edt |
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| author_GND | (DE-588)120774151 |
| author_facet | Pinch, Trevor J. 1952-2021 |
| building | Verbundindex |
| bvnumber | BV039611163 |
| callnumber-first | Q - Science |
| callnumber-label | QC225 |
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| callnumber-search | QC225.15 |
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| callnumber-subject | QC - Physics |
| classification_rvk | LR 57790 UF 6000 |
| contents | Contributors ; List of Figures ; Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld ; SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES ; 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith ; 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun ; 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs ; 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld ; SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD ; 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx ; 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich ; 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell ; SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB ; 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson ; 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody ; 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper ; SECTION IV: SPEAKING FOR THE BODY: THE CLINIC ; 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz ; 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice ; 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills ; SECTION V: EDITING SOUND: THE DESIGN STUDIO ; 14. Sound and Player Immersion in Digital Games - Mark Grimshaw ; 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington ; 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor ; SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND ; 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers ; 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora ; 19.The Amateur in the Age of Mechanical Music - Mark Katz ; 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades ; SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE ; 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche ; 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull ; 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama ; Index |
| ctrlnum | (OCoLC)774129684 (DE-599)BVBBV039611163 |
| dewey-full | 534 |
| dewey-hundreds | 500 - Natural sciences and mathematics |
| dewey-ones | 534 - Sound and related vibrations |
| dewey-raw | 534 |
| dewey-search | 534 |
| dewey-sort | 3534 |
| dewey-tens | 530 - Physics |
| discipline | Physik Musikwissenschaft |
| format | Book |
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The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith ; 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun ; 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs ; 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld ; SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD ; 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx ; 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich ; 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell ; SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB ; 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson ; 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody ; 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper ; SECTION IV: SPEAKING FOR THE BODY: THE CLINIC ; 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz ; 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice ; 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills ; SECTION V: EDITING SOUND: THE DESIGN STUDIO ; 14. Sound and Player Immersion in Digital Games - Mark Grimshaw ; 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington ;</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor ; SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND ; 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers ; 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora ; 19.The Amateur in the Age of Mechanical Music - Mark Katz ; 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades ; SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE ; 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche ; 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull ; 23. 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV039611163 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:07:23Z |
| institution | BVB |
| isbn | 9780195388947 0195388941 9780199995813 0199995818 |
| language | English |
| lccn | 2010046062 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024461795 |
| oclc_num | 774129684 |
| open_access_boolean | |
| owner | DE-11 DE-29 DE-355 DE-BY-UBR DE-83 DE-20 DE-188 DE-210 |
| owner_facet | DE-11 DE-29 DE-355 DE-BY-UBR DE-83 DE-20 DE-188 DE-210 |
| physical | XII, 593 Seiten Illustrationen, Diagramme 25 cm |
| psigel | DHB_AHF_ISBN_2012 |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | The Oxford handbook of sound studies edited by Trevor Pinch and Karin Bijsterveld Sound studies Oxford ; New York, NY Oxford University Press 2012 XII, 593 Seiten Illustrationen, Diagramme 25 cm txt rdacontent n rdamedia nc rdacarrier Contributors ; List of Figures ; Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld ; SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES ; 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith ; 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun ; 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs ; 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld ; SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD ; 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx ; 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich ; 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell ; SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB ; 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson ; 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody ; 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper ; SECTION IV: SPEAKING FOR THE BODY: THE CLINIC ; 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz ; 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice ; 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills ; SECTION V: EDITING SOUND: THE DESIGN STUDIO ; 14. Sound and Player Immersion in Digital Games - Mark Grimshaw ; 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington ; 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor ; SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND ; 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers ; 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora ; 19.The Amateur in the Age of Mechanical Music - Mark Katz ; 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades ; SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE ; 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche ; 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull ; 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama ; Index Sound Sounds Noise Lärm (DE-588)4034046-6 gnd rswk-swf Geräusch (DE-588)4129296-0 gnd rswk-swf Schall (DE-588)4129541-9 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Klang (DE-588)4030933-2 s Lärm (DE-588)4034046-6 s Geräusch (DE-588)4129296-0 s Musik (DE-588)4040802-4 s Schall (DE-588)4129541-9 s DE-604 Pinch, Trevor J. 1952-2021 (DE-588)120774151 edt Digitalisierung Deutsches Museum application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024461795&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford handbook of sound studies Contributors ; List of Figures ; Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld ; SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES ; 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith ; 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun ; 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs ; 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld ; SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD ; 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx ; 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich ; 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell ; SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB ; 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson ; 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody ; 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper ; SECTION IV: SPEAKING FOR THE BODY: THE CLINIC ; 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz ; 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice ; 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills ; SECTION V: EDITING SOUND: THE DESIGN STUDIO ; 14. Sound and Player Immersion in Digital Games - Mark Grimshaw ; 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington ; 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor ; SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND ; 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers ; 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora ; 19.The Amateur in the Age of Mechanical Music - Mark Katz ; 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades ; SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE ; 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche ; 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull ; 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama ; Index Sound Sounds Noise Lärm (DE-588)4034046-6 gnd Geräusch (DE-588)4129296-0 gnd Schall (DE-588)4129541-9 gnd Musik (DE-588)4040802-4 gnd Klang (DE-588)4030933-2 gnd |
| subject_GND | (DE-588)4034046-6 (DE-588)4129296-0 (DE-588)4129541-9 (DE-588)4040802-4 (DE-588)4030933-2 (DE-588)4143413-4 |
| title | The Oxford handbook of sound studies |
| title_alt | Sound studies |
| title_auth | The Oxford handbook of sound studies |
| title_exact_search | The Oxford handbook of sound studies |
| title_full | The Oxford handbook of sound studies edited by Trevor Pinch and Karin Bijsterveld |
| title_fullStr | The Oxford handbook of sound studies edited by Trevor Pinch and Karin Bijsterveld |
| title_full_unstemmed | The Oxford handbook of sound studies edited by Trevor Pinch and Karin Bijsterveld |
| title_short | The Oxford handbook of sound studies |
| title_sort | the oxford handbook of sound studies |
| topic | Sound Sounds Noise Lärm (DE-588)4034046-6 gnd Geräusch (DE-588)4129296-0 gnd Schall (DE-588)4129541-9 gnd Musik (DE-588)4040802-4 gnd Klang (DE-588)4030933-2 gnd |
| topic_facet | Sound Sounds Noise Lärm Geräusch Schall Musik Klang Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024461795&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT pinchtrevorj theoxfordhandbookofsoundstudies AT pinchtrevorj soundstudies |