Pop music and easy listening:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farmham [u.a.]
Ashgate Publ.
2011
|
| Schriftenreihe: | The library of essays on popular music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXX, 523 S. Ill., Notenbeisp. |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804148437052030976 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Series Preface
ix
Introduction
xi
PART I AESTHETICS AND AUTHENTICITY
1
Joseph Auner
(2003),
Sing it for Me :
Posthuman
Ventriloquism in Recent
Popular Music , Journal of the Royal Musical Association,
128,
pp.
98-122. 3
2
Simon Frith
(1986),
Art versus Technology: The Strange Case of Popular
Music , Media, Culture
&
Society,
8,
pp.
263-79. 29
3
Simon Frith and Jon Savage
( 1993),
Pearls and Swine: The Intellectuals and
the Mass Media , New Left Review,
198,
pp.
107-16. 47
4
Stan Hawkins and John Richardson
(2007),
Remodeling Britney Spears:
Matters of Intoxication and Mediation , Popular Music and Society,
30,
pp.
605-29. 57
5
Antoine
Hennion (1983),
The Production of Success: An Anti-Musicology
of the Pop Song , Popular Music,
3,
pp.
159-93. 83
6
Leslie M. Meier
(2008),
In Excess? Body Genres, Bad Music, and the
Judgment of Audiences , Journal of Popular Music Studies,
20,
pp.
240-60. 119
7
Robert Toft
(2010),
Hits and Misses: Craning a Pop Single for the Top-40
Market in the
19608 ,
Popular Music,
29,
pp.
267-81. 141
PART II GROOVE, SAMPLING AND PRODUCTION
8
Albert
Auster (1999),
Frank Sinatra: The Television Years
- 1950-1960 ,
Journal of Popular Film
&
Television,
26,
pp.
166-74 [159-67]. 159
9
Anne Danielsen and Arnt Maase
(2009),
Mediating Music: Materiality and
Silence in Madonna s Don t Tell Me , Popular Music,
28,
pp.
127-42. 169
10
Andrew Goodwin
(1988),
Sample and Hold: Pop Music in the Digital Age
of Reproduction
,
Critical Quarterly,
30,
pp.
34-49. 185
11
Mark
Hustwitt (1983),
Caught in a Whirlpool of Aching Sound : The
Production of Dance Music in Britain in the
1
920s
,
Popular Music,
3,
pp.
7-31. 201
12
Dafiia Lemish
(2003),
Spice World: Constructing Femininity the Popular Way ,
Popular Music and Society,
26,
pp.
17-29. 227
13
Lawrence M. Zbikowski
(2004),
Modelling the Groove: Conceptual Structure
and Popular Music , Journal of the Royal Musical Association,
129,
pp.
272-97. 241
vi Pop
Music and Easy Listening
PART III SUBJECTIVITY, ETHNICITY AND POLITICS
14
Barbara Bradby
(1992),
Like a Virgin-Mother? Materialism and Maternalism
in the Songs of Madonna , Cultural Studies,
6,
pp.
73-96. 269
15
Dale Chapman
(2008),
That 111, Tight Sound : Telepresence and Biopolitics
in Post-Timbaland Rap Production , Journal of the Society for American Music,
2,
pp.
155-75. 293
16
Eric F. Clarke and Nicola Dibben
(2000),
Sex, Pulp and Critique , Popular
Music,
19,
pp.
231-41. 315
17
Martin Cloonan
(1999),
Pop and the Nation-State: Towards a Theorisation ,
Popular Music,
18,
pp.
193-207. 327
18
Kay Dickinson
(2001),
Believe ? Vocoders, Digitalised Female Identity and
Camp, Popular Music,
20,
pp.
333-47. 343
19
Susan Fast and Karen Pegley
(2006),
Music and Canadian Nationhood Post
9/11:
An Analysis
οι
Music Without Borders: Live , Journal of Popular Music
Studies,
Í8,
pp.
18-39. 359
20
Jon Fitzgerald
(2007),
Black Pop Songwriting
1963-1966:
An Analysis of
U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and
Holland-Dozier-Holland , Black Music Research Journal,
27,
pp.
97-140. 381
21
Ken McLeod
(2006),
Ά
Fifth of Beethoven : Disco, Classical Music, and
the Politics of Inclusion , American Music,
24,
pp.
347-63. 425
22
John Richardson
(2005),
The Digital Won t Let Me Go : Constructions of
the Virtual and the Real in Gorillaz Clint Eastwood , Journal of Popular
Music Studies,
17,
pp.
1-29. 443
23
David Sanjek
(1999),
Navigating the Channel : Recent Scholarship on
African-American Popular Music , Journal of Popular Music Studies,
11,
pp.
167-92. 473
24
Robert
Walser (1994),
Prince as Queer
Poststructuralist ,
Popular Music and
Society,
18,
pp.
79-89. 499
Name Index
511
|
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